‘Talitha’ (Frankenstein Re-visited): A Tale

Copyright 2023


Prologue


“Am I still the vessel reserved for your malice, the unlucky recipient of your hatred?”


I clutched the railing of the ship, trying to keep my feet. The waves were rough this evening,
which was strange because there was very little wind. The furled sails hung limp overhead,
completely motionless. It seemed as though God had simply animated the sea with a blast of
lightning.


“I cannot say,” I replied honestly, eyeing the human silhouette in the fading light.
The man before me was tall, unnaturally so. I was grateful that he was facing away from me,
for I had been tormented my entire life by the memory of his demonic face. My every dream was haunted by his hideous features: his yellow skin, glassy eyes, deformed visage, and thin, black lips. I fainted the first time I ever saw him, and it was a testament to my strength that I did not do so now.


“You had both right and reason to harm me,” said the creature. “I killed young William
Frankenstein and framed Justine Moritz for his murder—a crime for which she was hanged. I
killed Henry Clerval in England, and then I returned home to kill Elizabeth Frankenstein on the very night of her wedding. My villainy reeks to heaven. I should simply have taken revenge upon my creator, and him alone. I instead destroyed all that he loved, killing the innocents around him. The world of men stripped away my innocence with its rejection. I felt that I was entitled to respond in kind.”


I dropped a hand to my skirt, feeling the dagger underneath it. The weapon was strapped to
my thigh, as it had been since I was sixteen years old. A brief moment of immodesty would place it in my hand, and I could have my vengeance once again.


But I would find no peace in doing such a thing. This I now knew. “You were a child,” I said. “No one taught you right from wrong. No one raised you, sheltered you. Even your creator recoiled in horror at the first sight of your face. Children act on instinct, on rage, and passion. Whatever guilt exists in your deeds can be laid at Frankenstein’s feet. He abandoned you. He lied to you and broke his word when he refused to make you a mate. He left you alone and despised. The deaths of William, Justine, Henry, and Elizabeth are his atrocities, not yours. Victor Frankenstein chose to play God, and he paid the price for his evil. That you were that price is no fault of yours. He gave you life, but he did not teach you how to live.”


“Do you truly believe that?”


“I do,” I said firmly.


“Can you ever bring yourself to look upon my face again? It is strange. One of the first times
that I set foot upon a ship, I came to bid a tearful farewell to my hated creator. He sewed me
together from stolen corpses and brought me to miserable life. I despised him, but I mourned
him, nevertheless. Here I stand now, at sea once again. Can you bear to look at me?”


“Yes.” The word was difficult to say, but my tone was resolute.


The monster turned to face me, but all I could see in the darkness was the gleam in his eyes.


“What shall we do now?” he whispered.


Chapter One

To know the name for something is to create intimacy with it.


When one knows the name for something—or someone—that knowledge creates a bond.
One can share the nature of the thing with another. One can whisper the name with affection, or with hatred.


To know the name for something is also to seize power over it. One can praise that name, or
even elevate it to a higher station. One can also blaspheme that name, and heap shame upon it.


My name is Agatha DeLacey, but I do not use it. I would not give others power over me,
either for adulation or for slander. The surname “DeLacey” is one of ill repute in France, and my full name is morbidly familiar in certain literary circles. So, I protect the name of Agatha
DeLacey by using another: Talitha de Morte.


I adopted the name when I was eighteen. I am French by birth, and I developed a respectable
grasp of languages during my university training. Mort is the French word for “death,” and
talitha is Aramaic for “little girl.”


It is a fitting name, for when I was sixteen, my innocence—my naivete—was stolen from me.


How this occurred is a strange story.


In 1818, a young lady named Mary Shelley published a novel entitled ‘Frankenstein.’ Mary
Shelley was the daughter of an anarchist, and the oft-betrayed wife of the besotted, philandering poet Percy Bysshe Shelley. The reading public was not at all surprised when such a scandalous character penned such a tale.


Frankenstein’ was published as a series of letters between the ship captain Robert Walton and
his sister, Margaret Saville. The world believes that those letters are simply the maudlin’
imaginings of a disturbed young woman. I know the truth of the matter, although no one will
ever know how young Mary came to be in possession of those letters.


Robert Walton was real. Margaret Saville was real. They could still be alive, although I do
not know this for certain.


But this is a truth of even more importance: Victor Frankenstein was real, although he is now
deceased.


His monster was also real.


I was sixteen when he entered my family’s cottage, seeking solace, and comfort. I was there
with my older brother, Felix, and his lover, Safie. My old, blind father was sitting near the fire,
as he often did.


I fainted when I saw the creature.


We fled immediately to Hamburg, desperate to escape the vile golem. I did not know what he
was then, although the letters of Robert Walton would eventually reveal the truth to me.


It was in Hamburg that disaster overtook our family.


The scarlet fever was the local epidemic du jour. Safie, being Arabian, and unaccustomed to
European illnesses, was the first to perish. My father, being elderly, followed her in short order.


Felix was the last to die. He was a young, strapping man, but he had exhausted himself caring
for Safie and my father.


When he took his last breath, I was left alone in the world.


The Americans say that God works in mysterious ways, and perhaps this is true. I had
abandoned all hope and accepted my fate as a destitute woman. I would become a beggar,
perhaps even a prostitute. Young girls with shapely figures and golden hair make an easy living as prostitutes.

Then a letter arrived from Paris.


The French government confiscated the DeLacey family fortune, as punishment for some of
my father’s political dealings. We fled to Germany as paupers. But political winds often shift,
and the winds suddenly shifted in our favor. Our fortune was restored, and, as the only surviving heiress, it was granted to me.

I was well educated before my family fled my native country, and I was desirous to expand
my wealth of knowledge. Thus, I went to Geneva, Switzerland to pursue a medical education.
The Swiss are more respectful of women than the English or the Germans. A woman might earn a place in Swiss society, if she works hard enough.


I did not have an easy road of it, constantly having to prove myself in a world governed by
men. University was difficult for me, and all I had was my father’s guitar to comfort me. Still I
persevered, and I became a proper doctor at the tender age of twenty-four. In spite of my success, the memory of the monster’s visit never left me, and never stopped haunting my dreams.


After Felix succumbed to his illness, I bought a dagger and strapped it to my thigh. I have
been carrying it ever since. Should I ever see the creature’s hideous face again, I thought, I
would be ready.


I found settling into one place difficult and finally gave up trying. I took a position as a ship’s
doctor on the Virgin Mary—a British merchant vessel that sails the trade routes of the Caribbean.


I learned to accept that I might live a lonely life. I am too guarded, and too damaged, for one to engage in a romantic manner. I thought spinsterhood would be my fate.


Then I met Ben.


Chapter Two


Piracy on the high seas has been waning since the defeat of Jean Laffite. But it still exists,
and it is best not to forget that it does. Romantic novels often portray pirates as glamorous
creatures, but I know better.


Pirates are savages.


I was lying in my hammock, fast asleep. I enjoy hammocks, the way they sway with the
motion of the ship. It is like being rocked to sleep. I also find comfort in the sound of the waves lapping against the hull. I always slept like an infant at sea, and I was doing so upon that fateful night.


The creaking of ropes, the flapping of sails, and even the sounds of sailors walking the deck
above my tiny room were not sufficient to awaken me.


The gunshot was.


I rolled out of my hammock and opened the porthole to let some moonlight in. I could hear
shouting above me. I checked to ensure that my door was locked and waited anxiously. Perhaps it was simply a violent dispute among some of the deck hands, but I knew—deep down—that it was not. Captain Dillard was a fair, decent leader, but he also maintained strict discipline among his men.


So I waited.


I heard several men running below deck, followed by an urgent knocking on my door. My
heart began pounding furiously.


“Who is it?” I called.


“Worthington, ma’am! You must let us in!” Worthington was the first mate, a man whom I was inclined to trust. But I could also imagine a cutlass being held to his throat.


“What is your business?” I shouted.


“Big Ben has been shot.”


This could still be a trick. I had the brief thought that I might end up being violated, but I am
a doctor—a creature of duty—and I had taken an oath. I opened the door, relieved to see that the first mate was not being held hostage. He and a crew member were holding up the “able seaman” known only to me as Ben. I took the oil lantern from the crewman and ushered everyone inside.


Blood was pouring down Ben’s chest, staining his white shirt with crimson stripes. I
unlatched my hinged operating table from the wall and lowered it to the floor. The first mate and the crewman struggled mightily to get Ben onto the table, but they managed.


I opened my bag, pulled out my scissors, and began cutting open Ben’s shirt. “What
happened?” I asked.


“Pirates, no more than a dozen,” said Worthington, “aboard a small schooner. They must
have been desperate to attack a ship this size. They pulled alongside asking for supplies, but
when we let two of them aboard, they tried to hold the captain at gunpoint. The captain is safe. But Ben—”


I pulled open Ben’s shirt and looked at his wound.“Pistol ball to the shoulder,” I said grimly. “Straight through the ball-and-socket joint, and very near the artery. I shall have to remove his arm.”


Just then, Ben stirred. He grabbed my wrist, staring into my face with desperate, sky-blue
eyes.


“Not my arm,” he pleaded. “Please, do not take my arm.”

“I have no choice,” I said. “You will never use it again, and it will certainly become
gangrenous. I am sorry, my friend.”


“Please, simply remove the ball,” begged Ben.


“I may nick your artery, and I might be unable to staunch the bleeding. I must remove your
arm and cauterize the artery, or you will die.”


“Take the ball out,” said Ben firmly, his eyes hardening. “I will not give up one of my
limbs.”


“It is your choice, but I tell you that you will perish. Do not be a fool.”


“It is my arm, my good woman, and my foolish decision to make in regards to it!”


“So be it,” I conceded. “Worthington, if you would, please ask the second mate to sterilize
my instruments. He knows what to do. You—what is your name?”


“Locksley, ma’am.”


“Locksley, please help me secure Ben for surgery.”


My table has leather restraints bolted to it. It was difficult getting Ben secured, for he was a
frightfully large man—nearly seven feet tall, by my estimation, and as burly as a man could
possibly be. I had to make a number of adjustments to my equipment. Ben’s long, black pigtail I pulled to the side, lest he get blood in it, or hair in his wound.


Ben was beginning to fade as I waited impatiently for my sterilized instruments. I studied his
face curiously. He was fastidiously clean-shaven, as Captain Dillard requires of all his men. His face was strong, masculine, and more than a little handsome.


You are a beautifully foolish man, I thought, quite against my will.When Worthington returned, I asked Ben to open his mouth. I put a wooden rod between his
teeth and bound a leather cord around one end. The cord I then pulled around his head and tied securely to the other end of the rod.


“Thank you, Worthington,” I said. “Would you leave Locksley with me, please? I may
require assistance.”


“Of course, doctor. May God bless your hands.”


May God bless my hands, indeed, I thought, steeling myself.


Steadying my nerves, I reached for the scalpel.


Chapter Three


I woke late the next morning, feeling haggard. I had only slept for a few hours, but I judged it
best to rise anyway.


I drew some seawater for a sponge bath and tried to freshen myself as best I was able. The
cook was kind enough to prepare some boucan for me—dried, seasoned pork—which I ate with some bread, and my daily lime. As always, I was careful to put a splash of rum in my water to purify it, for dysentery is ever the seafarer’s nemesis.


I felt better after I ate and went to the sick bay.


There were two men there, an apprentice seaman who broke his leg falling from the rigging,
and Ben. I examined young Toby first.


“Your fever has broken,” I said. “That is a good sign. Bone marrow does not belong in the
blood, yes? Try to stretch your upper thigh so it does not stiffen.”


Satisfied that Toby was on the mend, I went to Ben’s bedside.


My heart was heavy. Had I done wrong in abiding by his wishes? Should I have taken his
arm, even without his consent? I stared off into space for a moment, unwilling to look at my
patient.


Then I felt him tugging on my skirt.


“Doctor de Morte,” he whispered. “Good morning.”


I looked down at him, stunned.


I had meant to check his pulse. The odds were not in favor of his surviving the night. I pulled
back his blanket, examining his wound.


“You are healing!” I said, shocked.


And indeed he was. The stitched lacerations looked as if they were days old, not fresh. “The
ball seriously damaged the bones in your shoulder,” I said. “Can you feel your arm?”


“Yes.”


“Can you move it? Any movement at all?”


Ben grimaced, but much to my amazement, he lifted his arm from the bed.


“How can this be?” I asked, laying a hand on Ben’s forehead to check his temperature.


Ben gently took my hand and placed it on his chest. “These hands saved me, and I will never
forget. Bless you, Talitha.”


I trembled as I stood there, unwillingly relishing the feel of his powerful, hairy chest beneath
my hand. No one ever calls me Talitha. It is always “ma’am” or “Doctor de Morte”, but never
Talitha. Somehow, the utterance seemed strangely intimate.


“Have you eaten?” I asked, in a whisper.


“I have not.”


“I shall bring you something to eat, and then I will sponge your wound. I will return shortly.”

“Thank you.”


I leaned against the wall as I left the sick bay, wondering why my heart was fluttering so. I
whispered the name by which Ben had called me, remembering the way he said it: Talitha.


Chapter Four


I removed Ben’s stitches three days later.


I was amazed by how quickly—and thoroughly—he was healing. After three days, he’d
nearly regained the full use of his arm.


I was sitting in my room, with the porthole open to let the sea breeze in. I was wearing only
my underclothing, as I often did when I was alone. In regards to weather, the Caribbean is not
France, or Germany.


The Caribbean is hot.


I was scribbling restlessly in my sketch book. I took up drawing at university and was
surprised to discover that I had an aptitude for it. A few years of lessons made me quite
proficient.


I turned the page, mentally searching for an image that might strike my fancy.
Almost against my will, a face began to appear beneath my scratching charcoal stick.
It was a rugged face, a handsome face, with a pale gaze, and framed by hair as black as
midnight. I sketched into the late hours of the night, until the portrait was so realistic that I half expected it to speak to me.


I put down the sketch at last, trembling. What had come over me? I felt silly, like a schoolgirl
in love. I closed the sketch book, feeling my cheeks reddening.


But I could not get that face out of my mind’s eye.


I slipped on a dress, wondering what I was doing. I started to leave my room, but then I
paused.


I took a moment to select a book from my trunk before I headed for the sick bay. I was
stricken by how quiet it was below deck. The only men awake were topside, manning the sails. I opened the door to the sick bay, holding my oil lantern high.


Ben was asleep. He looked peaceful, and I could see the blanket rising and falling with his
breath. I stepped inside and closed the door.


He turned to face me and smiled.


“Hello, Talitha,” he said. “What brings you here at this hour?”


“I am discharging you,” I said.


“Now?”


“Partially. I find that when patients who have been lying down for too long first rise, they
often become giddy, or disoriented. So I will ask you to sit up for a while. If that agrees with
you, you may return to your feet on the morrow.”


“I see. What shall we do while I am sitting?”


“I—I thought I would read to you,” I said, blushing. “Do you like books?”


“I am very fond of books,” said Ben gravely. “Shall I read to you, doctor? It would be a good
way to ensure that I am not stricken by pneumonia.”


I looked down at my feet, suddenly realizing that I had not donned my shoes.


“I would like that,” I whispered, eyeing my toes.


I set my book down on the bench along the wall and pulled some blankets out of the supply
chest. I lined the back and seat with them, and then beckoned to Ben.“Do you need help?” I asked, patting the seat.


“I think not,” said Ben, throwing off his blanket. He rose and sat on the edge of the bed, his
eyes twinkling.


Then he rose and walked toward me. I shook as we sat down beside one another, and Ben
gently took the book from my hands.


“Don Quixote,” he said approvingly. “I am relieved. I was afraid you might have brought
some cumbersome medical treatise.”


I giggled at that and then slapped a hand to my mouth. I was suddenly appalled that I had
momentarily lost control of myself.


Ben turned to the opening page, and began reading in a deep, resonant voice.


“In a village of La Mancha, the name of which I have no desire to call to mind, there lived
not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing.”


I closed my eyes, borne away by the sound of Ben’s smooth, rich voice. I could hear the
breeze wafting through portholes, and the sea lapping against the hull, as it always did. The soft array of sounds sounded like a love ballad, played gently with instruments of both flesh and nature.


On impulse, I pulled the end of the blanket around myself and leaned against Ben.


He stiffened for a moment, although he did not falter in his reading.


Then—after a moment’s hesitation—he put his arm around me.


I lost myself in the story, the sound of the sea, and Ben’s comforting touch. He was sturdy,
and powerful. I had never before known what it was like to feel protected, to be sheltered by
someone stronger than I.


“The curate was tired and would not look into any more books, and so he decided that,
‘contents uncertified,’ all the rest should be burned; but just then the barber held open one, called The Tears of Angelica.”


I smiled and laid my head against Ben’s shoulder, overwhelmed by a pleasant sort of fatigue.


I awakened with a jolt the next morning, nearly falling out of my hammock.


Why was I in my hammock?


I was still wearing my dress. I hastily put on my shoes and searched the ship, until at last I
found Ben. He was in the storeroom, searching through the barrels of limes.


“Hello, doctor,” he said pleasantly. “Captain wants me to check for any bruised—or
molding—limes. It only takes one to spoil the whole barrel. He says I will be on ‘light duty’ for a few days.”


“How did I get to my room?” I demanded. “I do not remember waking up.”


“I carried you, of course,” said Ben pleasantly. “You looked so content that I could not bear
to rouse you.”


“That was foolish of you,” I scolded. “You could have injured yourself.”


“I did not, as you can see,” said Ben. “Would you care to examine me?”


“Cheeky!” I retorted.


Ben rose and walked toward me. He towered over my petite form, big enough to throw me
through the porthole if he wished.


But he did not.


Instead, he leaned down and kissed me.


I should have rebuffed him.But I did not.


Instead, I kissed him back, with a passion I had never before felt. I could smell his sweat and
taste his lime-laced breath. My head spun dizzily as he wrapped his arms around me and pulled me close. All I could do was keep kissing him.


Something in me hoped that that moment would never end—but naturally, it did. Ben gently
pulled his lips from mine and continued to hold me close as he looked down upon me.


“Mistress Talitha,” he said gravely, “may I have your permission to court you?”


“Upon one condition,” I whispered.


“What is that?”


“You must kiss me again,” I whispered. “Only then may you court me.”


Ben acquiesced, stirring up my passion even more strongly than he had the first time.


We only stopped when we heard boots coming down the corridor. I fled the room, keeping my face down as I walked past the puzzled sailor.


Ben went back to studiously inspecting his limes.


Chapter Five


Captain Dillard became aware of our relationship rather quickly. He was a seasoned leader,
our captain, and he paid studious attention to the goings-on of his ship.


Since Ben was not slacking in his duties—and I was not a crew member—he chose to let us
be, although he did make a point of telling us that he knew we were courting. I was grateful for his indulgence.


I climbed the ladder onto the deck, sighing.


I had just set a broken finger for one of the deck hands. He had been holding a rope tied to
the mainmast, when the wind suddenly changed. The rope pulled taught around his pointing
finger, snapping it like a twig. My patient was young, and rather unnerved by the injury. I did not have the heart to tell him that this would only be the first of many.


Such is life at sea.


I looked toward the setting sun, appreciating its miraculous beauty. It lit the sky in muted
shades of pink, orange, and purple, painting the sky with a spectacular array of colors. The sea was completely calm, with only a slight breeze lingering in the air.


The captain would be upset by the lack of headwinds, I knew. We would lose time on our
voyage. I, for one, appreciated the momentary sense of peace. I raised my head, smelling the air.


Then I smiled.


I headed for the aft section of our ship, following the sweet, aromatic smell of pipe smoke.
The Caribbean is famed for its fine tobacco, and most connoisseurs have their own preferred
blend.


I knew this blend.


It was Ben’s.


Ben was sitting on an inverted tar bucket, puffing away at his clay pipe. He held the pipe
away from me as I approached, careful to blow the smoke in the opposite direction.


“I do not mind,” I said, sitting down cross-legged beside him. “That smells wonderful.”


“Sometimes the ladies do not care for pipe smoke,” said Ben, running a hand through my
hair. “That is why proper houses have a smoking room for the gentlemen.”

“Most ladies do not live at sea,” I said, taking Ben’s hand, and kissing it. “You look idle, my
love.”


“I worked the sails most of the night,” said Ben, taking another puff, “and spent most of
today caulking the hull. Captain said I could have the evening to myself.”


“Will you share it with me?” I asked.


“I hoped you might say that,” said Ben, blowing a puff of smoke as he reached for the glass
jar secured between his feet. “The cook wanted the nigh-empty rum barrel out of his kitchen, so he dipped me some from the bottom before he moved it to the storeroom. Fate is smiling upon me today.”


Ben offered me the jar, and I took a long pull from it.


“That is good,” I said, wiping my lips as I handed it back. “Usually ship’s rum is quite
coarse, but this is smooth and sweet.”


“I thought so. I prefer rum from the bottom of the barrel. You can taste the oak in it.”


“It is also much stronger,” I said, giving Ben a wink. “Alcohol settles to the bottom, being
denser than water.”


“There is that,” agreed Ben, taking a drink.


“Why are you not sleeping?” I asked.


“I hoped that a pretty, golden-haired lady might visit me,” said Ben, rising just enough to
kick aside his bucket.


He sat down on the deck beside me and pulled me close. “I also hoped to see the whale,” he
said. “They do not often show themselves along this route, but I caught a glimpse of its tail this afternoon.”


“Whale?” I asked.


“Yes,” said Ben, carefully blowing his pipe smoke away from me. “I am fond of whales. They are large and powerful. They could crush a ship just by crashing onto it, but they do not.
They are creatures of peace, and beautiful in their own way.”


I leaned closer to Ben, cuddling tightly against him.


“Is it still here?” I asked. “The whale, I meant.”


“I do not know. I am hopeful, though.”


I laid my head on Ben’s shoulder, completely content. I enjoyed the sweet aroma of his pipe
smoke, and I could still taste rum.


In that moment, the world stopped its turning. There was only Ben and me, and the sunset,
and the calm sea. Nothing else existed.


My eyelids began to droop, as Ben held me close.


Then the whale breached the surface of the sea, frighteningly near the Virgin Mary.
Ben and I both sat bolt upright, wide-eyed as the creature crashed back into the sleepy
waters. Then we leaned back, laughing together as we were both hit with the splashing ocean
spray. The ship rocked below us as I giggled giddily, taking the rum jar from Ben.


“Are you satisfied?” I asked, taking a gulp. “You have seen your whale!”


“I am,” said Ben, taking the jar from me. “I appreciate any experience that puts me in the
moment.”


“In the moment?” I asked. “What does that mean?”


“Life is full of pain,” said Ben, taking a long draw from his pipe. “So often we dwell upon
what has been, or fret about what will be. We live our lives forever pulled in three directions: the past, the present, and the future. It is enough to drive one completely mad.”


“I do not understand,” I said.

“It is a rare moment, indeed,” said Ben, “in which a man can sit, and simply think that there
is nowhere he would rather be. A moment in which the past and future cease to exist, and there is only the time at hand.”


“I think I understand now.”


Ben looked down at me, with his alluring, sky-blue gaze. “I knew that you would,” he said,
setting aside his spent pipe. “For me, there is only this moment. This sunset, the sea, and you. We are sitting here together—wet—because we were drenched by a diving whale. How many others will have such an experience? When will we ever re-live a moment such as this?”


Ben leaned down, and I kissed him as I ran my hand through his thick hair.


“If we never see such a moment again,” I whispered as I pulled away, “I will still consider
myself blessed.”


“As will I,” said Ben, looking toward the dying sun.


Chapter Six


I stood in the bedroom of our borrowed house, trembling.


It had been three months since Ben and I had first kissed below the deck of the Virgin Mary.
Captain Dillard married Ben and me at sea, shortly before we put into port in Barbados. The
ship’s crew generously took up a collection and rented this house as a bridal suite for our all-too-brief shore leave. I was touched by their gift.

Ben was now my husband.


I—like our ship—was the Virgin Mary, but only for the time being. The consummation of
our marriage would happen soon enough, and I was not sure how to feel about that.


I was wearing a dressing gown, and nothing more. A part of me felt eager. Eager to end my
loneliness, eager to connect with my husband in the most intimate possible manner. Yet a part of me was also afraid. That part of me was still a frightened young woman, the one who had fainted at the first sight of Frankenstein’s monster.


The door creaked open, and Ben entered the room. He was shirtless and wearing nothing but
a pair of pantaloons.


“Hello, my love,” he whispered.


I smiled, despite my nervousness. Ben was handsome, with a strong, chiseled body. The sight of him conjured up the same sense of lust that I had felt when I first kissed him.


“Hello, my love,” I replied.


Ben looked away as he pulled down his pantaloons. He was ready for me, and I eyed his aroused manhood with a newfound sense of sexual curiosity. He kicked away his clothing and
stood naked before me.


I took a deep breath, and opened my gown.


I trembled as I let it fall to the floor. Was I attractive enough? I had tried hard to appear so. I
had groomed my body, and bathed myself with the scented soap for which the Caribbean islands are known.


Ben eyed me from head to toe, with obvious appreciation on his handsome face.


“So this,” he said, “is the definition of the word ‘beautiful.’”


I smiled at that, and relaxed as Ben approached me.


He pulled me close and kissed me on the cheek. “Try not to faint,” he whispered. “I know
that you are prone to fainting.”


“I will not faint,” I whispered. “This I promise.”

Ben kissed me passionately, and I kissed him back with a will. Before I knew it, he had
cupped my sex in his strong hand. I kissed him fiercely as he fondled me, growing ever wetter
beneath his touch.


By the time he gently pushed me onto the bed, I was as ready for him as he was for me. I
spread my bare thighs invitingly, eager to end my long era of solitude.


I whimpered a little as my flesh was slowly torn, as Ben broke the seal upon the letter that
was my body. I knew the pain would pass. My brother’s lover, Safie, had once told me how such affairs go.


Ben was not invading my body. No, he was trying to bond with it, and I welcomed his
intrusion—even if the cost was a moment of pain.


My new husband was gentle at first, but as I began to relax, he became more insistent. I
covered his neck with kisses as he began—as the whores put it—truly fucking me.


By the time he spilled his seed into my willing womb, I was a sodden, sweaty mess. I hadn’t
achieved climax, but I knew—as Safie told me—that would happen over time. As it was, I was
content to simply lie next to him and rest.


As I had upon that fateful night—which now seemed a lifetime ago—I fell asleep with my
head against Ben’s shoulder.


Chapter Seven


I woke up in the middle of the night. The “hopeless romantic” would say that such
awakenings happen so a lover can admire her sleeping mate, but such was not the case.


Alas, I simply had to use the pisspot.


My sex felt sore as I relieved myself. Ben was snoring gently upon the bed. He was
gloriously nude, with his sizable member lying carelessly across his abdomen. I watched him
with admiration as I rose from the pot, smiling as I mentally re-visited our recent coupling.
I fondly remembered his pretty words, words like “definition” and “beautiful.”


Then something else he said struck me.


Try not to faint. I know that you are prone to fainting.


How could he have known such a thing? I had never fainted in his presence. I never fainted
at sea, even during the most gruesome of surgeries.


Then I was overcome by a horrifying realization.


I donned my dressing gown, suddenly unwilling to be naked. I crept into the sitting room,
closing the bedroom door behind me.


I pulled my sketch book from my sea trunk and opened it to the portrait I had drawn of Ben.


The night upon which I had fallen in love with him had seen me succumbing to girlish lust, but
now I was beginning to suspect that that night also hid a sinister secret.


I smudged out most of Ben’s face and reached for my charcoal stick.


I began re-sketching his features, but this time in a sharper, more angular fashion. I drew in
some scars, highlighting and shading them in livid lines across Ben’s face.


Then I smudged out his mouth and redrew his lips in a dark tone. When I was finished, I
added shadows around his eyes, making them appear deep-set and hollow. After that, I wiped out his irises and pupils so that they appeared flat and gray, like the eyes of a dead fish.


My sense of horror only grew as I rubbed out his thick, straight hair, and redrew it in dirty,
greasy strands.


When my portrait was finished, I raised the sketchbook and stared at it in utter terror. I was looking at the very image of Frankenstein’s monster, the beast who had once caused me to faint.


Try not to faint. I know that you are prone to fainting.


My lover had now become my worst nightmare. I had surrendered my virginity to the very
creature that destroyed my life and drove my family to its grave. I had given my love to an
abomination.


Above all else, I had been deceived.


Trembling, I set down the portrait. My thoughts went numb as I reached into my sea chest
and pulled out my dagger. I had always carried it in preparation for meeting the monster again.


Now I had.


I crept into the bedroom and turned up the wick on the oil lantern burning dimly in the
corner. I wanted to see the monster’s face as I took my revenge upon him.


I only hoped that I would not soon be carrying his child.


As I crept toward his naked body, my thoughts went wild. This is for William, I thought. This
is for Justine and Henry. This is for Elizabeth, whom you murdered on her wedding night.


I shook with rage as I raised the knife.


Above all others, I thought, this is for my family!


I screamed as I attacked, driving the knife home just above the monster’s thigh, slightly
below his abdomen.


Ben awoke, his eyes wide with pain.


“Why?” he asked, looking at me with bulging, blue eyes.


“You know why!” I snarled.


Tears poured down his face as he stared at me.


I was shocked to feel tears streaming from my own eyes, and suddenly I began to question
myself.


I had hated Frankenstein’s monster my entire life. Yet here he was, making no move
whatsoever to defend himself. Despite being stabbed, he had made no response save to ask a
single, poignant question.


Why?!


The monster ruined my life. But Ben had not treated me as a monster would. He had treated
me as a suitor would, as a lover would.


I had carried my hatred for years, without ever considering that the monster might have
changed. I hated him for what he was, without ever giving a second’s thought as to what he
might have become. In that single, damning moment, I realized that Ben was not the monster. He may once have been, but he was no longer.


I was the monster.


I closed my eyes as I recalled his signature on the ship’s registry. “B. Hall,” it read. My
knowledge of Greek brought me to a new realization. I knew now why Ben had chosen his alias.


Behal: terror.


But Ben was not the terror.


I was. Perhaps it was my expertise as a doctor, a surgeon. Or perhaps it was simply my need
for vengeance. But either way, I had plunged my dagger through Ben’s femoral artery. The
moment I pulled out my fateful blade, he would perish. He would bleed out within minutes, and even I could not save him.


Nothing could change that now.


So—feeling like a condemned prisoner—I pulled out my dagger and threw it aside.As I left the room, Ben repeated the word that I knew would forever be seared upon my memory.


Why?!


I sat upon the sofa, watching the sun rise through the window.


I had committed murder.


I had every intention of surrendering myself to the authorities. Just as Frankenstein’s monster
killed Elizabeth Frankenstein on her wedding night, so I had killed him upon mine.


I rose and dressed myself with some clothing from my sea chest.


I walked slowly toward the bedroom door. I was unwilling to look upon Ben’s body, but I
had no choice. Just as Victor Frankenstein forced himself to look upon the abomination to which he had given life, I too had to gaze upon the work of my hands. I looked into the room.


There was no body.


There was only a pool of drying blood upon the floor.


I closed my eyes, suspecting that Ben might have survived my attack. I had seen him recover
from grievous wounds before.


If he was alive, I knew where to find him.


His home.


Our home.


Before I knew it, I was walking up the gangplank, toward the deck of the Virgin Mary. It had
taken me until nightfall to regain my courage and sally forth. The sun was setting as I stepped
onto that oh-so-familiar deck, the one I’d trodden so many times before.


Before long, I was offering my apologies—my sympathies—to the very “monster” that I had
so once hated.


“What shall we do now?” asked Ben, turning around.


“I do not know,” I whispered, wiping away my tears. “I only know that I am sorry, and that I
will go wherever you lead me. You are a good man, Ben—and I love you.”


“And I you,” said Ben warmly, “even though you tried to kill me. But I cannot live among
men. I simply cannot.”


“Why not?” I asked. “You no longer look like a monster. Time has miraculously healed
you.”


“It was not time that healed me,” said Ben, approaching me and putting his strong arm across
my slender shoulders. “Nor was it your surgical skill. No, it was something else.”
“What was it?”


“I read my creator’s notes,” said Ben, dully. “He alluded to both amniotic fluid and fetal
tissue.”


“I do not understand,” I said, confused.


“I would like to think that Frankenstein’s tissue harvesting came only from stillbirths, but I
know his mad ambition all too well. The bodily tissue of infants holds incredible power, my
love. It can sustain life, heal injuries, slow aging—and even create life. I would know, for I am
living proof.”


I sucked in my breath, horrified by Ben’s stoic words.


“If science ever discovers the mystery hidden in my blood,” said Ben, gravely, “it will lead to
a holocaust of the innocent. Evil men will prey mercilessly upon the unborn, ruthlessly tearing open legions of hallowed wombs in order to prolong their own wretched existences. This is why I hide away at sea. I was once a murderer. Now, I would rather play the reluctant savior. I must forever hide Frankenstein’s secret, so that wicked men can never wield its power.”


I looked away from Ben’s mournful face, horrified.


Then I collected my senses.


“Ben,” I said, taking his hands and pulling him close, “I ask only this.”


“What?”


“Let me hide with you.”


He went silent at that.


During that moment of painful silence, I kissed him.


Epilogue


As I write this memoir, I am securely sheltered upon dry land, as I was upon my wedding
night. This feels rather strange, but it must be so, for I am about to become a mother.


My husband and I have agreed that if our child is a girl, she shall be named Victoria. If it is a
boy, he shall be named Victor. We have both lived lives defined by hatred. Forgiveness shall be
the final, burning flare tossed upon the pyre of our angst.

We are not naming our child Victoria—or Victor—because we admire my husband’s creator
for his selfishness, mad ambition, or low morals. No, I wanted to so name our child because, for better or for worse, Victor Frankenstein blessed me with the greatest love of my life.


Frankenstein’s damnable evil has been purged by my union with his “monster.” I pray that he
rests in peace. Perhaps his soul deserves such well-wishes, or perhaps it does not. But that
matters not one whit to me. Such affairs are best left to God.


All I know is this: I am happy.


The End

Welcome to Shea Ernshaw’s ‘Long Live the Pumpkin Queen’!

I was walking through a department store a couple weeks back, pushing my cart with the new blinds I’d just had cut for the bedroom. I was leaving the electronics section, where I’d just checked to see if there were any cool Nintendo games that I’d somehow missed.

Anyway, the book section is just outside of the electronics section. I don’t generally look at department-store bookshelves, since they’re always stocked with the same handful of cookie-cutter authors who should probably have stopped writing years ago.

But, that day, a single book caught my eye: Long Live the Pumpkin Queen, by Shea Ernshaw. https://www.amazon.com/Long-Live-Pumpkin-Queen-Nightmare/dp/1368069606/ref=sr_1_1?hvqmt=p&mcid=6bce978c039838dfbd3974fa2fc74375

Being a die-hard fan of ANYTHING connected to the classic film The Nightmare Before Christmas, I stopped and flipped through it. Honestly? I assumed that it was a gimmick, probably something that would only appeal to a kid. Besides, I haven’t the foggiest idea who Shea Ernshaw is; the cover says that she’s a ‘#1 New York Times bestselling author.’ But, then, so’s Tom Clancy and he’s terrible.

I was immediately stricken by the lush, dream-like quality of the writing:

Jack leans forward, eyes damp at the edges, and presses his grave-cold mouth to mine—and my seams feel like they’re going to fray and burst, like they can’t contain this swollen, chest-widening feeling rupturing through me. A feeling so strange and unknown and peculiar that it makes me dizzy. Makes my head swim, my legs teeter.

Jack and I are married.

He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I’m certain I’m certain they should bury us both here, at the center of the graveyard. Married, and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids.

The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart.

I am now Sally Skellington.

The Pumpkin Queen.

And I’m certain I will never again be as happy as I am right now.

I closed my eyes for a second, hearing in my mind’s ear the soft moaning of wind through the dead trees as the fallen leaves rustled along the ground. I could hear the werewolf’s mournful howl in the distance, answered by the playful barking of Zero the ghost dog …

Well, that settled it! Into my cart went Long Live the Pumpkin Queen, right next to the blinds.

The book is just as well plotted as it is lushly written. The tension is almost unbearable as the Sandman—escaped from Dream Town—makes his inexorable way through the holiday lands, putting everyone into a deep, dreamless sleep. It falls to Jack Skellington’s new bride to keep the holidays from going forever extinct …

I’ll definitely be reading more by Shea Ernshaw, if for no other reason than her hypnotic use of prose. She’s amazingly talented, and I thoroughly enjoyed her tale—doubly so since it was set in a such a familiar, nostalgic setting. I particularly enjoyed the portrayal of Dr. Finkelstein, fleshing him out as a true icon of evil.

I found only one flaw in the book, which wouldn’t have bothered me except for one thing: By virtue of its subject matter, this book will inevitably appeal to young readers. For a time, a vampire brother fell in love with Mr. Hyde, and a witch sister with the mayor.

There is another, similar reference, which is two too many. Look, y’all, I’ve enjoyed—and even promoted—books that have sexual deviancy as a plot element. But I’m an adult! There is NEVER an excuse to put such references in a book for young readers!

Was that Ms. Ernshaw’s doing? Was she trying to be subtly ‘woke’? Or was it done at Disney’s bidding? After all, John Nolte—one of my favorite journalists—always refers to the company as ‘The Disney child grooming syndicate.’ Whosoever idea it was, inserting such elements into a book peddled to young people is inexcusable.

That having been said, it certainly didn’t ruin the book for me although I wouldn’t give it to a seven-year-old.

All in all, Long Live the Pumpkin Queen was a dream-like, gripping tale reminiscent of the likes of Ray Bradbury or Daphne du Maurier. Five stars!!!

DR. WERTHLESS: The Life and Legacy of Fredric Wertham, M.D.

I don’t usually review books from big names and/or publishers. I prefer to help out the struggling author, the unsung genius trying to find his or her feet in the world of publishing.

But, sometimes—just sometimes—a big-name book really grabs me, and I feel the need to share it.

Dr. Werthless by writer Harold Schechter and artist Eric Powell is just such a tome. https://www.amazon.com/Dr-Werthless-Studied-Murder-Industry/dp/1506744362/ref=sr_1_1?hvqmt=p&mcid=c9a3d9c8d6d73deda9dd804b89eb394d

Dr. Werthless is biographical, non-fiction graphic novel, rendered in a similar style to Schechter and Powell’s earlier Did You Hear What Eddie Gein Done? In fact, the infamous serial killer/grave robber Ed Gein appears in the narrative, as he was interviewed by the title character: the notorious psychiatrist Fredric Wertham.

Dr. Wertham is best known for Seduction of the Innocent, a book that I read as a teenager. It’s no exaggeration to say that Seduction of the Innocent severely crippled and nearly destroyed the booming comic-book industry; comics wouldn’t fully rebound until their second ‘Golden Age’ in the nineteen-nineties. How long did the comics industry flounder in the shadow of Wertham’s hatred for it, you ask…?

Seduction of the Innocent was first published in nineteen fifty-four. But, I’ll get more into that later.

Schechter and Powell do a fine job of telling Wertham’s life story, detailing both his incredible strengths and his deplorable flaws. While I knew—as does every student of comic-book history—about Fredric’s mad crusade against sequential art, there was also a lot about him that I didn’t know.

For starters, Wertham became renowned for his ability to at least interview—if not effectively treat—serial killers. He spoke to them as people, without judgment or fear, and got them talking in ways that other therapists could not. His work with the likes of Robert Irwin, Albert Fish, and Ed Gein shed a great deal of light on the mind of the serial killer.

While he was known for his affability and compassion with murderers, Fredric Wertham was nevertheless poison to his peers. Stubbornly opinionated and often neurotic, he was viewed as brilliant but unstable. Despite his shortcomings, Wertham took it upon himself to start a psychiatric clinic for underprivileged youth in Harlem. Since many of his clients proudly refused to be treated for free, Wertham began charging twenty-five cents per session, earning him the nickname ‘Dr. Quarter.’

The founding of such a clinic—particularly in the nineteen-forties—took iron will and force of personality. For this, Wertham deserves historical acclaim …

Unfortunately, it was his time at the free clinic that led to the manic obsession for which Fredric Wertham will be forever known: his unreasoning, blistering hatred of comic books.

The early fifties was known as the ‘Golden Age’ of comics. Detective Comics (DC) had its vaunted superhero universe. EC Publishing produced some of the finest horror and ‘true crime’ comics ever seen, many of which are reprinted to this day. (The incredibly popular “Tales from the Crypt” television show is based on the books by EC.) Dell Publishing had the rights to Disney characters such as Donald Duck and Uncle Scrooge, as well as many other ‘funny animals.’ Business was booming, and culture-defining tales were being spun on a daily basis.

It’s unclear as to exactly when Wertham’s obsession with comics began, but it appears that it came from his time running his free clinic. He began to link comic reading to anti-social behavior, using an almost laughable formula: Anti-social youths read comic books, therefore comic books cause anti-social behavior. It’s the same flawed reasoning that money-grubbing televangelists such as Jimmy Swaggart and Pat Robertson would later use in regards to heavy metal music, horror films, and role-playing games. (For more on this topic, check out this brilliant interview with my better half: https://www.youtube.com/watch?v=mhxUdyfMdyE )

Wertham’s assertions would probably never have flown today because there was no control group! He never created an isolated group of test subjects to prove his ‘cause and effect’ theory; his ideas were purely anecdotal. Indeed, Wertham’s base assumption—that children are ‘blank states’ and all negative behavior comes from outside influences—was never an idea that he bothered to test. Wertham simply did not believe in the innate depravity of the human heart, and—rather than testing his skepticism—he went on a mad crusade attacking said ‘outside forces.’

Seduction of the Innocent was never extensively peer-reviewed. It was not influential because psychiatrists took it seriously; rather, it was influential because hysterical parents did. Instead of testing his ideas in a clinical setting, Wertham ‘tested’ them in the court of public opinion.

Facing massive pressure from parents, the comics industry soon found itself operating under an onerous censorship regime known as ‘The Comics Code Authority.’ Gone now were most horror comics, and the few that survived were pretty toothless, much like the PG-13 horror films of the nineties before the rise of After Dark Productions and A24 Studios.

Only Dell refused to bow to the CCA, but that was because Dell’s books were fairly tame anyway. Rather than submitting their books for code approval, Dell instead opted to insert its own ‘Pledge to Parents’ inside every cover.

It wasn’t until the eighties that the industry began to push back. DC Comics launched its iconic, adults-only line of comics with such titles as “The Swamp Thing,” “Hellblazer,” and Neil Gaiman’s “The Sandman.” The rules began to relax a little, allowing for darker characters such as Wolverine and the Punisher. Horror and dark fantasy comics slowly crept back with such titles as “Eerie” and “Heavy Metal,” skirting around the code by marketing themselves as ‘magazines’ rather than ‘comic books.’

It wouldn’t be until the nineties—with the founding of Image Comics—that Wertham’s fascist legacy finally got flipped one big, fat bird: Image refused to submit its books for code approval. Honestly, classic books like “Spawn” and the “The Maxx” wouldn’t have been approved anyway, but it was the raw, visceral nature of their storytelling that made them legendary.

Marvel Comics was the last publisher to drop the code in the early two thousands, rendering it officially extinct. Most books today will have some kind of label stating such things ‘Rated T for Teen’ or ‘for mature readers only.’ Books with explicit art usually come in plastic bags, which is common sense.

Still, a once-proud element of America’s unique cultural heritage wallowed in the darkness of censorship for four decades. How many epic tales were never told? Or, if they were told, got watered down so badly as to lose their effectiveness?

Schechter and Powell did a fantastic job of rendering Wertham’s story—both the good and the bad—into a riveting, beautifully-illustrated narrative. Their summary of Wertham’s life and work is spot on: If there is a tragic element to his life, it is that this limitation—his monkey-see-monkey-do view of human behavior—has so thoroughly overshadowed his many admirable traits. Fairly or not, in the world of comicdom, he will always remain …

Dr. Werthless.”

My Ode to Ozzy: A Literary Funeral for a Friend

How the ‘Osbourne Identity’ Was Unlocked

-In July 2010, a “phlebotomist”—whatever the fuck that is—took a sample of my blood and sent it to a lab in New Jersey.

-DNA was taken from my white blood cells, dissolved in salt solution, and then sent off to Cofactor Genomics in St. Louis, Missouri.

-At Cofactor, my DNA was “chopped up” into ten or twenty-five trillion pieces thanks to some heavy-duty shaking. After that, they spelled out all the chemical letters—in precise order—that make me the certifiable nutter I am.

-For the next sixteen days, Cofactor used a photocopier-sized machine—which cost more than three Ferraris, I’m told—to “read” my genome thirteen times over and put it on a hard drive.

-The hard drive with “me” on it was sent to Knome, Inc., in Cambridge, Massachusetts.

-Knome compared the six billion letters in my genome with every other genome on the planet—to find out why the fuck I’m still alive. Then they put all the findings on a little USB stick thing and presented it to me at home.

-While trying to understand what had just happened … my brain exploded.

– Ozzy Osbourne, on having his genome sequenced. (From Trust Me, I’m Doctor Ozzy)

John ‘Ozzy’ Osbourne is no longer with us. The lead singer of Black Sabbath and solo metal icon has, sadly, gone to the Great Mosh Pit in the Sky. I should have written this blog a while ago, but I couldn’t. I couldn’t put my thoughts together, or wrap my head around going forward in life without the musician who provided the soundtrack of my life.

A co-worker broke the news to me, and I immediately hung my head and wept. My favorite boy cousin and lifelong bestie Eric was similarly heartbroken. He went home, hid in his ‘man cave,’ got blasted (Ozzy-style, you know?), and watched Ozzy Osbourne: Live at the Budokan. Me? I hid in the den, wrapped myself in a blanket on the couch, and sniffled through Black Sabbath: The End ...

And, yes, there was ice cream involved.

It’s impossible to talk about Ozzy without talking about my early years, during which his music slowly evolved as a massive influence. The following narrative might feel a bit meandering to some, but it makes sense to me. In any case, to quote the Joker from Batman: The Dark Knight

Here … we … GO!!!

My mother was a religious psycho when I was a kid. No, I don’t mean a ‘Christian’ ; that’d be me. (A crappy one, mind you, but I try.) She was no ‘Christian,’ but she was a ‘religious psycho’ because it made her feel like she was better than everyone else. It also gave her an excuse to exercise brutal, ironclad control over her children’s every word and deed. In the end, it was all about superiority and control; religion was just the means to the end.

So, hard rock and heavy metal were off the table. My mother bought into the ‘Satan hatin’’ hysteria of the eighties, which was fueled by money-grubbing televangelists claiming to represent Jesus while they bowed at the altar of The Almighty Dollar. Jim Baker, Jimmy Swaggart, etc. … Those clowns have a court date in Hell, and, honestly? They keep coming back like toenail fungus. Now, we have Joel Osteen raking in the big bucks while he preaches heresies. And, it’s all preach and no practice to him. Love your neighbor? Use your ‘mega church’ to take in the flood refugees of Houston in their hour of need? Oh, HELL no!!! These are new carpets!

The ‘Satan hatin’’ crowd really was idiotic! Fueled by sleazy TV ‘stars’ masquerading as preachers (many of whom got caught with hookers or busted for embezzlement), parents bought into the absolute DUMBEST conspiracy theories! Your kid loves metal? Pull down his shirt collar; he’s probably wearing a Baphomet amulet. Your kid loves horror movies? He’ll be a serial killer before he graduates high school. Check his room for signs of blood and maybe a few dead bodies. Worst of all, does your kid play ‘Dungeons and Dragons’? Watch for his head starting to spin around while he bazooka-barfs pea soup. Also, check your house for signs of demonic activity. If the spots won’t come off your dishes, your household is probably possessed.

The scary thing is that parents actually bought into this shit! As a writer molded by heavy metal, horror films, and role-playing games, I take extreme offense. For an excellent rebuttal to all this nonsense, check out this podcast starring my long-suffering better half: https://www.youtube.com/watch?v=mhxUdyfMdyE

But, for better or for worse, my parents believed that garbage. They ate it up like pig slop.

Ozzy wrote at great length about how hard it was to deal with protestors and matchstick men masquerading as preachers. I didn’t take that to heart until twenty-sixteen, when my better half and I took a long road trip to Minneapolis, Minnesota to see Black Sabbath during their finale tour.

There was this whole crowd of yahoos on the sidewalk in front of the venue, screaming into bullhorns. “THIS IS THE SONG OF FOOLS!!! YOU ARE ALL HERE TO WORSHIP THE DEVIL!!! YOU WILL BE DAMNED AND BURN FOR ALL ETERNITY!!! WE WILL BUY BACK YOUR TICKET TO SAVE YOUR IMMORTAL SOUL!!!”

My first thought was you haven’t figured out that nineteen eighty-five left without you?

My second thought came from a much angrier place: if those idiots were standing outside one of the Planned Parenthoods, gay bars, strip clubs, or Masonic lodges that we passed on the way to venue, I’d have asked to borrow a bullhorn so I could join them. We would have unarguably held the moral high ground! But, a concert? Raining on everyone’s parade during what might have been the high point of their lives? How many people can say they’ve seen BLACK SABBATH, and these clowns had to shit all over it?!

This scrawny dweeb with a bullhorn got in my better half’s face, which was a mistake; scrawny dweebs should never confront burly, muscled men who weigh an eighth of a ton. That’s just dumb. “YOU ARE GOING TO HELL!!!” he shouted.

My better half didn’t yell at him, and that was bad. When he yells, he’s just blowing off steam. When he speaks in a calm, measured tone he means exactly what he says. “If you don’t get that horn out of my face,” he said with a menacing half-smile, “I’ll shove it so far up your ass that it comes out of your nose.”

Scrawny Dweeb got the hint and backed off. I breathed a sigh of relief, grateful that he didn’t get into my face. It’s one thing to poke the bear; it’s quite another to poke the bear’s mate. My better half would have dragged him out into the street, curb-stomped him into pothole filler, and up-ended his bullhorn over his carcass as a makeshift traffic cone.

It’s one thing to read someone else’s account of being hassled by nutjobs. It’s quite another to have nutjobs coming at you! In real time. In your face. Foaming at mouth and screaming out psychotic ideas that they’re too crazy to ever be talked out of. The experience was unnerving, and I’ll never forget it. I’ll talk about the concert later, because I’ll also never forget THAT!!!

Yeah, this was the garbage that my parents fell for. So, yep! No metal for me.

But, there was my crazy uncle …

My mother gave birth to me when she was sixteen, so when I was old enough to start remembering things (around four) she was twenty. Her baby brother is six years younger than she is, so he would have been fourteen. Letting him babysit me was a ‘measure of last resort,’ but it occasionally happened.

And, my uncle would always bring over a backpack with records in it. I remember the first time I ever heard Ozzy’s ‘Crazy Train.’ I was dancing all around the living room, gleefully head-banging like a pint-sized maniac! “Careful, V!” laughed my uncle. “You’ll make the record skip!”

My uncle was my lifeline. He introduced me to music that reflected the darkness that I felt even at such a tender age. My childhood was defined by brutal verbal—and occasional physical—abuse. I always felt like I was strangling from the ironclad control exercised over my every word, my every move. I couldn’t breathe, and the dark music that my uncle brought over was oxygen. For just a few hours, I felt free. I could breathe again. People were singing thoughts that mirrored my own, and suddenly those thoughts became a lot less scary. Ozzy—and others like him—made it okay to harbor dark ideas about the suffering being inflicted upon me.

I’ve said it before and I’ll say it again: Metal is catharsis. By turning fear and pain into art, fear and pain are robbed of their power over you. Horror films have the exact same effect. Life moved on, and soon I wasn’t four anymore. I was seven…

I loved listening to my hometown rock station, FM99, on my headphones after my mother and stepfather went to bed. As much as I enjoyed their music, it bugged me that they rarely played metal. Oh, they had all the ‘classic rock’ and ‘glam rock’ covered—and I loved both genres—but playing the likes of Black Sabbath, Ozzy Osbourne, or Metallica? You were lucky to get one song a day by those bands. Metal wouldn’t become ‘mainstreamed’ until Metallica released their self-titled album in nineteen ninety-one.

So, I had to get my hands on cassettes. There was no other option.

The only record store with bike-riding distance to me was this tiny shop that sat in what was otherwise a sprawling, empty lot between Sewell’s Point Road and I-64. The window was completely covered in fading, dusty posters of pop, soul, and R&B stars. It was widely rumored that the shop was just a cover for less-than-legal activities, and it was on the bad side of the Five Points intersection.

But, it was a RECORD store!!!

I talked a neighborhood boy into making the initial journey with me, since I was kind of scared of the neighborhood. That wasn’t hard; I was always a pretty lil’ gal (no brag, just fact) and getting a boy to tag along was effortless. He was like, whoa! I get to hang out with V?!

The bike ride was pretty scary, but, times were different then. You didn’t have to afraid in a bad neighborhood until you were a teenager. Gang-bangers didn’t mess with small children. Now? They’ll murder a three-year-old but it wasn’t like that back then. So, we made it to the record store safely. (Notice that I’m not giving the name of the record store? Just in case the owner wasn’t involved in less-than-legal activities, I don’t wanna slander him …)

(That having been said, I’m pretty sure he was.)

So, we walked inside. The owner was watching a flickering black-and-white TV behind the counter. He was a, um, ‘large gentleman of color,’ and he looked at my escort and I like we both had three heads. “Whatchoo lil’ crackas’ DOIN’ in here?!” he demanded.

“Just looking for some tapes, Sir,” I replied politely. (I’ve been called a ‘cracker’ more times than I can count. That’s what it was like to grow up in culturally-divided Norfolk, Virginia. Honestly? It never really offended me. Yes, I’m white. Which—in colloquial terms—makes me a ‘cracker.’ I don’t get bent out of shape over racial slurs. I don’t think it’s any worse to use a racial slur than it is to call someone a ‘big, fat stupid-head.’ An insult is an insult, no more and no less. It’s dumb to elevate one kind of insult over another.)

But, I digress …

A cursory look through the dust-covered records and cassettes made one thing immediately obvious: This record store had a ‘no white artists allowed’ policy. “Sir,” I asked the portly owner, who still looked shocked by our presence, “do you have any Black Sabbath albums?”

“I don’t sell no ‘white people music’!” he proclaimed.

I hung my head, defeated …

And, then his demeanor softened. Despite whatever sketchy business he may or may not have been involved in, he obviously had a heart. “But,” he added, “I do got dis catalogue!”

I perked up as he pulled a phone-book sized catalogue out from under the counter. “You tell me whatchoo want,” he explained, “and gimme fi’ dolla. Come back next week, and I’ll have yo’ tape and you pay the other fi’ dolla den.”

And, that’s how I got my hands on a cassette copy of Black Sabbath’s Paranoid

I did a fair amount of business with that portly black gentleman over the next couple of years. The routine was always the same: bat my eyelashes at a boy to get him to go with me, tremble in fear on the bike ride there and back again, tell the fat man what I wanted and give him ‘fi’ dolla,’ and then repeat the ritual the next week to pick up my cassette.

I kept my cassettes hidden in my closet. If I didn’t, they’d get confiscated and I’d get grounded for engaging in ‘Devil worship.’

It’s funny, when Guns n’ Roses came out with Appetite for Destruction, I went in and ordered a copy. Upon being given the band name the fat man hastily blurted out ‘I don’t sell guns!” Which, of course, immediately told me everything I needed to know. Of course he did! I’ll wager that he had a dozen handguns under his counter (sans, of course, a dozen serial numbers).

But, you know what? I don’t give a shit. He was kind to me and we did a lot of (legal) business. What lawn-mowing money of mine didn’t go to him went for comic books, and thus I was content.

When I was twelve or so, my parents bought me a mountain bike for Christmas that went a lot faster than my dirt bike. I was also getting bolder about venturing further afield, so one day I made the journey to Traxx Records in Ward’s Corner.

Traxx was the TAJ MAHAL of record stores!!! Think Empire Records from the movie by the same name. Suddenly, the angels started singing from the heavens. No more paying ‘fi’ dolla’ in installments; they had everything in stock!

Ward’s Corner is in the Jewish section of Norfolk. The Jews have a synagogue there, and they all live huddled in this one neighborhood so they can walk to the synagogue on nice days without breaking Moses’ law about walking too far on Saturday. I felt much safer because—unless I’m badly mistaken—you don’t often hear about people being robbed by Orthodox Jews.

So, my bike trips to Traxx Records continued until I got my driver’s license at the age of seventeen. And. no, thank God, I never got mugged by a rabbi.

So, what treasures from Black Sabbath and Ozzy Osbourne did I discover during those years? What amazing music did I acquire whilst trembling past gang-bangers and waving cheerfully at Jews on hot summer days?

Lessee …

After Paranoid, I’m reasonably certain that the next album I bought was Black Sabbath’s self-titled debut. Talk about getting blown away, now! The opening track gave me the absolute shivers; it reminded me of the old Universal Studios horror films that I so loved as a kid. What is this/ that stands before me/ figure in black/ which points at me/ turn ‘round quick/ and start to run/ Find out I’m the chosen one/ OH, NO!!! (Fittingly, Black Sabbath takes their name from a horror film starring Boris Karloff of Universal Studios fame. On a side note, I have a pet sugar glider named Boris. Yep, after Boris Karloff.)

Another song that blew me away was ‘N.I.B.’, so named after the shape of drummer Bill Ward’s head which looked like a fountain-pen nib. The rabid ‘Satan haters’ claimed that the name was an acronym for ‘Nativity in Black,’ which would later become the title of a Black Sabbath tribute album. I loved the song because I love any song that tells a story! The lyrics come from a seductive lover wooing a young woman: Some people say my love cannot be true/ please believe me, my love/ and I’ll show you/ I will give you those things you thought unreal/ the sun, the moon, the stars all bear my seal…

But, I love the twist ending. After all the sweet talk and self-adulation, the young lady finds that her seducer is actually the Devil: Now I have you with me/ under my power/ my love grows stronger now/ with every hour/ look into my eyes, you’ll see who I am/ my name is Lucifer, please take my hand …

Cue the BASS riff!!!

That song became particularly poignant in my twenties. Who hasn’t fallen for some smooth-talker that finally tipped his hand and went from being an angel to becoming the Devil?! ‘N.I.B.’ is a timeless tune.

Another album I bought after Black Sabbath was Sabbath Bloody Sabbath. (An album/song title that U2—the worst band ever to have set foot on a stage in my opinion—would later rip off.) The title cut, in my opinion, is Ozzy’s best vocal performance ever. Sabbath bloody Sabbath/ what you gonna do?/ living just for dying/ dying just for you. Recorded in a creepy castle (as described in Ozzy’s autobiography I am Ozzy), the album is a fitting reflection of the drug-addled, dark circumstances under which it was recorded.

I also bought Ozzy’s Bark at the Moon. Honestly? I didn’t like it and I still don’t. But, Ozzy was still reeling from the sudden death of his guitarist Randy Rhoads, and I think he struggled to work with his new guitarist Jake E. Lee. The album was born of a disjointed working relationship, and it shows. Except, of course, for the title cut which is pure GENIUS!!!

I loved that Jake E. Lee used a movable chord for the main riff, much like Zakk Wylde would later do with the iconic balled ‘Mama, I’m Coming Home.’ The lyrics—once again—were reminiscent of my beloved black-and-white horror films. Howling at shadows/ living in a lunar spell/ he finds his heaven/ spewing from the mouth of Hell/ those that the beast is looking for/ listen in awe and you’ll hear him/ BARK AT THE MOON!!! I love the werewolf howl at the end; I always have to do it when I’m singing along. AWOOOOOOO!!! Whoa, whoa, yeah, bark at the moon!

Ozzy’s next release with Jake E. Lee on guitars, however, was NOT ‘disjointed’!!! I have only ever used one word to describe The Ultimate Sin: ‘elegant.’ My favorite song on the album is ‘Killer of Giants,’ but, honestly? Like Pink Floyd’s The Wall or Iron Maiden’s Brave New World, I can never just listen to one or two songs. I MUST let the album play all the way through!

Then came No Rest for the Wicked

THAT was the first Ozzy album to feature guitarist Zakk Wylde, who is, um, yeah, kind of a demi-god in my household. Zakk went on to become the front man for Pride and Glory and Black Label Society, and he also released two brilliant acoustic albums under his own name. What’s cool, though, is that while Zakk would go on to become an incredibly nuanced musician, No Rest for the Wicked is an amazingly raw piece of work. Ozzy’s iconic voice played off of Zakk’s heavy riffing, and the world was handed a slice of heavy metal at its absolute finest.

Then came No More Tears ...

Good grief, y’all! Can you imagine a world without ‘Mama, I’m Coming Home’? The one track that always hit me hardest was ‘The Road to Nowhere.’ I’m still haunted by lingering ruin that was my twenties, and Ozzy sung quite eloquently about the topic: The wreckage of my past keeps haunting me/ it won’t leave me alone/ I still find it all a mystery/ could it be a dream?/ the road to nowhere leads to me …

So, yep, that’s the hodge-podge of albums that I bought from the fat black man and Traxx Records. But, it didn’t end there. When I was seventeen, Ozzy released Ozzmosis. I can’t even BEGIN to tell you what that record meant to me and what a profound influence it was during my late adolescent years. Me n’ my favorite boy cousin Eric used to sing along to it for hours. We weren’t izzackly ace singers, but, that’s okay. Music is about participation, not perfection; it’s about enthusiasm, not operatic training. I don’t give a shit if you sound like Bob Dylan, just go ‘head and sing! I don’t mind. I’ll sing along with you!

So, let’s switch gears here …

I’ve often said that Ozzy Osbourne’s/ Black Sabbath’s music is the soundtrack of my life. Why? What moments during my short existence could have conjured such music into the forefront of my brain?

Lessee …

‘Crazy Train’ – I remember jamming around my living room at the age of four or so, and I asked my crazy uncle ‘what did Ozzy say there? I didn’t understand.’ So, my uncle explained that the lyric was mental wounds not healing. I didn’t understand that either, so he had to explain what ‘mental wounds’ were. At which point I sat down on the carpet and mournfully replied, ‘yeah, I got those.’

I’ll never forget the look on my uncle’s face. He knew how crazy his sister was and he tried his best—particularly during my adolescent years—to shield me from her relentless abuse. ‘Let’s order a pizza, kiddo,’ he said kindly. ‘Your mom said we could.’

‘Miracle Man’ – Ozzy penned the lyrics to this one after televangelist Jimmy Swaggart got busted with a hooker. Miracle Man got busted! I found the song quite cathartic. Suddenly, one of ‘Satan haters’ who caused me so much pain got his just desserts. Jimmy Swaggart fanned the flames of the anti-metal movement, blaming Ozzy’s song ‘Suicide Solution’ for a tragic teenage suicide. Even a cursory glance at the song tells you that it’s a song about alcohol addiction and not an endorsement of suicide: wine is fine/ but whiskey’s quicker/ suicide is slow with liquor/ take a bottle, drown your sorrows/ then it floods away tomorrows/ evil thoughts and evil doings/ cold, alone, you hang in ruins/ thought that you’d escape the reaper/ you can’t escape the Master Keeper.

Jimmy Swaggart fucked up my life just like he fucked up Ozzy’s. I was quite happy to hear that ‘Miracle Man’ GOT BUSTED!!!

‘Mama, I’m Coming Home’ – Yes, this is just a pretty ballad to most people. But, it has much more meaning to me. A few times a month, my better half stumbles home from work looking like he’s been run over by a truck. He’s pushed himself to the limit and he’s finished. When that happens, my world comes to a complete stop. It doesn’t matter what I wanted to write or what I meant to do that evening; the head of my household is down for the count and now I’m ‘up.’ I know my place. Genesis says that ‘the Lord God said “it is not good for man to be alone; I will make a helper who is suitable for him.”’

I’m not the ‘mover-and-shaker’; I’m the helper. My better half always gushes with gratitude when I take care of things after he’s been busted to shit; he always tells me he looks forward to coming home. It scares me when he comes home in such a condition because he’s not the same strong, happy-go-lucky guy who left for work that morning. That’s when Ozzy’s song springs to mind: Times have changed/ and times are strange/ here I come but I ain’t the same/ Mama, I’m coming home.

My role was assigned at the beginning of Creation: ‘a helper who is suitable for him.’ His was assigned at Creation as well: ‘subdue the earth.’ If either one of use fail to do our jobs? Another line from Ozzy’s song will come true: selfish love/ yeah, we’re both alone/ the ride before the fall

That’s probably anti-feminist but I was never much of a feminist anyway. God ordered this world to work in a certain way, and men and women were both created for specific purposes. I know mine. When I peep through the kitchen curtain and see the head of my household stumbling out of his truck, I think here I come but I ain’t the same

He thinks Mama, I’m coming home.

And, that’s marriage. To understand your place in Creation leads to a happy relationship. Fighting against your place in Creation leads to being alone, embittered, and wondering where the hell all the good men went.

I’m not alone and I’m not embittered. ‘Mama, I’m Coming Home’ is also one of my favorite songs to play on guitar. When I was first learning to finger-pick that was one of the first tunes I figured out. And, I’ll never forget Ozzy’s profound lyrics until I either croak or go completely senile.

‘I Just Want You’ – There are no un-lockable doors/ there are no un-winnable wars/ there are no un-rightable wrongs or un-singable songs/ there are un-beatable odds/ there are no believable gods/ there are no un-namable names/ shall I say it again/ there are no impossible dreams/ there are no invisible seams/ each night when they day is through/ I don’t ask much, I just want you.

People have often asked me why I love that song so much when it says ‘there are no believable gods.’ To me? Even as a Christian, that lyric makes perfect sense. A deity, by definition, is unbelievable. That’s why we’re rewarded for having faith; we found the strength to believe the unbelievable. Ozzy spoke the truth: there are no believable gods.

But, this song has always held an even deeper meaning for me. When I started dating my better half it always played in my mind’s ear. Yeah, I’m told I have a near-genius IQ. What the fuck ever. If I do indeed possess all the smarts that my educators said I did, it still doesn’t mean a damn thing. Everything I know is a drop in the bucket compared to all that there is to know.

I didn’t know any more when I was dating my better half than I do now, but I did know this: I wanted that relationship to be my last. No more fooling around, no more mistakes, and no more disappointments. Each night when the day is through/ I don’t ask much, I just want you.

I got what I wanted. Life is good!

Honestly? I could go on forever. Ozzy Osbourne was a profound thinker but he always delivered his profound thoughts in a blue-collar, relatable manner. His sense of humor was amazing, as was his humility. He made a boatload of mistakes (like, you know, going on a forty-year bender) but he always readily admitted to them. When his album Ordinary Man came out, I slowly began the mourning process: I’ve been the bad guy/ been higher than the blue sky/ but the truth is I don’t wanna die an ordinary man. (That was a duet with his longtime friend Elton John, by the way.)

After Ordinary Man came Patient Number Nine. Patient Number Nine was fitting finale for our beloved Prince of Darkness. The songs were all co-written with a ‘who’s who’ of epic guitarists. Zakk Wylde, Toni Iommi, Eric Clapton, the late, great Jeff Beck … That album was INCREDIBLE!!! But, it was also haunting. You could hear Ozzy facing his own upcoming demise. I love the song ‘Mr. Darkness’: Dear Mr. Darkness/ I write you again

Who hasn’t felt so low that he feels like his only solace are his own dark thoughts? While Ordinary Man was a fairly even-tempered album, Patient Number Nine was heavy as HELL!!! Talk about throwing a hand grenade through the door on your way out.

In twenty-sixteen, I saw Black Sabbath in Minneapolis, Minnesota. It was worth the road trip and it was worth fighting past the bullhorn-wielding idiot who nearly got himself snapped in half by my husband. To hear the First Voice of heavy metal shouting ‘GOD BLESS YOU ALL’ and demanding that you clap along with him, well …

I clapped. And, clapped and clapped until my arms felt like rubber. And, then, clapped some more. That’s the magic of the legend that was Ozzy Osbourne. Seeing him live didn’t feel like a concert. It felt like a party, and he was your enthusiastic host! He made it his duty to ensure that you had a wonderful evening and you left his party with a wide grin. He once wrote about that: ‘That’s what I do. I’m an entertainer.’

Yes. Yes, he was!

Shortly before his passing, Ozzy rejoined Black Sabbath for a finale concert. Who’d have guessed that he was giving us his two-week notice? But, that was the Oz-man for you. I waited a while to write this blog because I needed to recollect my memories to give that ol’ bat-eating maestro a fitting tribute. One does not simply take the entire soundtrack of one’s life and then re-arrange it into a neat blog in one day …

I didn’t start writing until I stopped crying.

That’s what Ozzy wanted. As he wrote in Trust Me, I’m Doctor Ozzy: I honestly don’t care what music they play at my funeral—they can put on a medley of Justin Bieber, Susan Boyle, and “We Are the Diddymen” if it makes ‘em happy—but I do want to make sure it’s a celebration, not a mope-fest. Also, it’s worth remembering that a lot of people on this earth see nothing but misery their whole lives. So by any measure, most of us in the Western Hemisphere—especially rockers like me—are very lucky. That’s why I don’t want my funeral to be sad. I want it to be a time to say ‘thanks.’

I’m trying not to be sad. I’m trying to remember the wise words of Dr. Seuss: ‘Don’t cry because it’s over. Smile because it happened.’ On a final note, I will leave all you lovely readers with this: a few thoughts on death sung by the Man Himself. Don’t cry, just sing along. That’s what Ozzy wanted you to do. That was his final wish, and I for one honor it.

As the iconic playwright Jack Thorne once wrote: ‘Those we love never truly leave us. There are things that death cannot touch.’ It is impossible to write about Ozzy without mentioning his well-documented foibles, and I have. But, as Jack Thorne also wrote: ‘They were great men, with huge flaws, and you know what—those flaws almost made them greater.’

Rest in peace, Old Friend. https://www.youtube.com/watch?v=-9yYJ6ZAYns&list=RD-9yYJ6ZAYns&start_radio=1

Welcome to ‘Lessons on Seduction’!!!

The year was 2020 …

I’d just been signed on with a respected romance imprint. The first book I ever read from said publisher was one written by my good friend Estelle Pettersen, who took the gig just before I did.

We were both ‘newbies,’ you know? I’ll always have a soft spot for Estelle because of that. We were both trying to find our feet in a new world, and working together made us more confident. Estelle asked me to read her script before it was released.

Naturally, being the good ‘wing gal’ that I am, I did. This is how it opens …

Look, y’all, I ain’t gonna mince words here. There’s a certain dissonance when it comes to art. I adore horror films, but I am not in the least inclined to run out and kill someone. I like sexy stories, but they don’t make me toddle out and cheat on my better half. Honestly? That’s why I love Estelle. She’s never said ‘boo’ about my sadistic tales; she just takes them in stride. I don’t judge her any more than she does me. I don’t write tales that hit the top of the ‘erotic’ scale, and Estelle doesn’t drown the world in literary blood. I’m violent. She’s erotic. And, honestly? It’s all just ‘pretend,’ both the blood and the blowjobs.

If erotic stories have a ‘cause and effect’ impact on you – if ‘Lessons on Seductions’ will tempt you to do something immoral – then don’t read it. It’s funny, though. Estelle’s public bios paint her as a loving ‘family woman.’ I know her; she’s a devoted wife and mother. (And, yes. I have a policy of never saying anything about a fellow author that the author hasn’t already said to the reading public.)

‘Lessons on Seduction’ is a fantasy, nothing more. The author—like me—is detached from her fantasies. Much like my own brutally violent fiction, this tale is just an escape. We authors LOVE to write about things that we would never do in real life! I would never harm anyone—brutally or otherwise—and I’m reasonably certain that Estelle would never wreck her happy home with grossly inappropriate sexual behavior.

That having been said, ‘Lessons on Seduction’ a ROCKIN’ tale! The opening made be blush. Bad writing elicits no response from me whatsoever, blushing or otherwise, but that’s not ‘Lessons’ …

Sapphire, the leading lady, is a complete skunk. She has the morals of an alley cat. And that’s what makes her story SO much fun to read! Her tale is a deliciously naughty one. Remember, this is fantasy. Not real life. I found Sapphire to be a very engaging leading lady; in fact, I think it was her shameless amorality that made her such a standout from other romance heroines, including my own.

Julian, the leading man, is cut from the same cloth as Sapphire. It is no small task, molding a yahoo who generally thinks with his second head into someone truly likable. But Estelle does. Julian’s evolution of character is subtle; the shifts in his thinking are so gradual that you don’t notice them. Then, when you’ve finished reading, you look at who he is at the end of the book compared with who he was at the beginning. Only then does the contrast hit you.

The ending—the last few paragraphs—really sticks the landing. Skunks don’t run around behaving like skunks and then miraculously earn a ‘happily ever after.’ Not in real life, anyway, but this is a story. Sapphire and Julian’s happy ending reads beautifully. (And, no, that’s not a spoiler. Romance—erotic or otherwise—by definition always has a happy ending! If a love story doesn’t have a happy ending, then it’s just a love story and not a romance. See also Titanic, or maybe Romeo and Juliet.)

What I loved most about this tale is how Estelle artfully inserted profound thoughts even if they were woven throughout all the sexual hi jinks! That is truly indicative of great writing. Great writing doesn’t just tell you a story; it also makes you think. It challenges your ideas and your belief system.

‘Lessons on Seductions’ is a great book. Full stop. Yeah, read it with caution or maybe don’t read it at all if it will tempt you to do something wrong …

But, honestly? If you can handle it, it’s a damn good story. Five stars. I THOROUGHLY enjoyed it!

IF YOU DARE TO READ ‘LESSONS ON SEDUCTION,’ YOU CAN FIND IT HERE!!! https://www.amazon.com/Lessons-Seduction-Estelle-Pettersen-ebook/dp/B08BKRPF63/ref=sr_1_1

An Interview by Andrea Miles Rhoads!!!

Andrea Miles Rhoads was a both dear friend of mine and a ferociously effective mentor. Her clever marketing landed me not one but three bestsellers: ‘Haunting at the No Return Hotel,’ ‘Genesis Rising I: The Children of Apep,’ and ‘Genesis Rising II: The Angel and the Beast.’

Honestly? I miss her most as a friend and mother figure. Andrea was quick to ‘get after me’ when I messed up, and quite stern about telling me what I needed to do in order to become the author that I wanted to be. But, behind all that business-like sternness beat a heart of the purest gold. Andrea cared about me as a younger author, and she never wavered in her belief that I was tough enough to evolve into the writer that I so craved to become. Working with her was like working with one’s mother: the perfect balance of love and discipline.

Why discipline? Because Andrea possessed something that I lack: Marketing skills. I had to be molded into something that I was not, and she made doing so her mission.

Andrea’s passing was sudden and heartbreaking. Like my fellow author Gerry ‘Alan’ Souter and my poet friend Chris Taylor, not a day goes by that I don’t mourn her. But, as Dr. Seuss put it: ‘Don’t cry because it’s over. Smile because it happened.’

I’m smiling. Sadly, some days, but still smiling. Andrea would have sternly ordered me to smile, and then given me an ass-chewing if I didn’t. And, then she’d go on to tell me how awesome I was even if I didn’t believe that myself.

What follows is an unreleased interview with me that Andrea did, meant for one of her newsletters. Sadly, it was never published. But, Andrea always did tell me that my biggest marketing strength was my ability to be a ‘ham,’ at least when I could hide behind a keyboard.

So, here’s me … answering a few questions from one of the greatest women I’ve ever known. Andrea left the world a better place than it was when she came into it. I – and many authors like me – will testify to this.

So, without any further ado …

AMR: Where did you grow up and do you still live there?

Sadly, I don’t live there anymore. I do miss the ocean! I was born and raised in Norfolk, Virginia, USA.

AMR: When you were younger, what did you want to be when you grew up?

I wanted to illustrate comic books as a teenager. I made fair amount of money in graphic design, advertising art, and portraits in my younger years. I was accepted by the Joe Kubert School of Animation and Art … and then I second-guessed myself. I was like, those artists spend fifteen hours a day hunched over a drawing board! Is that really how I wanna live?! So during my later years, I gravitated toward writing. It struck me as a more direct form of self-expression.

AMR: Where do you see yourself in 10 years?

Honestly? Dead. The world is blowing itself up even as I type this, and I’m not naïve enough to believe that I’ll escape the fallout. But as Michael Ende—the author of the iconic The Neverending Story—put it: ‘That is another tale, and shall be told at another time.’ In the meantime, God blessed me with a wonderful life. When it’s over, it’s over. I love the quote from one my favorite films, The Village: ‘We are grateful for the time that we have been given.’

AMR: When did you start writing and why?

I was in my teens. I fell in love with the works of Ray Bradbury, Mark Twain, and Daphne du Maurier. But I was still mostly an artist back then, so the writer that bridged the gap between writing and art for me was J. Marc DeMatteis—a comic-book writer. J. Marc’s writing brought Sal Buscema’s art to glorious life, and that’s when I began to examine the written word. Sal Buscema I already understood; he was an artist, like me. But there was something about J. Marc DeMatteis’ storytelling that I found very intriguing, and wanted to further explore.

AMR: What is your favorite movie?  How many times have you seen it?

I have three: The Lion King, The Crow, and Natural Born Killers. Honestly? They never get old. I’ve seen all three at least a hundred times, maybe more.

AMR: What genre do you write?

ALL of ‘em!!! Literature is just one big, exciting adventure for me. There’s always some new frontier, you know?

AMR: What is your favorite book or character that you have written?

I have two favorite characters. Jillian is a werewolf, and she was featured in “Renewing Forever” and “Beginning Forever,” both published by Black Velvet Seductions. And then there’s ‘The Dark One.’ I ain’t spilling the beans quite yet, but you’ll meet him soon enough! (V’s Note: ‘The Dark One’ appears in ‘Genesis Rising II: The Angel and the Beast.’)

AMR: Do you have a new release coming out? What is the title and genre?

I have book one and book two in a series entitled Genesis Rising. The genre is dark fantasy. The titles are The Children of Apep and The Angel and the Beast. The contracts haven’t come in yet, but I think I also have two short stories on deck: a sci-fi romance entitled “Talitha,” and an erotic romance entitled “Behind the Wall of Sleep.” (V’s Note: Both of the anthologies in which those stories first appeared are out of print, but both tales have been re-published in ‘Even in Madness.’)

AMR: What are your rituals before you start writing?

Drink a lot of beer. DON’T judge! I’m working on that … (V’s Note: I’m trying to recover from alcoholism now …)

AMR: Who is or are your favorite authors? Favorite Book?

Mark Twain’s Huckleberry Finn, Ray Bradbury’s The October Country, and Daphne du Maurier’s Rebecca. I re-read all three every year. And yes, that’s my triad of literary idols!

AMR: Fun facts about you?  Or unusual thing about you.

I like tartar sauce on my omelettes. I’m also a huge fan of musicals, despite my well-deserved reputation as a metal chick. Phantom of the Opera and Hairspray are two of my favorites!.

AMR: What words of wisdom would you give someone wanting to become a writer?

Don’t do it. Seriously. It ain’t worth it. But if you MUST do it, well … go ‘head and PM me. I may have some advice for you! Being an author is both a blessing and a curse. It’s best avoided if possible, but yeah, if it’s your curse—and you can’t escape it—I’m here for you!

AMR: If you had 2 hours to talk to whoever you wish alive or dead, who would it be and why?  And what would you talk about?

Jesus. Humans cannot truly create; we can only re-arrange the elements of that which has already been created. I’d like to sit down with the true Creator—BEFORE I kick the bucket—and ask Him what that process looks like.

AMR: Anything additional you wish to add?

DON’T write because you wanna be rich and famous! It ain’t happening. Trust me, I would know. If you wanna be rich and famous, go screw some Hollywood producer and hope that he puts you into a movie. Good luck with that! Not the screwing part, of course; that’s easy. The ‘being put into a movie’ is the hard part, and may require repeated screwing.

Write because you want to, and for no other reason. Write because you have stories to tell. Write because you hope that your words will inspire a young person. Write because you can’t imagine what your life would like if you weren’t a writer. Whatever your reason … just write! Writing is pure. Writing is clean, and comes from an altruistic place in the human heart.

If you love stories—if you love the written word—you must write! The world is desperate to hear what you have to say, whether they realize it or not. The social-media haters might say otherwise, but hey …

F**K ‘em!!!

And that’s it. If I were to keel over right now, I think those would make fitting last words for my tombstone.

I mean, there’s even an F-bomb in there …

May God rest the soul of Andrea Miles Rhoads. Sleep well, my friend. I’ll be seeing you soon enough. – V

Meet Dirty Space Groove!!!

LADIES AAAAAAND GENTLEMEN!!!

Boy howdy, do I EVER have a different sort of band for you today! You know how we all have our own quirky record collections? How most of us have a lot of our favorite genre and then we have a little something of everything else?

Imagine a band that somehow managed to put ‘everything else’ onto a single record …

That band would be DIRTY SPACE GROOVE!!! My new friend Dave Neri was kind enough to have a chat with me, representing his band and explaining some of the ‘stories behind the songs.’

So, without any further ado …!

K, here we go … Dave, can you tell us about Dirty Space Groove and how you got together?

Okay, about three years ago, MTK3 the vocalist posted for a side project band on Mondays. I knew of him from his prior band Kocosante, they were very popular and he’s is a great front man, I was in between projects at the time, so we met up with former drummer Marc from another local band Toasted Marshmallow Zombies, clicked immediately, and began writing songs that night

MTK3?

Mike Thomas Kennedy the Third. This is his stage name

Ah! For our readers, what is your local area? I like to know where my favorite bands are so I can show up, get hammered, and usually land myself in trouble!

We are in south Florida

Lucky … I’m freezing my patootie off at the moment! I’d like to chat about this MTK3, if we may. I’m listening to the single ‘Nancy’ as we’re talking. VERY unique singer! The first thing that comes to mind is ‘edgy nerd rock.’ And I DO hope he takes that as a compliment! See also Michael Stipe of R.E.M. and, of course, Geddy Lee of Rush. I’d be curious as to what drove him toward his unique singing style when rock in general seems to have gravitated toward darker, snarly vocals. Can you share a little about that?

Well, when we got together we were going to write heavier material, but I write more of a dark pop kinda rock style with melodies, so I brought this. MTK3 changed his normal style and really brought that unique voice you hear now. Most people say he sounds like Ozzy, or we sound like Faith No More meets the Red Hot Chili Peppers. But, he really learned a new way to sing, and it’s been really good to be able to stand apart from what is going on and focus on new sounds and vocal melodies

I also hear echoes of Rob Halford. ‘Nancy’ is a pretty heavy song, and the note at the beginning of the video talks about mental illness. Is that a running theme in Dirty Space Groove’s music?

No , we all have family members that fall into all of the categories of mental illness discussed in the opening segment of the video. I worked in memory/ Alzheimer’s care for a while and it really broke my heart, but our music jumps to different genres from we want to party to until the world ends or the climate/ pollution issues just being straight up silly. (V’s note: Yeah, ‘climate change’ is just fuckin’ silly. It’s called ‘weather,’ dipshit!) So, there’s really no path we follow when writing; whatever comes out comes out. We like to play around with the whole ‘alien’ thing; it’s fun, and we’ve all had encounters for our whole lives. When you hear our EP on iTunes you will see how different each song is.

Alzheimer’s really is heartbreaking. Yes, ‘diverse’ DEFINITELY describes Dirty Space Groove! A lot of bands would chase me down and beat me with the mic stand for saying this, but I’m hearing a definite eighties pop influence. Echoes of Wham!, A-Ha, and David Bowie, you know? And, also excellent use of pianos and keyboards. Was it deliberate, adding those elements to the music or did it just kind of evolve?

With My Sweet Space Dream, we did want the eighties elements, the Miami sound, KC and the Sunshine Bands horns, electronic drums reminiscent of the drums on Miami vice, and a bit of the Latin flair. You have a good ear. The synths are played by Carlos we played together in a band prior. I always play with synths, keyboards rather than another guitarist to open up our musical pallet and more soundscapes.

When our good friend Cheri Belfiore-Kane first sent me your music, that was the one thing that really blew me away. Most bands tend to revolve their music around one or two elements, whether it be vocals, lead guitar, bass, etc. With Dirty Space Groove, no one element jumps out … which somehow makes them ALL jump out—perfect balance. You don’t often hear that; I honestly think that’s what made Guns N’ Roses such a once-in-a-lifetime phenomenon. So, how do y’all write? Is your process structured or do the songs come from jam sessions? Do one or two of you write and the band fleshes it out, or is everyone involved from the get-go? DO share! I’m always fascinated by the writing process.

It’s different with every song. We all bring elements to the songs; someone will have a riff or a complete song and bring it in, or we take some elements from jam sessions that we play every night as a warm-up before rehearsal. But, everyone brings their style to the songs and we all write and play multiple instruments so we have many songs

Wow … I really appreciate the bass and drum players. They almost sound like different musicians with every song. It’s very tempting, I think, to settle on a ‘pet’ set of riffs and tempos. Do y’all do your own sound mixing, or is that subbed out to a studio?

Nancy and My Sweet Space Dream was played by Marc, our first drummer. The rest of the EP was a drummer named Alfredo; he has since left the band and we are working with a new drummer: Jeremy Staska. https://www.discogs.com/artist/261969-Jeremy-Staska from Studio 13; he also co-produced the EP with us and played some Latin instruments on it. Jeremy also mixed the EP and mastering was done by https://coladamix.com/ . We brought our good friend Oski Gonzalez https://www.facebook.com/oski.gonzalez.10 in to play congas on a few tunes, so we have an amazing team behind us.

Indeed you do! Tell me, who made that GORGEOUS video for My Sweet Space Dream? It SO reminds me of one of my favorite films: Heavy Metal!

That was made by Odette, the bassist David’s wife. It is very electric and eye-catching; she did an amazing job. Heavy Metal is one of my favs, too, I seen it in the theater when it came out. The song is about someone that is obsessed with Lady GaGa (Stephene) and he can only see her in his dreams.

Lucky! My mother wouldn’t let me see Heavy Metal when it came out. And, wow! Dreams are a running theme in my writing; I often think we don’t attach enough importance to them. Speaking of theaters, I’m told Dirty Space Groove has a major event coming up?

Yes, we are playing two nights at Deafstock, the first of its kind event to help all walks of life enjoy music and celebrate life.

https://deafstock.org

deafstock.org

Nice! I once knew a deaf fellow who loved going to metal shows. He said he could feel the beat even if he couldn’t hear anything, and he loved the energy. And, that does kind of sound like the first of its kind. How did Deafstock come to be?

This is taken from the page Story of Deafstock Music & Art Festival About Deafstock, Inc.: ‘David Ritchey, a passionate advocate for inclusivity in music and art, founded the Deafstock Music & Art Festival to bridge the gap between the Deaf and hearing communities. Inspired by the idea of Woodstock and frustrated by the lack of accessibility at traditional events, David envisioned a festival where everyone could enjoy music and art together for all walks of life. One evening at a local music festival, David felt frustrated by the lack of accessibility for Deaf individuals. This idea inspired him to create the Deafstock Music & Art Festival, where Deaf and hearing people could enjoy music and art equally. He envisioned a three-day festival with visual art installations, live performances with sign language interpreters, and tactile experiences. David assembled a dedicated all-volunteer team and faced numerous challenges, including funding and skepticism. They launched a successful crowd funding campaign and secured a spacious, accessible park for the event. Partnering with local Deaf and hearing artists, they also incorporated innovative technologies like vibrating dance floors and visual light shows. Deafstock features visual art installations, live music performances with sign language interpreters, and tactile experiences that let Deaf attendees feel the music through vibrations. The festival celebrates the talents of Deaf artists and musicians, providing them a platform to showcase their work. With the inaugural event set for April 2025, Deafstock aims to create a vibrant, inclusive environment. David and his dedicated team have worked tirelessly to bring this vision to life, transforming a spacious park into a celebration of music and art for all. Join us as we break down barriers and foster unity through the power of creativity.’ I seen his post on Facebook about five months ago, and we said we have to be a part of this event. We help out any organization that is for the betterment of humans and brings awareness to any worthwhile cause. We were the first band to apply to play.

Truly a noble cause! Rockers are and have always been the most charitable people I know. Always looking out for others! So, what’s new on the horizon for Dirty Space Groove? What does the far future hold?

Well, we are working with Irongate records, we are putting together a tour, and going back to record another six songs. We’ll have new videos and we’re looking forward to connecting with new fans around the world

WOW! Full speed ahead and damn the torpedoes! I for one—to quote Senator Palpatine—will be watching your career with great interest! So, before we wrap up, I have one final question for you. I always ask this one because I think it’s the most important question: What advice would you give a young/aspiring musician?

Learn about the business part as much as the music part. Be yourself and don’t follow trends. Write, write, and write music. Get knowledge on publishing and all aspects of the biz. Collaborate with other artists, and don’t be a dick!

‘Don’t be a dick!’ LOVE it! And, I absolutely agree about learning the business end. I struggled with that as an author but I had some great mentors, as I’m sure you did, too. Thank you, Dave, so much for your time today! Here’s wishing both you and Dirty Space Groove ALL the best going forward!

Thank you, Virginia.

You are most welcome. Cheers!

CONNECT WITH DIRTY SPACE GROOVE ON FACEBOOK: https://www.facebook.com/DirtySpaceGroove

CHECK OUT DIRTY SPACE GROOVE’S VIDEOS! https://www.youtube.com/@dirtyspacegroove

Welcome to ‘Lilah’s Limit’!!!

“You were right, Mommy. He’s an angel. God did touch him with his finger! Look at the beautiful scars …” – Line from Suzanne Smith’s Lilah’s Limit

Was there ever any doubt that Suzanne Smith is the Queen of Dark Romance?

Well, in case you missed the memo … yeah, she kinda is. https://virginiawallace.com/2021/03/03/a-chat-with-suzanne-smith/

This is the epitome of dark romance, a gothic masterpiece reminiscent of Mary Shelley and Anne Rice with a dash of Daphne du Maurier thrown in.

Taking place in New Orleans in eighteen seventy-one, Lilah’s Limit is set in the world of New Orleans’ brothel scene. It’s unnerving to think that—in the United States, of all places—there would be human trafficking organizations operating in broad daylight. But, yes, that was actually the case.

What makes Lilah’s Limit fascinating, though, is not the evil setting of the tale. What makes it truly shine in the amazing characters blossoming within said setting—the good, the bad, and the morally ambiguous.

And, if I had to describe Suzanne Smith’s characters –all of them—with simple phrases, it would be these: ‘morally ambiguous’ and also ‘scarred.’  It is very, very difficult to separate her characters from the wickedness that molded them. Some rise above their pasts, and some wallow in them. One of the most vile characters I’ve ever read is the calculating, diabolical Madame Cheney—a sociopath who traffics in the flesh of women less fortunate than herself. Her introduction is positively chilling: (Renault) looked at her incredulously. It was obvious she had no qualms about her immoral role as a flesh peddler. She talked about her girls as if they were unfeeling, mindless horses she was trying to sell rather than sentient human beings. While her dehumanizing and solicitous manner irritated him it also made him a little envious. How he wished he could be like her and shove his conscience aside. Take pleasure in his sinful behavior without feeling an ounce of guilt.

Renault, the leading man, is fascinating character. It was no small task, turning a common whoremonger into a romance hero. He’s the perfect counterbalance to the incredibly damaged Lilah, a woman of birth and breeding forced into a life of prostitution.

The book also raises this question: is murder always a crime? Should the law always remain immutable, unbreakable … or are some people just so evil that the law only serves to aid and abet their heinous deeds? The French Revolutionaries once said that ‘the more wrong that has been done, the more blood it takes to set it right.’

Is that true? It was unlawful for the Revolutionaries to behead Marie Antoinette, but given her sins against her people, History doesn’t seem to judge the Revolutionaries all that harshly. Perhaps sometimes—just sometimes—Civil Law is an impediment to the exercise of the simple Law of Good and Evil.

I will say that this book has a happy ending. I kinda feel like I have to say that, because everything I’ve written thus far is pretty dark. But, mind you, I won’t tell you how the story arrives at said happy ending. That’s the fun part, so I’ll just say that it does.

That having been said, I must also add that this book isn’t for everyone; Suzanne’s books generally aren’t. I’d rather be honest about what’s in a book than have the wrong reader find it, and then pan it. Suzanne is too talented to suffer such embarrassment. So I will point out that this story brutally portrays the realities of human trafficking, from the cold-blooded selling of virginity to outright pedophilia, although this is all written as tastefully as possible given the subject matter.

But, nevertheless, it’s the setting that makes the dark hero and heroine truly memorable. Our scars often define who we are, but sometimes we find the strength to rise above them. That is the overarching point of this tale: that oftentimes incredibly flawed people will surprise you. Not always, but often.

This truly is a five-star read, and I give it my hearty endorsement! https://www.amazon.com/Lilahs-Limit-Suzanne-Smith/dp/B0D1JKGNZM

Enjoy! – V

Welcome to ‘Bounce … Into the Unknown’!!!

I have long been a fan of S.K. White’s lush, vivid scifi and romance! (To read more about her, click here: https://virginiawallace.com/2021/12/08/all-gone-by-s-k-white-a-review-and-author-interview/ )

I had the honor of being able to read Bounce … Into the Unknown before it was released, and wow … just fuckin’ WOW, y’all! Check it out!

BLURB

What if you found yourself in a different reality… same face, but different you? Whitney Ann Rhodes bounces into the alternate realities of Whit and Annie. Can she navigate Whit’s complicated and volatile life or survive Annie’s dystopian world living under the rule of a global authoritarian leader and his military regime? Will she resist or comply? Afterward, can Whitney return to her world and face what lies ahead?

MY REVIEW

There are very few authors who do science fiction as well as S.K. White …

I’ve been a fan ever since the epic All Gone, and Bounce does NOT disappoint! It’s interesting that the world-building and technical jargon almost seem incidental. The real meat of the story—the thought-provoking part—is the emotional entanglements and conflicts that plague Whit/Whitney’s constant shifts between alternate realities.

It really does beg the question: What makes a person? Is it nature, nurture, or both? Whitney is a nice young woman from a good family. She treats people with gentleness and respect. Her doppelganger Whit, however, is the product of an alcoholic home and constant sexual abuse. While Whitney is gentle and kind, Whit is more or less a sociopath.

The setting begins on a more or less normal note, but as Whitney’s alternate lives begin to come unraveled, so does the world around her as she ‘bounces’ between societies upended by civil unrest and totalitarian governments.

Bounce is a masterfully told tale that is one part sci-fi, one part melodrama … and all heart. Five stars!

So, yep, that ’bout says it all! Click here to buy: https://www.amazon.com/Bounce-Trilogy-Book-I-ebook/dp/B0CX3VB4FQ

Cheers! – V

Welcome to ‘EVEN IN MADNESS’!!!

This story collection is kind of a bittersweet one for me …

All but two of these tales were published with other publishers. One folded due to economic reasons, and the other collapsed due to the sudden passing of its CEO. (May you rest in peace, Andrea.) I would NEVER have asked for my rights to be returned to me in this manner!

But …

When it comes to Art, the show must go on. Andrea would have told me the same, and that in a rather scolding manner. She always described herself as an ‘accountant personality,’ and trust me: that was accurate. She was all about being practical.

So welcome to the skinny on ‘Even in Madness’! I got some horror for you, some romance, a few tales that are neither one nor the other, and some that are a WICKED blend of both! https://geni.us/talesofloveanddeath

BLURB

Our world is a depressing place sometimes. Just watch the news.

Ah, but in another world …!

In another world, a werewolf might go on the hunt for a human mate. In another world, the stars might shower us with sexy cowboys. Perhaps a pair of serial killers will fall madly in love, or a crumbling manor reveal itself as the gateway to another reality. Perhaps a fallen ‘goddess’ will seek refuge in the mortal world, or maybe a mysterious redhead will save her people from certain doom. Hell, Frankenstein’s monster might even re-emerge from the shadows!

Welcome to a kaleidoscopic collection of tales by the bestselling, award-winning author Virginia Wallace. For even in madness there is often an element of love, and love itself would soon become meaningless without the necessary contrast of horror …   

Renewing Forever

Orion

They Always Fall for Ruby

The Ritual

Behind the Wall of Sleep

The Monolith

Talitha

Beginning Forever

RENEWING FOREVER

Most of us wander blissfully throughout our mundane lives. We pass in and out of crowds on a daily basis, willfully oblivious to those around us. Anonymity is comforting; it simplifies life. But anonymity is a double-edged sword because it can also provide a mask for monsters, allowing them to walk un-detected among us.

But even monsters often seek a sense of normalcy. They run errands, hold down ordinary jobs, and sometimes they even get married. It is in marriage that the difference between plebeian and monster disappears, for all marriages suffer friction. Conflicts can be caused by issues such as children, money, careers, and cultural differences.

David Wollstonecroft has always tried to be a good husband to his wife, Jillian. Jillian was born into a world of shadows, and secrets; she comes from a society quite different from David’s, and thus their marriage occasionally falters. Lately, it almost seems destined to fail.

David, however, is determined to repair the damage …

Because if he can’t, Jillian might literally tear him to pieces.

ORION

Daisy O’Reilly will someday inherit a prosperous ranch …

But what she desires even more than wealth is to marry the man she loves, and to start a family. But Life, it seems, has a way of ruining even the best-laid plans. As Daisy’s dreams of motherhood slip away from her, it also seems likely that her beau Orion might disappear just as strangely as he appeared—on the night of a strange astronomical phenomenon.

Daisy thought she was riding straight towards her ‘happily ever after’. Now she’s not so sure. Will Orion make her into the wife, the mother that she wants to be?

Or will the stars reclaim him as abruptly as they sent him?

THEY ALWAYS FALL FOR RUBY

It has always been the goal of wicked men to dominate all life on the planet. To decide who lives and who dies, to decide who serves which purpose—and who serves no purpose at all.

It wasn’t until the twenty-first century that the global oligarchy finally acquired the technology necessary to realize its evil dream. The end began with a twin set of plagues and culminated in slave compounds; it was an unholy miracle that mankind meekly accepted his own ‘en masse’ debasement, foolishly trading his freedom for endless digital stimulation.

It was into this world that the man designated ‘IZC-5926’ was born.

And it was also into this world that a reckless temptress named ‘Ruby’ would someday wander …

THE RITUAL

Bert was quite content with his happy-go-lucky existence, endlessly rolling through the swamps of North Carolina in stolen truck after stolen truck …

Then he met Romy.

Bert has penchant for vehicle theft, and occasionally running people over with said stolen vehicles. Romy has a penchant for setting people, places, and things on fire. That these two psychopathic lovers ‘hooked up’ is enough to make any sane person question his or her belief in a benevolent God.

Yet despite their malevolence, Bert and Romy are living examples of true love. Their devotion to one another serves as a shining inspiration to us all …

Or not. Most lovers don’t go around killing people, do they?

BEHIND THE WALL OF SLEEP

Mankind has always found catharsis in dreams …

And so has Miles. Ever since his awkward ‘tween years, he has been tormented by the enticing specter of an otherworldly, elegant redhead. His curiosity for her changed into a need for her as adolescence slowly crushed him in its inescapable embrace.

The boy Miles wasn’t quite sure what to make of those dreams, and the man Miles is almost as confused as the boy. While his expertise lies in the field of science, he is nevertheless haunted by a rather esoteric question: wherein lies the line between fantasy and reality? Is a tangible dream any less ‘real’ than a humdrum, ephemeral existence?

The very question begs another question: If there is indeed a line between fantasy and reality …

Is it possible to cross it?

THE MONOLITH

Once upon a time, in North Carolina …

Three teenage boys once made a hobby of doing things they shouldn’t, and going places they had no right to be. Although they proudly called themselves ‘explorers,’ it was highly probable that any outsider would have witheringly labeled them ‘habitual trespassers.’ 

It was all just fun and games, until they discovered an eerie, abandoned manor deep in farm country. ‘Damn the Cripples,’ read the rusting arch over the property entrance. Little did Moe and his trusty friends know that walking under that arch would alter their lives forever.

‘The Dream House’ was just a spooky old place to explore, or so the boys thought. Now, they must face the fact that their adolescent shenanigans awakened something ancient …

Something evil.

TALITHA

During the twilight of the eighteenth century, a ship’s captain named Robert Walton penned a series of letters to his sister. Through those letters, he told the grisly tale of an evil scientist who chose to play God: Victor Frankenstein, the fiend who created a monster. It is anyone’s guess as to how the mewling novelist Mary Shelley came to be in possession of those letters, but she nevertheless published them as her own ‘fiction.’

In so doing, she inadvertently destroyed the life of one Agatha DeLacey.

Now a ship’s doctor, Agatha is sailing the high seas, safely hidden behind the pseudonym ‘Talitha de Morte.’ Only once did she ever encounter Frankenstein’s monster, but that encounter left her forever scarred; she carries a dagger strapped beneath her skirt, should she ever see his hideous face again. Creating a future—or finding love—in such a state of perpetual wariness seems almost impossible.

Almost …

BEGINNING FOREVER

Life doesn’t always go according to plan …

Jillian never meant to become a wife. Neither did she mean to become a mother, but Fate nevertheless decreed it to be so. She was quite accustomed to her existence, serving as an assassin for her kin—the Deista’ari, the hidden nation of werewolves.

But love has a way of blind-siding a girl, and Jillian is reeling from its unexpected backlash. She has a choice to make: continue in the life she knows, or throw it all away for one single, desperate shot at happiness.

This explosive prequel to ‘Renewing Forever’ pulls back the curtain on the dark secrets of Jillian Wollstonecroft’s sordid past. This is not ‘Jillian the homemaker’, and neither is it ‘Jillian the devoted mother’ …

No, this is ‘Jillian: the unrepentant KILLER’!!!

So there you HAVE it, my friends! I do hope you enjoy this collection of tales. It’s my opus, the result of years of honing my craft. And, hey, if you DON’T like it …

My publishers made me do it! TOTALLY not my fault.

Cheers! – V