“Renewing Forever”: A Tale


“Sweetheart, could you check this for me?”

David Wollstonecroft handed his wife the suspect container and stood with his
hands behind his back, waiting for her verdict.


Jillian gave the jug’s contents but a passing sniff and returned it irritably to her
husband. “It’s fine,” she said dismissively.

Her judgment was sufficient for her husband; David breathed a sigh of relief
as he filled the baby’s bottle from the exonerated vessel and dropped the bottle into
the simmering stovetop pot to warm it up. One couldn’t trust the expiration dates on
those containers, and David’s nose was notoriously paranoid! It was always telling
him that drinks, leftovers, and the like had suddenly soured.


His wife’s button nose was far more accurate than his.


David turned as Jillian cleared her throat. He knew the sound; it was an
inarticulate euphemism for “what do you think you’re doing?”


“Yes?” he answered.


“How long,” asked Jillian, her pretty lips twisting into a frown, “have you
been working nights?”


David raised an eyebrow as a puzzled expression dawned upon his chiseled,
olive-skinned face. “About three months, I guess,” he replied warily. “Why?”


“Because if you hadn’t been sleeping your days away,” said Jillian tersely,
“you would know that your son stopped drinking from a bottle weeks ago.”


David just looked at his wife, clueless. He could hear Baby Charlie behind
him, banging away at the tray on his high chair. He was laughing loudly, as though all
of this was very amusing indeed!


“Use the sippy cup,” sighed Jillian, adjusting the tie on her bathrobe. “Can you
manage this while I get dressed?”


David nodded his head. He was tempted to retort that he could feed a herd of
elephants in the time that it usually took Jillian to get dressed, but he judged it best to
keep silent.


He ran a hand absently through his black, shoulder-length curls as Jillian
returned to the bedroom. His dark, luminous eyes were full of trepidation; Jillian had
been awfully testy as of late! Perhaps it was because she was still adjusting to life as a
new mother. Or perhaps it was because their four-year marriage was hitting that
inevitable point at which wedded bliss became more work and less fun.


In either case, the things that David took in stride seemed to bother Jillian
terribly. She brooded more and smiled less than she used to, and she was less prone to
laughter and more so to strained silence. Oh, she still looked quite the angel, with her
halo of shining blonde hair and bright sapphire eyes. She still moved with the same
effortless grace with which she always had, her willowy figure seeming to float upon
her tiny feet. But lately her gaze was endlessly guarded, carefully shielding whatever
ghosts lurked behind it.


David was so lost in thought that he nearly forgot the bottle; he snatched it
from the water and dried it with a towel, squirting a few drops onto his arm to make
sure that he wouldn’t scald the baby.


Humming to himself, David transferred the contents to a sippy cup and offered
it to Baby Charlie. “Here you go, Up-Chuck,” he smiled. “No messy-messes, you
hear?”


“Don’t CALL him that!” shouted Jillian from the bedroom.David winced. Dear lord, that woman had ears like a bat!


Baby Charlie grasped the sippy cup with chubby hands, gurgling gleefully as
he drank greedily of its contents. He was a healthy little fellow, quite loquacious if
somewhat inarticulate, and generally pretty cheerful. The dying sunlight shone
through the kitchen window and reflected off his bald head, making him look like a
cross between an infant and a Tibetan monk.


David took the sippy cup from Charlie only when he’d reached the end of his
meal, as indicated by the telltale slurping sound. It took David a moment to wrestle
the cup from the struggling baby, but he managed it.


He stood there, waiting, clutching a paper towel with expectation…


Baby Charlie smiled widely (revealing his toothless gums) and burped loudly,
spewing a spittle-laced mouthful of blood onto his bib as he did.


David grinned, wiping up the sanguine stain as best he was able. He wished,
for the thousandth time, that they made these dumb things in black instead of pastel
colors. But then, bibs weren’t usually designed with the Deista’ari in mind, were
they?


David picked up the jug, idly reading its label before returning it to the
refrigerator. Blood Bank of South Hampton Roads, it said. The stuff was getting
expensive; it was a good thing that one of Jillian’s cousins worked there and received
a discount.


The children of men feed on their mother’s milk, but the children of the
Deista’ari – the hidden nation of werewolves – feed on their mother’s blood. But
much as some human women aren’t built for nursing, Jillian was not built for
bloodletting. She was too small, too petite to suffer chronic blood loss, despite her
strength. And so, just as human babies often feed on pre-packaged formula, some
Deista’ari children need borrowed blood.


David was not himself Deista’ari, but he had learned to live in reasonable
harmony with Jillian, who was, but that was about as far as his “comfort zone”
reached. The other half-lupines still made him pretty nervous, on the rare occasions
upon which he saw them. The ability to shift from human to wolf at will seemed
unutterably alien to him, except in the case of Jillian, who was the most elegant white
wolf that David had ever seen.


Okay, so maybe he hadn’t seen any other white wolves in his thirty-five years.
But he still thought her a lovely creature, an oddly intriguing blend of danger and
softness, a creature of both fang and fur.


Charlie was nearly asleep now; his chubby face was drooping when his mother
finally emerged. She was clad in a pink dress, stylishly cut with a draped neckline and
a high hem on the skirt. She balanced prettily on her high heels, still adjusting the pins
that held up her hair.


David wistfully eyed Jillian’s modest cleavage as she picked up her baby; he
was filled with a dull ache that was half physical, and half emotional.
It had been awhile…


But now was not really the time to bring such matters up.


David followed her to the car, locking the front door behind them. Hopefully
Jillian would relax as the evening went on. He’d procured tickets for a musical play at
the Hampton Coliseum: The Phantom of the Opera. Being quite fond of the movie
version, David was excited, and hopefully Jillian would have a good time as well.
Jillian had often gone to musicals as a little girl in the nineteen-thirties and
forties, but she’d not been in the last three or four decades. David couldn’t imagine
himself being that old, of course, but such was the nature of Jillian and her kin. He’d learned to take that in stride, although he tried not to think about what would happen
when he was old, and Jillian was but middle-aged.


Such bridges are best left un-crossed until their time comes.


The drive to the babysitter’s was silent, but not tense. Just silent, as moments
sometimes are between couples that have learned to anticipate each other’s words.
Sometimes communication is vital, a bridge that spans the yawning chasm between
two hearts; sometimes, it is comforting.


On other occasions, however, speaking becomes completely superfluous.
Tonight seemed to be one of those occasions.


Darkness was already falling, at six-thirty in the afternoon. David hailed from
a small town in upstate New York, scarcely a stone’s throw from Quebec, Canada.
Somehow he’d thought that autumn would be more pleasant here, in southern
Virginia. And it was, in a way, being mostly bereft of the stone-dead trees and
suddenly-freezing temperatures. Yet it had surprised David to find that Virginia’s
October was defined by early darkness just as surely as was New York’s.
He’d never admitted as much, but it seemed as though his adopted home had
somehow cheated him; he would’ve liked more sunlight.


Aside from that, however, the Old Dominion was rather pleasant.


Pulling into the sitter’s driveway, David gave Jillian an appraising sideways
glance. She stared straight ahead, not frowning, but not smiling either. Although
David was tempted to wonder what he might’ve done to upset her, it was also entirely
possible that he’d done absolutely nothing. He had about a fifty-fifty shot at being
guilty or innocent, and it was a coin toss as to which fifty percent he’d get this time.
Lord, she’d been moody lately; she hadn’t even been this unpredictable when she was
pregnant.


David offered to unseat the baby and carry him inside, but Jillian shook her
head and handled matters herself.


Still keeping her silence, she disappeared inside.


David took the opportunity to stare absently skyward, for just a little while. He
liked staring absently skyward; it reminded him of how small he really was, and how
utterly insignificant his problems were. Somehow, understanding how little he
mattered made his little piece of the world more manageable.


Pulling his glassy stare away from the silvery moon, David smiled as he
watched Jillian approach. She had no doubt delivered her instructions to the babysitter
with great sternness; like natural wolves, she was fiercely protective of her cub. She
was a truly devoted mother; David had to give her that.


He jumped from the car to open the passenger door; Jillian gave him a wan
smile with her painted lips as she slipped inside, adjusting her skirt daintily as she
settled into the bucket seat of the station wagon. David had possessed a classic
Camaro before marrying Jillian, but alas practicality had finally dictated a vehicle
change.


David didn’t often think about the Camaro anymore…


At least, he tried not to.


David threw Jillian a grin before he pulled out of the driveway. They’d
engaged the sitter for the entire night; this was a rare return to their pre-parental days.


“Did you remember the tickets?” asked Jillian casually.


“Glove box,” replied David, pulling onto the interstate highway.


“Are you sure?” asked Jillian.


“Of course I’m sure!” replied David firmly.He wouldn’t have gotten upset, he told himself later, if she hadn’t actually checked to make sure that he’d remembered the tickets. He was usually quite reliable. She hadn’t needed to do that, had she?


In any case, her checking was all it took.


By the time they reached the Hampton Coliseum, the air was full of all ‘why
don’t you’ and ‘you always’ and ‘how come you never…?!’ An overwhelming
entourage of ‘you’ danced all throughout the pitiful absence of ‘me’, weaving a
tapestry of blame that snuffed the memory of their wedding vows like a candle.


David slammed the gear shifter home as he stopped in the parking lot, turning
furiously toward Jillian. His emotions were as torn now as they always were when he
argued with his wife; anger and terror were splitting his tumultuous heart in two.


Jillian stared back at him, her incisors noticeably elongating, and her eyes
glowing bright yellow. Her upper lip curled in a manner that was distinctly canine,
and she flexed her hands spasmodically. David knew from experience that she was
trying to keep her prettily painted nails from turning into talons. She was trying not to
turn into a—


A bitch.


Some of Jillian’s older, more Victorian, relatives often called their women
“bitches”. David thought this abhorrent, but there were moments when he was
tempted to hurl the epithet at Jillian just to upset her. Simple perversity, it seemed,
was eager to take him over even during moments in which genuine malice was
completely absent.


He would never call her a bitch, and he knew it. To bait, to willfully upset,
was one thing; however, to actually wound was something else entirely.


“Calm, darling,” said David gently, laying a firm hand on his wife’s bare
shoulder. He squeezed her rather hard, digging his thumbnail into her flesh. The pain
would help ease her mood, he knew, although she’d bruise. But what of it? The mark
would begin to fade as soon as they left the car, and it would be gone entirely by the
time they reached the coliseum door.


Jillian closed her eyes, breathing deeply. She had long ago learned to set aside
her anger in order to relax, to appear more normal. She would later resume the spat
where she’d left off, of course, but she did have enough sense to momentarily
abandon said spat.


“Alright,” she breathed at last, looking at David with bloodshot, deep-blue
eyes. “It’s alright. I’m okay.”


Letting go of Jillian’s shoulder, David exited the car, opened her door, and
extended his elbow. Jillian took it only hesitantly, her eyes swimming with confusion.
David started to say something (preferably an irritating something) and then thought
better of it. It was better, he thought with macabre amusement, to simply let sleeping
dogs lie.


David gave the tickets to the doorman, and he and Jillian followed the sea of
people inside, searching for their row and section number. Jillian smiled graciously to
those around her, carrying herself with demure self-assurance. She was lucky, David
knew, for most of her kin could scarcely go out in public. They sported eyes that were
permanently unnatural, teeth that were always predatory, and claws that no glove
could ever conceal. But Jillian, to one who didn’t know her, was more woman than
wolf.


To one who didn’t know her well, anyway.David murmured apologies to those already seated as he guided his wife to their seats. Sitting down, he leaned back and waited for the lights to darken, and the curtain to rise.


Out of habit, David laid a gentle arm across Jillian’s shoulders. He felt her
stiffen, initially (but unaggressively) resisting his touch…


And then she suddenly gave in, falling limply against him. It was often so with
her, and David suspected that it was so for most women: Their innate need for
independence inevitably conflicted with their desire to be touched and held.
Werewolf or no, Jillian Wollstonecroft was a most peculiar creature. If all
women were like her, then that made all of them peculiar creatures too, at least as far
as David was concerned.


To be fair, Jillian was almost certainly harboring similar thoughts about her
husband.


The musical was amazing, so much so that it seemed to snap Jillian out of her
mood. While the stage production of The Phantom of the Opera was different in
sound and feel than the film version, it was breathtaking nonetheless.
David walked Jillian to the car and shut the door behind her, feeling relaxed
and light-hearted. “Did you enjoy the show?” he asked, sliding into his own seat and
starting the car.


“I did,” she replied, smiling. “Thank you.”


And that was it. No more conversation, although Jillian didn’t seem hostile
anymore, just deep in thought, and more than a little withdrawn.


David found himself growing somewhat despondent as the white lines of I-
264 zoomed by his field of vision. He’d wanted so badly to reconnect with his wife
tonight, to somehow pull her away from whatever had possessed her. What on earth
could be eating at her so?


David looked to the roadside, beyond the guardrails of the highway, as the car
approached a familiar landmark. He turned onto the off-ramp so suddenly that Jillian
shrieked indignantly.


She turned furiously upon him, her eyes already flecked with incandescent
yellow. “What was that all about?!” she demanded, her voice sounding a little like a
yelp.


“I’m sorry,” murmured David sheepishly. “I just wanted to take a detour.
That’s all.”


Jillian went silent again. David was childishly tempted to drive into the curb,
just to force another reaction out of her. She was usually so vivacious, but now she
sort of resembled the wooden Indian that Emerson’s Tobacco kept in the front
window.


David pulled into a small parking lot at the end of the public park. He turned
hesitantly toward Jillian, afraid that he was flirting with a wolf bite. She’d never
actually bitten him before, of course, but every once in a great while he thought she
might.


“Walk with me?” he asked gently.


Jillian nodded tersely, pulling her jacket from the backseat. It was quite warm
tonight, although that mattered little to a Deista’ari, even one wearing a short dress.
This was Mount Trashmore, one of Virginia Beach’s more notable landmarks.
It was a large, man-made hill that overlooked I-264, much like David imagined that
medieval castles used to tower over their surrounding moats.When they were dating, David had often taken Jillian here. They’d sit on the hillside watching cars pass in the night, talking for hours about whatever happened to cross their love-struck minds.


Of course, this place had also been where Jillian had first revealed her darkest
secret to her then-boyfriend. He had laughed when she’d told him, thinking that she
was joking. His amused laughter had turned into violent panic when she’d showed
him! The evening passers-by walking around the “mountain” had been treated to a
most unusual spectacle: the sight of a grown man running desperately away from
what appeared to be a white German shepherd (or maybe a husky). The “dog” easily
kept pace with the shouting man, whining pitifully.


They’d not come back since. Although David loved Jillian with all his heart,
he knew deep down that nothing could ever undo his initial rejection of her nature.
Jillian could only ever have made herself that vulnerable once, and he could only
have shattered that trust … well, once. While their relationship ultimately proved
repairable (as most eventually do), there are some things that can never be undone.
They’d avoided this place ever since by unspoken consent, mutually ducking
the shared memory. This was a bittersweet place, one where pain and desire never
quite extricated themselves from each other.


But tonight, coming here somehow struck David as strangely appropriate.
They crossed the top of the hill and descended a little down the interstate side,
and David sat cross-legged in the dying grass.


Jillian sat beside him, clutching her jacket to her chest as she leaned against
him. The traffic made a whooshing sound below them, rising and fading by intervals
as each vehicle approached and passed.


The stars were dim tonight, as they always were. Jillian had grown up in this
city, where the stars shined but feebly, eternally dimmed by the stifling streetlights.
These were the moments during which David badly missed his remote birthplace,
where mankind hardly ever encroached on the handiwork of the Almighty.


David leaned his head against Jillian’s for a moment, wondering how the
humans (‘the flock’, as Jillian’s family scornfully called them) would have reacted if
they knew who was sitting here tonight, upon their homemade mountain of recreation.
Jillian didn’t seem very frightening at the moment, even if she had been nursed on
blood and weaned on raw meat. Even now she preferred her steak and chicken
uncooked, although she often diced the meat up with onions, rice, and teriyaki sauce.


Quite modern they were, these latter-day Deista’ari.


“It’s them, isn’t it?” asked Jillian abruptly.


“Come again?” asked David, surprised.


“It’s them,” repeated Jillian. “The flock. We thought ourselves so above them,
so beyond their influence, but at last they’ve corrupted even us. I never before thought
that they could; I thought we were supreme, untouchable. But ever since …”


Here she let the sentence linger.


David finished it for her, quite emphatically and with disturbing calmness.


“Ever since your father disowned you for marrying me, and forever banished you to
the world of men?”


Jillian nodded. The sting, David knew, had long ago left the utterance of such
words; now they were just a simple statement of fact.


“We’re just like them, David,” said Jillian, her eyes brightening again, and
changing color by perceptible degrees.


“You say ‘them’ as though I’m not one of ’em,” said David dryly.“I didn’t mean that, darling,” said Jillian, succumbing to a moment of tenderness as she squeezed her husband’s hand. “You know I didn’t. It’s just that …


Well, when I was a girl, my mother raised me with all the care that a mother should,
and so did yours. We were sheltered, loved, and brought up by parents who had the
time and energy to give us what we needed. They had the financial wherewithal to do
so, too; my family because we had ‘old money’, and yours because you grew up in a
different era, one not so demanding.”


David was tempted to brusquely demand just what she was getting at, because
he honestly didn’t know. But he immediately thought better of it; such an inquiry
would anger Jillian and give her a direction towards which to direct her dark thoughts.
She was talking now, and this was a good thing. Hopefully she would continue to do
so until she’d made sense of her maudlin wonderings. It was best to let her simply
continue.


“Look at us!” spat Jillian, as though she suspected that she wasn’t being
understood even though she desperately needed to be. “I couldn’t stand working after
Charlie was born, even though we relied on my income. I never regretted quitting my
job, but what have we given up in order for me to be a proper mother to our son?
You’re overworked, David, and I’m terrified that something might happen that we
can’t handle because we’re barely getting by on your pay. And you do make decent
money, but it just takes so much nowadays. It’s so tempting just to throw our son into
day-care so we can go live the American Dream. But we haven’t, and what do I get
out of it? No social life, because no one else makes time or space for the little ones
anymore; everyone keeps asking me when I’m going back to work, as though I don’t
have my hands full now. I’m drained, David, and I can’t believe you’re not too.”


David sat in silence, trying to make sense of Jillian’s pell-mell rush of words.


This was the first indication that she might have regretted leaving her job.
She’d once held a lucrative position at the police department, where her family
had planted her to cover up mysterious incidents involving the Deista’ari. Fledgling
werewolves are a dangerous breed, and often ungovernable. But when Charlie was
born, Jillian had quit just like that. She’d discovered upon becoming a mother that she
was completely unwilling to abdicate her maternal role to anyone else, and money be
damned.


David supported her entirely, despite the fact that it meant longer hours for
him and a tighter budget for them both. Still their little family seemed fairly happy;
Charlie was being cared for by his mother, who loved him more than anything. All
was well in the Wollstonecroft household.


Or so David had thought. “Are you thinking about going back to your family?” he asked dully.


Fyodor Gwinblaidd would take his disinherited daughter back the very
moment that she renounced her human husband; of this David was sure, and he was
certain that Jillian knew the same. So deep was the old werewolf’s hatred for his son-
in-law that he’d never even laid eyes upon his own grandson, which David found
quite sad. But old Fyodor nevertheless represented a secure life, an environment in
which Jillian would have everything she wanted and needed.


Everything except David.


“Well, are you thinking of going back to your family?” insisted David.


Silence.


Sometimes, David realized with a sinking feeling, the absence of a reply is
actually the most decisive possible reply that one can make.“Well, if you’d prefer a different life,” spat David heatedly, “then go get it! I wish you all the best. If you’re tired of living this little ‘Romeo and Juliet’ romance, then leave it! I won’t demand anything that you don’t want to give. Perhaps I was wrong about you; perhaps all you ever needed was another blue-blooded bastard, just
like your father.”


David was ranting now, spitting bile, driven by his need to hurt as badly as
he’d just been hurt. He didn’t mean those hellish words; this he knew the very
moment that he spoke them. But oh how badly it needed to be repaired, that fractured
barricade around his wounded heart!


David closed his eyes, knowing what would come next.


He actually smiled as he heard the howl of anger mixed with pain, coupled
with the sound of a shredding evening dress, size two.


He didn’t open his eyes until she had him on his back; Jillian pressed her
forepaw into his chest, forcing him to the earth.


David met her enraged yellow gaze coolly, noting the bloody crimson edge to
her feral stare. Her tongue lolled out from between dagger-like teeth, away from
which her upper lip curled in fury. Her ears were laid back in rage, and she was
panting furiously; David could feel her hot breath upon his face.


“Go ahead,” said David evenly. “Go ahead and do it! Because I, my darling,
am quite mortal, short-lived and used to the idea. The moment I was born I began
dying, and I accepted that fact very quickly. But you, my dear, will have to live out
your long life with the knowledge that you murdered the father of your child. So go
ahead; you have more to lose than I do.”


The Jillian-wolf lowered her trembling lip a little, faltering.


“Do it!” hissed David, raising his head a little. “It’ll spare you the indignity of
having to worry about some decrepit old man while you’re out with some new sugar
daddy.”


He closed his eyes as Jillian snarled in his face, oddly ambivalent in the face
of his own imminent demise.


And then she was gone.


That, thought David as he sat up, was worse even than her staying here and
continuing to growl at him. It seemed as though she was rubbing it in his nose that he
didn’t possess her strength, her speed, or her transformative power. Jillian had
disappeared as neatly as Houdini’s stage assistant, and she wouldn’t be found until
she wanted to be.


David had always told her that he loved her. He’d said that he’d stay with her
forever, whatever forever meant when the marital bond involved both a mortal and a
more-than-mortal. He’d promised to cherish her until “death did them part.”


Right now, David hated Jillian!


Hatred, he knew instinctively, is not an entity unto itself; it cannot simply
spring into existence. No, the purest hate is nothing more than perverted love, a bond
of affection gone hideously wrong.


David stood up shakily, looking dazedly about. The passers-by were still
walking around, meandering hither and yon without paying him a second thought. In
the darkness, it seemed, they had missed Jillian’s moment of transformation; if
anyone saw her afterwards, they had probably mistaken her for a dog.


Besides, no sane man believes in werewolves. The strength of the werewolf,
David thought as he mentally paraphrased Bram Stoker, is that no one believes in him.


Or her, as the case may be.Either way, David didn’t feel like going home. Jillian may have decided to
return thence, or maybe she hadn’t. Either way, David didn’t care to find out; he just
wanted to be alone right now, utterly removed from anything living, breathing, or
moving.


Leaving Jillian’s abandoned dress where it lay, David half-sprinted to the car.
His thoughts were numb, unable to cognitively process Jillian’s awful words. Not
only could he not process her words, but neither could he process her damning
absence of words. A man imagines, during his peaceful moments, that he controls his
relationships. It is only in moments such as these that he realizes that he most
certainly does not! The reins of a relationship ironically belong to whichever party
first chooses to toss them aside, savagely turning one “us” into a pair of tragically
lonely “me’s”.


Right now, Jillian controlled both David’s life and his future, and there was
nothing that he could say to change it.


David zoomed down Independence Boulevard with such reckless abandon that
it seemed he would surely attract the notice of Virginia Beach’s uniformed thugs, who
relentlessly prowled the streets in search of financially lucrative drunk drivers.


But he didn’t draw any police attention; the marauding officers must have
already hauled in their evening jackpot of hefty fines.


It was as if in the face of horrors such as this—the imminent demise of a life
so carefully planned—even such lawless entities as ticket-happy Gestapo disappear
for a while.


David careened onto Pleasure House Road, taking the shortcut toward
Virginia Beach’s historic Shore Drive. He wanted to disappear just as Jillian had, to
become nonexistent for a while. He wanted to be alone within the wilderness of his
thoughts.


The nighttime cityscape ill suited his mood, and thus he sought to flee its
garish luster.


David floored the gas pedal with careless abandon, trying not to feel anything
at all. He went numb for a moment. But when the pain once again reared its ugly head
David floored the gas pedal with a vengeance; perhaps he was incognizantly hoping
that his ever-increasing speed would propel him beyond the reach of his internal
agony.


But it didn’t.


Green light after red light after green light flew by, until at last suburbia began
to give way to trees. But the dawning forest would fade near the border of the
oceanfront area, surrendering to hotels and luxury homes.


This David could not stand—the odious presence of people and their lives and
their drama, and the messes that made up their twisted, tormented lives.


David stomped the brake pedal and careened down a darkened side road.
Seashore State Park: the wildest of the wilds, miles of forest and cypress
swamps crisscrossed only by footpaths. Nature reigned supreme here, ever desolate
and yet oddly welcoming in a forbidding sort of way.


Alas it was closed, this verdant park. David couldn’t have cared less. Snarling,
much as Jillian would have, he sped up the car, ducking behind the wheel as it roared
toward the chained gate.


The vehicle damage would cost hundreds, but David didn’t care; he felt a
sudden, hedonistic surge of joy as the chain snapped free of the gate, sending the bent
steel bars flying over the hood of the car. The casual vandalism didn’t matter; nothing
mattered! Not a thing in this whole stinking world mattered, except that his own lifewas over. Jillian was rewriting his dreams of the future, and his helplessness was
quickly driving him into a frenzy.


David jumped from the car as it came to a stop near the tree line; he left the
swinging door carelessly ajar as he sprinted into the woods.


He stopped for a moment, impatiently waiting for his eyes to adjust to the
gloom.


At last the nighttime forest grew clear, obligingly adjusting itself to David’s
pathetically human vision. He couldn’t see as well at night as Jillian could, but he
could see well enough to follow the newfound trail by the moonlight.
David began jogging. He panted as he charged along, still subconsciously
thinking that he could somehow outrun his feelings. He was desperately hoping that
the pain wouldn’t be waiting for him around every corner, and along every straight
stretch of the moonlit path.


He could see the shadows slinking all about him now, those lupine forms that
ever teased his eyes without quite revealing themselves. These were the wolf-kin, the
Deista’ari, the species once known as the loup-garou. Once they had been completely
hidden from his sight, unknown and unseen to him.


But this place…


This place was their sanctuary, their hunting ground and refuge; they were
careless around David because he was known to them.


David had a vague thought that perhaps the Deista’ari might kill him, pulling
him down like a wounded deer. Jillian was angry with him, after all, and apparently
tired of his company. Could the loup-garou sense his wife’s displeasure, these strange
creatures that were both sub- and superhuman? Could they sense the aura of disfavor
lingering around his very being?


Perhaps they could, but David couldn’t make himself conjure up the will to
care. Every man dies, and what better time than now? Here, at the end of all he loved?
David ran for almost five miles before he fell headlong onto a hidden beach.


Here the brackish water sat still and rank, reflecting the bearded cypress trees like a
rippling, distorted mirror. It looked as though one could simply don ice skates and
glide across the water; only daylight could and would reveal its utter stagnation.
David flopped onto his back, panting.


Why he’d run to this particular spot, he didn’t know. He shouldn’t have come
here; his very presence was self-torture, an invitation for the ghosts that haunted the
beach to torment him yet again.


Here he had once lain after a pleasant afternoon walk. Here he had once fallen
asleep, waking only after night had long fallen…


Here he’d awakened to the sight of a large, white canine sitting near his head,
staring curiously down at him with incandescent yellow eyes. Here he had reached out
a trembling hand toward her, only to have her bolt into the darkness beyond.
He’d never seen her again, not here. But she had come to him in another life,
in another place, and with another face. She’d sought him out, chasing his love not
with a growl but with a dazzling smile, with a girlish laugh instead of a howl.


Jillian had hunted David as only a wolf could, single-mindedly pursuing her
prey until the hunt had cost her everything: her family, her inheritance, all that she’d
once known. But now, boredom and frustration had taken from her what threats and
familial anger could not. That reality seemed almost an insult.


The moon reached its zenith and began to descend. Night would soon die, and
day would be born again via the glorious dawn. David hated the thought, for daylight
inevitably exposes heartache for the very monster that it is. In darkness, however, one rediscovers the peace of the womb, a safe place in which to conceal one’s angry
thoughts.


David jogged back as quickly as he could, his legs twitching from the strain.


He felt like a vampire, running from the sunrise that he fancied might become his
funeral pyre, if only he could find the suicidal courage to let it set him ablaze.
He left the scene of his impulsive break-in quite casually. It may have been
that he didn’t care about anything anymore. Or it may simply have been that he knew
a little too much about the doings of the police department, by virtue of his mate. At
the end of the day it would cost far less to simply replace the gate than it would to
investigate its destruction, and thus David would remain ever anonymous.


That, thought David grimly as he drove away in his battered car, was the curse
of being married to a Deista’ari; it made one coldly aware of the bloated white
underbelly of things, of the brutal realities beneath the thin veneer that is Human
Civility. It made one understand just how much of the Eternal Wolf lives within each
and every one of us!


David pulled into his own driveway at last, scarcely ahead of the coming
dawn. He walked toward his front door as one condemned, dreading the sight of
Jillian. Her entire family might be waiting inside, eager to tear him to pieces.


The thought frightened David not one whit.


He didn’t fear death. He didn’t fear himself, or even the nighttime terrors that
traversed Seashore State Park like phantoms. No, he feared only Jillian. But it was not
her fangs, her claws that he feared. No, he feared instead the emotions that she stirred
within him.


And he feared those with every fiber of his being.


Jillian was nowhere to be seen (at least in the living room) and David could
find no sign of her as he passed the smaller rooms beyond. With a sinking feeling, he
reached for the doorknob of their shared bedroom.


He opened the door with a sense of impending doom, half-expecting a newly-
installed electric chair to be waiting for him.


There was no chair. There was only Jillian.


Charlie’s crib was empty; so he was still at the sitter’s, then. Jillian stood with
her back to David, looking through the thin curtains toward the indistinct haze that
was their backyard. The skirt of Jillian’s bathrobe was swishing a little; David
realized that she must have donned it quite suddenly.


So this was what it came down to at last: marital openness giving way to a
complete unwillingness to be seen unclothed, the tearing asunder of the Biblical “one
flesh”.


David headed for bed, wanting just to duck beneath the covers so that he
might hide from everything that had so completely exhausted him. But he couldn’t.
Jillian had scattered a pile of … stuff across his sleeping place.


David picked up the handiest object available, a large photo album. He looked
at it dully, frowning. He opened the cover and looked at the front-page photo. This
was an older picture, one from another age, another life. Here he and Jillian stood
beneath the bright sunlight, clutching each other as though they could never be parted.
Smiles. Laughter. Love and life and everything that is good in this world.


David turned the page, moving along to the photos taken at the engagement
party. There were no others present except David’s friends and family; Jillian’s had
disowned her already, despising her for accepting a marriage proposal from one of the
flock, those good-for-nothing humans.Yet Jillian smiled still, laughing with genuine mirth as she gazed upon her then-fiancé with honest adoration.


David turned the pages slowly, blinded by unwilling tears. The wedding
photos, the various anniversary pictures, Charlie’s birth … Jillian had given up so
much, and all for David. He’d once worshipped her for that, profoundly grateful that
she’d chosen him and him alone “to have and to hold”. He’d once cherished her love
like nothing else.


“David?”


He turned toward the window with sudden hostility.


And then he softened. Jillian sounded suddenly vulnerable, and somewhat
timid.


“Yes?” answered David, stifling his inclination towards irritability.


“Are you angry with me?” asked Jillian.


David lunged toward the window, wanting to take his wife by the shoulders so
that he might shake the living daylights out of her. Of course he was angry with her!


But David didn’t reach for Jillian; instead he stopped behind her, his hands
twitching from the urge to avenge himself upon his wife. This is the difference
between a good man and a bad one; every man wants to do violence to his spouse
once in a while, for two cannot live in such close proximity without provoking the
occasional violent thought. The difference is that only the oaf and the fool will
actually raise their hands to their wives.


But the good man will ever hold his peace, no matter what the provocation.
Yet both the fool and the good man feel the same perennial urge to raise their
hands towards the women who offend them, just as women are often tempted to slap
their husbands silly. Any and all who deny this are liars and hypocrites.
David was a good man. Thus, he stood behind his wife, unwilling to touch her
in anger.


Jillian stared absently through the window, hesitant to face her husband. “I
don’t suppose asking you to forgive me would do much good?” she asked, in a
carefully neutral tone.


David made no reply.


Jillian sighed, running a hand through her tousled, golden tresses. “David, is
there really more to life than this? This eating, sleeping, and looking forward to
nothing but the next day’s work?”


David made no answer, and his eyes smoldered still with latent anger.


Jillian’s question was obviously rhetorical. And as usually happened in such
cases, she answered her own question. “No, I don’t think life consists of much more
than repeated trivialities,” she said. “Nor should it. I’m not afraid of the endless ennui,
the boredom. No, David, I’m afraid of the end of that boredom, of those decades
without you.”


David felt a stab of icy fear pierce his heart; he hated talking about this, and so
usually did Jillian. Thus, they generally didn’t.


“I’m afraid of life without you, David,” whimpered Jillian. “I’m afraid of what
the world will be like when you’ve left it. I want our years together to be memorable,
special, and I feel cheated that they must be so very ordinary.”


Silence.


“But what greater pleasure,” continued Jillian, “could there be than waking up
next to one’s best friend every morning? What greater honor is there than living with
the knowledge that someone so very special has bound himself to you? Your life is
short, David, and quickly lived. I’ve already lived one human span, and it went by all too fast. I cherish my every moment with you, David, and I always have. What I can’t
always do is accept the upcoming terror of losing you. Sometimes that terror becomes
so strong that I become tempted to walk away from all of this. Somehow, sometimes,
I feel like it might be better to cut my losses than it would be to live out ‘till death do
us part’ to its bitter end. I do hate being like the flock. I do hate being scorned by
‘working’ mothers, and I do resent the restrictions that the modern age puts upon us.
But none of that is what really breaks my heart; please forgive my lack of honesty
before tonight. What really haunts me is the very thing I love most.”


“And what’s that?” asked David, looking away.


“YOU!!!” finished Jillian, with devastating finality.


David nodded, finally understanding what his wife was getting at. Sometimes
one feels the need to vent about one’s greatest fear. Yet all too often that very fear is
too terrifying to mention aloud, and thus one settles for fussing about some random
side issue; one complains loudly about that inconsequential matter in order to avoid a
much bigger issue. There is always an elephant in the room, and this was marriage in
the real world!


Jillian reached around, taking David by his hands. He resisted a little as she
pulled his arms up over her slender shoulders, but to no avail; she was much stronger
than he, and his attempts at fighting her off were laughably futile.


Jillian leaned into him, laying her head affectionately upon his shoulder.


David felt the terry-cloth collar of her bathrobe brushing his upper arm, soft and
somewhat ticklish.


“Forever, David,” said Jillian gently, “we said ‘forever’, but we both knew
that ‘forever’ applies only to me. So what do I do, David? Do I run now, so I can
spare myself pain down the road? Or do I stay here with all that I love so? Should I
just stare your demise in the face for another few, terrifyingly short decades?”


“I have to stare it in the face,” said David mercilessly. “My death, I mean. I’m
human, after all. Born yesterday, and dead tomorrow. I have to deal with my demise
for what it is.”


“You do,” agreed Jillian. “And I swore that your troubles would be my
troubles, did I not?”


“You did,” replied David quietly. “But it sounds like you’re rethinking all of
that now. So what will it be, Jillian? I won’t try to hold on to you, even if I could do
such a thing. Your family would tear me to bits, if you didn’t do it yourself.”


“Do you think that I’ve decided to leave you, David?” asked Jillian, her voice
sounding suddenly much younger.


“Yes.”


“Then you’re a fool,” retorted Jillian bluntly. “A woman—like a wolf, a dog—
was meant to be man’s best friend.”


“Then why even bring this up?”


“Because I need you!” said Jillian heatedly. “I need you to help me live with a
reality that exists apart from my own kind, a reality among your kind. I need you to
hold my hand through this crazy, pell-mell world that is humanity, and I need you to
tell me that everything’s going to be okay. I need hugs and whispered reassurances,
and kisses in the night. I need for you to look at me as something precious, something
to be protected!”


Jillian turned around and laced her fingers together behind David’s neck,
staring at him with her magical, mysterious, deep-blue eyes.


“I may be the wolf, David,” she whispered, “but you are wrong to think that I
am anything but completely vulnerable to you. You’re also wrong to let your perception of me skew your treatment of me. I am partially wild, a little more than
half a beast, but in the end, I am still just your wife.”


David stared back at Jillian with his wide brown eyes, awestruck. He’d
thought of her lately as so bitter, as such a harridan, and such a … well, bitch.


But the whole time, this was the true problem: Jillian herself. Her fears, her
insecurities, her weaknesses, and above all else, her desperate need to lean on him.
David hung his head in shame. Had he let his wife down? Had he allowed his
view of her—his knowledge of her “other half”—to temper the way he treated her?
Had he really viewed her as being the stronger partner, even if he did subconsciously
resent her imagined assumption of the role?


Yes.


The answer need not have been any more complex than that. Jillian needed
David, during the short span that was his life, to help carry her troubles, so that she
could throw herself into carrying Charlie’s. David had the image of “Jillian the Wolf”
so burned into his mind that he’d forgotten “Jillian the Woman”—the petite, soft
creature that he now held in his arms.


To think that his marital situation could have gone so wrong, and he’d never
even realized it.


This life – this relationship – was terribly mystifying.


“I’m sorry,” said David, kissing Jillian’s forehead. “I had no idea that all this
was going through your mind.”


“I didn’t know it was going through my head either,” confessed Jillian. “But
we did say ‘forever’, after all. Didn’t we?”


There it was again, that icy stab of pain.


“What is forever?” asked David quietly, hoping that semantics would divert
the conversation away from the subject of his own demise.


“I think,” said Jillian, furrowing her pretty brow, “that forever is a misnomer,
a mistakenly linear term for something that is really cyclical in nature. What is
forever, if not a series of false starts? A resolution to start over again, every time that
you need to?”


David pulled Jillian close, nuzzling her hair.


“So what is it to be, Mrs. Wollstonecroft?” he asked quietly. “Do we give in to
fear, or do we renew forever?”


Jillian pulled away for a moment and looked at her husband with tearful eyes,
eyes that were no longer blue but brilliant amber. She smiled a little, revealing teeth
that sharpened and elongated even as her husband hesitantly met her prettily hellish
gaze.


David felt no fear this time. Time was his enemy. Boredom was his enemy.
Extramarital lust, callousness, fear, and insensitivity were all his enemies.


But Jillian was not his enemy.


She belonged to him as surely as he did to her, and all the horrors of this life
could not change that.


“I think,” said Jillian, as she buried her head into her husband’s chest once
more, “that the time has come for our next false start. This one won’t ‘take’ either,
you know, and we’ll have to start again after that.”


David took Jillian’s face in his hands, staring her dead in her terrifying eyes.


“Yes,” he said firmly. “Our newest start will crash and burn just like our last
resolution, but we’ll learn a little something from it, yes? And then we’ll start all over
again.” David spoke softly, barely finishing his intended soliloquy before Jillian’s lips
closed in on his.


“One more time,” he murmured.


Time and time again, he thought feverishly as Jillian pushed him onto the
cluttered bed, we WILL start over, every time that we must…


Forever.


The End

MEET DELIBERALIZE!!!

Welcome, ladies and gentlemen, to my humble lil’ blog!

Crazy V has an extra special treat for y’all today! We will chatting with Dean and Nathan of the crushingly heavy band DELIBERALIZE!

So, without any further ado …

So let’s start at the beginning. How did y’all get to together! I’ve been listening since ‘Unhallowed Halls,’ which was a while ago.

Dean: Nathan is my son and he grew up listening to death metal. I’ve been playing drums for about thirty-three years so I was hoping Nathan would take an interest in it when he got older. He did and quickly learned guitar, bass, and vocals.

Holy …! What I adore the most about Nathan is how clear his lyrics are even with his vocal chords turned all the way up. That’s talent! You don’t often see that in death metal, including my lifelong faves My Dying Bride and Carcass. The vocals may sound great but the lyrics are often muddy, you know? Kudos to him! Who writes the lyrics?

Dean: I write all the lyrics.

I quite like them. I’m listening to ‘Unseditious’ at the moment, which is fantastic. We’ll get back to the music in a minute, but we may as well come out of the gate with the obvious: It’s clear (given both the band name and the lyrics) that Deliberalize – much like old-school Black Sabbath and Megadeth – has a message. What would that be? And do please speak your mind; this ain’t the mainstream media here. I’m a musical journalist, not an ideologue or narrative peddler!

Dean: We believe there’s a deep moral and cultural decay happening in the world right now. Our music reflects our view that a lot of the decline is driven by corrupt leadership, ideological manipulation, and narratives that undermine truth, faith, and taking responsibility for your own actions. There’s been an erosion of traditional values. Somehow the rejection of truth has become normalized and there has been a cultural shift away from faith and biological reality, such as more than two genders existing. At the end of the day, our songs are not about hate. They’re about confrontation. Death metal has always been a genre that exposes what it sees as evil, corruption, and decay. We are just applying that same intensity to the modern political and cultural world as we see it today.

Death metal has ALWAYS flipped the establishment the bird! It’s funny, I did a deep dive into history for my new novel series. I held my nose and read both ‘Mein Kampf’ and ‘The Communist Manifesto.’ What leapt out at me is this: What they have in common is that they put God on a back burner and ask their adherents to follow the whims of capricious state leaders. I LOVE the cover of one of your albums: ‘It is when a people forget God, that tyrants will forge their chains!’ One will either serve a loving and just God or self-serving and corrupt men. I don’t think I see a third option and it kinda looks like you guys don’t either. Tell me, did this message evolve or was it planned going into your first album?

Dean: It was intentional from the beginning. We started Deliberalize with the goal of channeling our frustrations about what we saw as government corruption and cultural decline into something creative and aggressive. But at the same time, we didn’t want to be just another cliched death metal band writing purely shock-based horror themes about the exciting journey of a maggot eating a corpse. We wanted our music to reflect real world issues that matter to us rather than fictional gore narratives.

I LOVE it! Using music to express anger and discontent is civilized; it’s a form of dialogue. Chucking bricks at police and ICE agents is barbaric, and in my opinion doing such things is removing oneself from civilized society and becoming a savage. Dialogue is civilized. Chucking bricks is some shit that a caveman would do. Tell me, have you guys ever gotten any pushback against your music? (Note: I won’t be at all surprised if you say yes, since I write from a similar perspective to yours and I’ve taken some heat.) So, any pushback …? Trolling?

Nathan: I run the social media for Deliberalize. Surprisingly, no. We’ve only seen positive feedback on YouTube and Instagram. People saying they love the nineties feel of our music. Some have commented that they agree with and enjoy the conservative lyrics. No one has tried to ‘cancel’ us.

That’s good to hear! I think coming out of the gate with who and what you are heads trouble off at the pass. At a glance, people who love Bad Bunny and think Robert de Niro is a genius will look at your marketing and walk away rather than listening, getting pissed off, and leaving nasty comments. So, that having been established … back to he MUSIC!!! Dean, who were your drumming influences? Death metal drummers often sound like machine guns. I listen and I’m like, oof! That sounds like my better half emptying his AR-15 magazine as fast as he can! (He loves doing that, btw.) Your style is much more measured and nuanced. So which drummers did you listen to while you were learning?

Dean: When I first picked up drumsticks, it was Dave Lombardo and Lars Ulrich. Deicide’s Steve Asheim’s double bass and blast beats blew me away and opened my eyes to a whole new technical and speed-based style. Mike Smith of Suffocation and Gene Hoglan. But my biggest influence of all time is Sean Reinert of Cynic and Death. He was so good it was almost non-human.

I know Cynic and Death! Lars has slipped as of late, but it’s not his fault; he has admitted that his shoulders are completely shot. But when I saw the ‘Load’ and ‘Reload’ tours, he was rippin’ through his ‘wall o’ drums’ like nobody’s BUSINESS! Nice choices. So, Nathan, who were your vocal influences?

Nathan: Chuck Schuldiner is my biggest influence. His style was unique, no one else was doing vocals like that at the time. Others include early 90s Chris Barnes, Frank Mullen, and Mohammed Suicmez from Necrophagist, and Glen Benton.

NICE! You do a fine job, young man. So expressive and articulate! And, yes, Necrophagist I know as well! Sadly, gentlemen? I can’t do death metal vocals ‘cuz they hurt my throat; I can only admire, since I’m your usual choir-trained alto/soprano. And I never mastered the full-body fluidity required to artfully play the drums. Generally, I just count out the beats, turn in my chair like Micheal Keaton’s Batman in his stiff rubber mask, and I sound like I’m typing with drumsticks … which, I suppose, one would expect from a writer. But I DO know guitars and bass! Who plays those in Deliberalize?

Nathan: I write and record the majority of the guitar and bass. The solos are a combination of both of us as we trade off similar to the way of Death and Slayer. He does the structuring and we both record bass and guitar depending on the song.

LOVE IT! The precision of the rhythm guitar reminds me a lot of Dimebag Darrel (may he rest in peace.) Interestingly, the lead guitar fascinates me as well because it has Dimebag’s precision but delivered with an expressiveness that one would expect more from the likes of Steve Vai or Eric Johnson. So, Nathan – me being a tech geek here – let’s talk equipment! What’s your preferred gear? I’m an Ibanez guitar gal with an affinity for Fender amps. But it always interests me which instruments and amps players prefer because they choose them according to their playing style. So …?

Nathan: Ibanez guitar, strictly. I love the feeling of Ibanez guitars, I’ve played Fenders and Gibson, and Jackson, etc. But Ibanez guitars feel right. I play an Ibanez Xiphos, the most comfortable guitar I’ve ever played. For amps, I mostly enjoy the dual rectifier and the ENGL powerball and the Marshall JCM 800 are my favorite amps. For cabinets, ideally, I go for strictly ENGL because I like the way they sound. Maybe some Mesa/Boogie cabinets. I record vocals on a Shure Sm7b.

I love the feeling as well; the slender necks suit my small hands. K … done geeking out now! Dean and Nathan, I’d like to ask y’all final question before we go. I always end with this question, and honestly? I always get similar answers. But I think it’s an important question AND an important answer! Gentlemen, what advice would you give to a young/aspiring musician?

Dean and Nathan: Practice relentlessly, tighten your sound, and treat your music like it matters, because it does. Write what you feel and genuinely believe. Stand on it. Don’t back down from haters. Most importantly, don’t be afraid to tell the truth whether people agree with you or not. Conviction is powerful. Music has always been a voice for expression, so don’t be afraid to use it.

THANK you, gentlemen, for gracing my humble blog this evening! Your music is amazing and what makes it even more amazing is that you have a powerful, heartfelt message. Here’s looking forward to more from DELIBERALIZE!

Dean and Nathan: Thank you, V, for giving us this opportunity. We are working on a new album called Wrath of Euphrates that will be releasing sometime later this year. Your readers can find us on YouTube, Instagram, and Spotify.

EVEN COOLER, YOU CAN ALSO GET MERCH!

https://deliberalize.bandcamp.com/merch

Thanks again, gentlemen, and best of luck to you!



Welcome to Shea Ernshaw’s ‘Long Live the Pumpkin Queen’!

I was walking through a department store a couple weeks back, pushing my cart with the new blinds I’d just had cut for the bedroom. I was leaving the electronics section, where I’d just checked to see if there were any cool Nintendo games that I’d somehow missed.

Anyway, the book section is just outside of the electronics section. I don’t generally look at department-store bookshelves, since they’re always stocked with the same handful of cookie-cutter authors who should probably have stopped writing years ago.

But, that day, a single book caught my eye: Long Live the Pumpkin Queen, by Shea Ernshaw. https://www.amazon.com/Long-Live-Pumpkin-Queen-Nightmare/dp/1368069606/ref=sr_1_1?hvqmt=p&mcid=6bce978c039838dfbd3974fa2fc74375

Being a die-hard fan of ANYTHING connected to the classic film The Nightmare Before Christmas, I stopped and flipped through it. Honestly? I assumed that it was a gimmick, probably something that would only appeal to a kid. Besides, I haven’t the foggiest idea who Shea Ernshaw is; the cover says that she’s a ‘#1 New York Times bestselling author.’ But, then, so’s Tom Clancy and he’s terrible.

I was immediately stricken by the lush, dream-like quality of the writing:

Jack leans forward, eyes damp at the edges, and presses his grave-cold mouth to mine—and my seams feel like they’re going to fray and burst, like they can’t contain this swollen, chest-widening feeling rupturing through me. A feeling so strange and unknown and peculiar that it makes me dizzy. Makes my head swim, my legs teeter.

Jack and I are married.

He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I’m certain I’m certain they should bury us both here, at the center of the graveyard. Married, and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids.

The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart.

I am now Sally Skellington.

The Pumpkin Queen.

And I’m certain I will never again be as happy as I am right now.

I closed my eyes for a second, hearing in my mind’s ear the soft moaning of wind through the dead trees as the fallen leaves rustled along the ground. I could hear the werewolf’s mournful howl in the distance, answered by the playful barking of Zero the ghost dog …

Well, that settled it! Into my cart went Long Live the Pumpkin Queen, right next to the blinds.

The book is just as well plotted as it is lushly written. The tension is almost unbearable as the Sandman—escaped from Dream Town—makes his inexorable way through the holiday lands, putting everyone into a deep, dreamless sleep. It falls to Jack Skellington’s new bride to keep the holidays from going forever extinct …

I’ll definitely be reading more by Shea Ernshaw, if for no other reason than her hypnotic use of prose. She’s amazingly talented, and I thoroughly enjoyed her tale—doubly so since it was set in a such a familiar, nostalgic setting. I particularly enjoyed the portrayal of Dr. Finkelstein, fleshing him out as a true icon of evil.

I found only one flaw in the book, which wouldn’t have bothered me except for one thing: By virtue of its subject matter, this book will inevitably appeal to young readers. For a time, a vampire brother fell in love with Mr. Hyde, and a witch sister with the mayor.

There is another, similar reference, which is two too many. Look, y’all, I’ve enjoyed—and even promoted—books that have sexual deviancy as a plot element. But I’m an adult! There is NEVER an excuse to put such references in a book for young readers!

Was that Ms. Ernshaw’s doing? Was she trying to be subtly ‘woke’? Or was it done at Disney’s bidding? After all, John Nolte—one of my favorite journalists—always refers to the company as ‘The Disney child grooming syndicate.’ Whosoever idea it was, inserting such elements into a book peddled to young people is inexcusable.

That having been said, it certainly didn’t ruin the book for me although I wouldn’t give it to a seven-year-old.

All in all, Long Live the Pumpkin Queen was a dream-like, gripping tale reminiscent of the likes of Ray Bradbury or Daphne du Maurier. Five stars!!!

DR. WERTHLESS: The Life and Legacy of Fredric Wertham, M.D.

I don’t usually review books from big names and/or publishers. I prefer to help out the struggling author, the unsung genius trying to find his or her feet in the world of publishing.

But, sometimes—just sometimes—a big-name book really grabs me, and I feel the need to share it.

Dr. Werthless by writer Harold Schechter and artist Eric Powell is just such a tome. https://www.amazon.com/Dr-Werthless-Studied-Murder-Industry/dp/1506744362/ref=sr_1_1?hvqmt=p&mcid=c9a3d9c8d6d73deda9dd804b89eb394d

Dr. Werthless is biographical, non-fiction graphic novel, rendered in a similar style to Schechter and Powell’s earlier Did You Hear What Eddie Gein Done? In fact, the infamous serial killer/grave robber Ed Gein appears in the narrative, as he was interviewed by the title character: the notorious psychiatrist Fredric Wertham.

Dr. Wertham is best known for Seduction of the Innocent, a book that I read as a teenager. It’s no exaggeration to say that Seduction of the Innocent severely crippled and nearly destroyed the booming comic-book industry; comics wouldn’t fully rebound until their second ‘Golden Age’ in the nineteen-nineties. How long did the comics industry flounder in the shadow of Wertham’s hatred for it, you ask…?

Seduction of the Innocent was first published in nineteen fifty-four. But, I’ll get more into that later.

Schechter and Powell do a fine job of telling Wertham’s life story, detailing both his incredible strengths and his deplorable flaws. While I knew—as does every student of comic-book history—about Fredric’s mad crusade against sequential art, there was also a lot about him that I didn’t know.

For starters, Wertham became renowned for his ability to at least interview—if not effectively treat—serial killers. He spoke to them as people, without judgment or fear, and got them talking in ways that other therapists could not. His work with the likes of Robert Irwin, Albert Fish, and Ed Gein shed a great deal of light on the mind of the serial killer.

While he was known for his affability and compassion with murderers, Fredric Wertham was nevertheless poison to his peers. Stubbornly opinionated and often neurotic, he was viewed as brilliant but unstable. Despite his shortcomings, Wertham took it upon himself to start a psychiatric clinic for underprivileged youth in Harlem. Since many of his clients proudly refused to be treated for free, Wertham began charging twenty-five cents per session, earning him the nickname ‘Dr. Quarter.’

The founding of such a clinic—particularly in the nineteen-forties—took iron will and force of personality. For this, Wertham deserves historical acclaim …

Unfortunately, it was his time at the free clinic that led to the manic obsession for which Fredric Wertham will be forever known: his unreasoning, blistering hatred of comic books.

The early fifties was known as the ‘Golden Age’ of comics. Detective Comics (DC) had its vaunted superhero universe. EC Publishing produced some of the finest horror and ‘true crime’ comics ever seen, many of which are reprinted to this day. (The incredibly popular “Tales from the Crypt” television show is based on the books by EC.) Dell Publishing had the rights to Disney characters such as Donald Duck and Uncle Scrooge, as well as many other ‘funny animals.’ Business was booming, and culture-defining tales were being spun on a daily basis.

It’s unclear as to exactly when Wertham’s obsession with comics began, but it appears that it came from his time running his free clinic. He began to link comic reading to anti-social behavior, using an almost laughable formula: Anti-social youths read comic books, therefore comic books cause anti-social behavior. It’s the same flawed reasoning that money-grubbing televangelists such as Jimmy Swaggart and Pat Robertson would later use in regards to heavy metal music, horror films, and role-playing games. (For more on this topic, check out this brilliant interview with my better half: https://www.youtube.com/watch?v=mhxUdyfMdyE )

Wertham’s assertions would probably never have flown today because there was no control group! He never created an isolated group of test subjects to prove his ‘cause and effect’ theory; his ideas were purely anecdotal. Indeed, Wertham’s base assumption—that children are ‘blank states’ and all negative behavior comes from outside influences—was never an idea that he bothered to test. Wertham simply did not believe in the innate depravity of the human heart, and—rather than testing his skepticism—he went on a mad crusade attacking said ‘outside forces.’

Seduction of the Innocent was never extensively peer-reviewed. It was not influential because psychiatrists took it seriously; rather, it was influential because hysterical parents did. Instead of testing his ideas in a clinical setting, Wertham ‘tested’ them in the court of public opinion.

Facing massive pressure from parents, the comics industry soon found itself operating under an onerous censorship regime known as ‘The Comics Code Authority.’ Gone now were most horror comics, and the few that survived were pretty toothless, much like the PG-13 horror films of the nineties before the rise of After Dark Productions and A24 Studios.

Only Dell refused to bow to the CCA, but that was because Dell’s books were fairly tame anyway. Rather than submitting their books for code approval, Dell instead opted to insert its own ‘Pledge to Parents’ inside every cover.

It wasn’t until the eighties that the industry began to push back. DC Comics launched its iconic, adults-only line of comics with such titles as “The Swamp Thing,” “Hellblazer,” and Neil Gaiman’s “The Sandman.” The rules began to relax a little, allowing for darker characters such as Wolverine and the Punisher. Horror and dark fantasy comics slowly crept back with such titles as “Eerie” and “Heavy Metal,” skirting around the code by marketing themselves as ‘magazines’ rather than ‘comic books.’

It wouldn’t be until the nineties—with the founding of Image Comics—that Wertham’s fascist legacy finally got flipped one big, fat bird: Image refused to submit its books for code approval. Honestly, classic books like “Spawn” and the “The Maxx” wouldn’t have been approved anyway, but it was the raw, visceral nature of their storytelling that made them legendary.

Marvel Comics was the last publisher to drop the code in the early two thousands, rendering it officially extinct. Most books today will have some kind of label stating such things ‘Rated T for Teen’ or ‘for mature readers only.’ Books with explicit art usually come in plastic bags, which is common sense.

Still, a once-proud element of America’s unique cultural heritage wallowed in the darkness of censorship for four decades. How many epic tales were never told? Or, if they were told, got watered down so badly as to lose their effectiveness?

Schechter and Powell did a fantastic job of rendering Wertham’s story—both the good and the bad—into a riveting, beautifully-illustrated narrative. Their summary of Wertham’s life and work is spot on: If there is a tragic element to his life, it is that this limitation—his monkey-see-monkey-do view of human behavior—has so thoroughly overshadowed his many admirable traits. Fairly or not, in the world of comicdom, he will always remain …

Dr. Werthless.”

My Ode to Ozzy: A Literary Funeral for a Friend

How the ‘Osbourne Identity’ Was Unlocked

-In July 2010, a “phlebotomist”—whatever the fuck that is—took a sample of my blood and sent it to a lab in New Jersey.

-DNA was taken from my white blood cells, dissolved in salt solution, and then sent off to Cofactor Genomics in St. Louis, Missouri.

-At Cofactor, my DNA was “chopped up” into ten or twenty-five trillion pieces thanks to some heavy-duty shaking. After that, they spelled out all the chemical letters—in precise order—that make me the certifiable nutter I am.

-For the next sixteen days, Cofactor used a photocopier-sized machine—which cost more than three Ferraris, I’m told—to “read” my genome thirteen times over and put it on a hard drive.

-The hard drive with “me” on it was sent to Knome, Inc., in Cambridge, Massachusetts.

-Knome compared the six billion letters in my genome with every other genome on the planet—to find out why the fuck I’m still alive. Then they put all the findings on a little USB stick thing and presented it to me at home.

-While trying to understand what had just happened … my brain exploded.

– Ozzy Osbourne, on having his genome sequenced. (From Trust Me, I’m Doctor Ozzy)

John ‘Ozzy’ Osbourne is no longer with us. The lead singer of Black Sabbath and solo metal icon has, sadly, gone to the Great Mosh Pit in the Sky. I should have written this blog a while ago, but I couldn’t. I couldn’t put my thoughts together, or wrap my head around going forward in life without the musician who provided the soundtrack of my life.

A co-worker broke the news to me, and I immediately hung my head and wept. My favorite boy cousin and lifelong bestie Eric was similarly heartbroken. He went home, hid in his ‘man cave,’ got blasted (Ozzy-style, you know?), and watched Ozzy Osbourne: Live at the Budokan. Me? I hid in the den, wrapped myself in a blanket on the couch, and sniffled through Black Sabbath: The End ...

And, yes, there was ice cream involved.

It’s impossible to talk about Ozzy without talking about my early years, during which his music slowly evolved as a massive influence. The following narrative might feel a bit meandering to some, but it makes sense to me. In any case, to quote the Joker from Batman: The Dark Knight

Here … we … GO!!!

My mother was a religious psycho when I was a kid. No, I don’t mean a ‘Christian’ ; that’d be me. (A crappy one, mind you, but I try.) She was no ‘Christian,’ but she was a ‘religious psycho’ because it made her feel like she was better than everyone else. It also gave her an excuse to exercise brutal, ironclad control over her children’s every word and deed. In the end, it was all about superiority and control; religion was just the means to the end.

So, hard rock and heavy metal were off the table. My mother bought into the ‘Satan hatin’’ hysteria of the eighties, which was fueled by money-grubbing televangelists claiming to represent Jesus while they bowed at the altar of The Almighty Dollar. Jim Baker, Jimmy Swaggart, etc. … Those clowns have a court date in Hell, and, honestly? They keep coming back like toenail fungus. Now, we have Joel Osteen raking in the big bucks while he preaches heresies. And, it’s all preach and no practice to him. Love your neighbor? Use your ‘mega church’ to take in the flood refugees of Houston in their hour of need? Oh, HELL no!!! These are new carpets!

The ‘Satan hatin’’ crowd really was idiotic! Fueled by sleazy TV ‘stars’ masquerading as preachers (many of whom got caught with hookers or busted for embezzlement), parents bought into the absolute DUMBEST conspiracy theories! Your kid loves metal? Pull down his shirt collar; he’s probably wearing a Baphomet amulet. Your kid loves horror movies? He’ll be a serial killer before he graduates high school. Check his room for signs of blood and maybe a few dead bodies. Worst of all, does your kid play ‘Dungeons and Dragons’? Watch for his head starting to spin around while he bazooka-barfs pea soup. Also, check your house for signs of demonic activity. If the spots won’t come off your dishes, your household is probably possessed.

The scary thing is that parents actually bought into this shit! As a writer molded by heavy metal, horror films, and role-playing games, I take extreme offense. For an excellent rebuttal to all this nonsense, check out this podcast starring my long-suffering better half: https://www.youtube.com/watch?v=mhxUdyfMdyE

But, for better or for worse, my parents believed that garbage. They ate it up like pig slop.

Ozzy wrote at great length about how hard it was to deal with protestors and matchstick men masquerading as preachers. I didn’t take that to heart until twenty-sixteen, when my better half and I took a long road trip to Minneapolis, Minnesota to see Black Sabbath during their finale tour.

There was this whole crowd of yahoos on the sidewalk in front of the venue, screaming into bullhorns. “THIS IS THE SONG OF FOOLS!!! YOU ARE ALL HERE TO WORSHIP THE DEVIL!!! YOU WILL BE DAMNED AND BURN FOR ALL ETERNITY!!! WE WILL BUY BACK YOUR TICKET TO SAVE YOUR IMMORTAL SOUL!!!”

My first thought was you haven’t figured out that nineteen eighty-five left without you?

My second thought came from a much angrier place: if those idiots were standing outside one of the Planned Parenthoods, gay bars, strip clubs, or Masonic lodges that we passed on the way to venue, I’d have asked to borrow a bullhorn so I could join them. We would have unarguably held the moral high ground! But, a concert? Raining on everyone’s parade during what might have been the high point of their lives? How many people can say they’ve seen BLACK SABBATH, and these clowns had to shit all over it?!

This scrawny dweeb with a bullhorn got in my better half’s face, which was a mistake; scrawny dweebs should never confront burly, muscled men who weigh an eighth of a ton. That’s just dumb. “YOU ARE GOING TO HELL!!!” he shouted.

My better half didn’t yell at him, and that was bad. When he yells, he’s just blowing off steam. When he speaks in a calm, measured tone he means exactly what he says. “If you don’t get that horn out of my face,” he said with a menacing half-smile, “I’ll shove it so far up your ass that it comes out of your nose.”

Scrawny Dweeb got the hint and backed off. I breathed a sigh of relief, grateful that he didn’t get into my face. It’s one thing to poke the bear; it’s quite another to poke the bear’s mate. My better half would have dragged him out into the street, curb-stomped him into pothole filler, and up-ended his bullhorn over his carcass as a makeshift traffic cone.

It’s one thing to read someone else’s account of being hassled by nutjobs. It’s quite another to have nutjobs coming at you! In real time. In your face. Foaming at mouth and screaming out psychotic ideas that they’re too crazy to ever be talked out of. The experience was unnerving, and I’ll never forget it. I’ll talk about the concert later, because I’ll also never forget THAT!!!

Yeah, this was the garbage that my parents fell for. So, yep! No metal for me.

But, there was my crazy uncle …

My mother gave birth to me when she was sixteen, so when I was old enough to start remembering things (around four) she was twenty. Her baby brother is six years younger than she is, so he would have been fourteen. Letting him babysit me was a ‘measure of last resort,’ but it occasionally happened.

And, my uncle would always bring over a backpack with records in it. I remember the first time I ever heard Ozzy’s ‘Crazy Train.’ I was dancing all around the living room, gleefully head-banging like a pint-sized maniac! “Careful, V!” laughed my uncle. “You’ll make the record skip!”

My uncle was my lifeline. He introduced me to music that reflected the darkness that I felt even at such a tender age. My childhood was defined by brutal verbal—and occasional physical—abuse. I always felt like I was strangling from the ironclad control exercised over my every word, my every move. I couldn’t breathe, and the dark music that my uncle brought over was oxygen. For just a few hours, I felt free. I could breathe again. People were singing thoughts that mirrored my own, and suddenly those thoughts became a lot less scary. Ozzy—and others like him—made it okay to harbor dark ideas about the suffering being inflicted upon me.

I’ve said it before and I’ll say it again: Metal is catharsis. By turning fear and pain into art, fear and pain are robbed of their power over you. Horror films have the exact same effect. Life moved on, and soon I wasn’t four anymore. I was seven…

I loved listening to my hometown rock station, FM99, on my headphones after my mother and stepfather went to bed. As much as I enjoyed their music, it bugged me that they rarely played metal. Oh, they had all the ‘classic rock’ and ‘glam rock’ covered—and I loved both genres—but playing the likes of Black Sabbath, Ozzy Osbourne, or Metallica? You were lucky to get one song a day by those bands. Metal wouldn’t become ‘mainstreamed’ until Metallica released their self-titled album in nineteen ninety-one.

So, I had to get my hands on cassettes. There was no other option.

The only record store with bike-riding distance to me was this tiny shop that sat in what was otherwise a sprawling, empty lot between Sewell’s Point Road and I-64. The window was completely covered in fading, dusty posters of pop, soul, and R&B stars. It was widely rumored that the shop was just a cover for less-than-legal activities, and it was on the bad side of the Five Points intersection.

But, it was a RECORD store!!!

I talked a neighborhood boy into making the initial journey with me, since I was kind of scared of the neighborhood. That wasn’t hard; I was always a pretty lil’ gal (no brag, just fact) and getting a boy to tag along was effortless. He was like, whoa! I get to hang out with V?!

The bike ride was pretty scary, but, times were different then. You didn’t have to afraid in a bad neighborhood until you were a teenager. Gang-bangers didn’t mess with small children. Now? They’ll murder a three-year-old but it wasn’t like that back then. So, we made it to the record store safely. (Notice that I’m not giving the name of the record store? Just in case the owner wasn’t involved in less-than-legal activities, I don’t wanna slander him …)

(That having been said, I’m pretty sure he was.)

So, we walked inside. The owner was watching a flickering black-and-white TV behind the counter. He was a, um, ‘large gentleman of color,’ and he looked at my escort and I like we both had three heads. “Whatchoo lil’ crackas’ DOIN’ in here?!” he demanded.

“Just looking for some tapes, Sir,” I replied politely. (I’ve been called a ‘cracker’ more times than I can count. That’s what it was like to grow up in culturally-divided Norfolk, Virginia. Honestly? It never really offended me. Yes, I’m white. Which—in colloquial terms—makes me a ‘cracker.’ I don’t get bent out of shape over racial slurs. I don’t think it’s any worse to use a racial slur than it is to call someone a ‘big, fat stupid-head.’ An insult is an insult, no more and no less. It’s dumb to elevate one kind of insult over another.)

But, I digress …

A cursory look through the dust-covered records and cassettes made one thing immediately obvious: This record store had a ‘no white artists allowed’ policy. “Sir,” I asked the portly owner, who still looked shocked by our presence, “do you have any Black Sabbath albums?”

“I don’t sell no ‘white people music’!” he proclaimed.

I hung my head, defeated …

And, then his demeanor softened. Despite whatever sketchy business he may or may not have been involved in, he obviously had a heart. “But,” he added, “I do got dis catalogue!”

I perked up as he pulled a phone-book sized catalogue out from under the counter. “You tell me whatchoo want,” he explained, “and gimme fi’ dolla. Come back next week, and I’ll have yo’ tape and you pay the other fi’ dolla den.”

And, that’s how I got my hands on a cassette copy of Black Sabbath’s Paranoid

I did a fair amount of business with that portly black gentleman over the next couple of years. The routine was always the same: bat my eyelashes at a boy to get him to go with me, tremble in fear on the bike ride there and back again, tell the fat man what I wanted and give him ‘fi’ dolla,’ and then repeat the ritual the next week to pick up my cassette.

I kept my cassettes hidden in my closet. If I didn’t, they’d get confiscated and I’d get grounded for engaging in ‘Devil worship.’

It’s funny, when Guns n’ Roses came out with Appetite for Destruction, I went in and ordered a copy. Upon being given the band name the fat man hastily blurted out ‘I don’t sell guns!” Which, of course, immediately told me everything I needed to know. Of course he did! I’ll wager that he had a dozen handguns under his counter (sans, of course, a dozen serial numbers).

But, you know what? I don’t give a shit. He was kind to me and we did a lot of (legal) business. What lawn-mowing money of mine didn’t go to him went for comic books, and thus I was content.

When I was twelve or so, my parents bought me a mountain bike for Christmas that went a lot faster than my dirt bike. I was also getting bolder about venturing further afield, so one day I made the journey to Traxx Records in Ward’s Corner.

Traxx was the TAJ MAHAL of record stores!!! Think Empire Records from the movie by the same name. Suddenly, the angels started singing from the heavens. No more paying ‘fi’ dolla’ in installments; they had everything in stock!

Ward’s Corner is in the Jewish section of Norfolk. The Jews have a synagogue there, and they all live huddled in this one neighborhood so they can walk to the synagogue on nice days without breaking Moses’ law about walking too far on Saturday. I felt much safer because—unless I’m badly mistaken—you don’t often hear about people being robbed by Orthodox Jews.

So, my bike trips to Traxx Records continued until I got my driver’s license at the age of seventeen. And. no, thank God, I never got mugged by a rabbi.

So, what treasures from Black Sabbath and Ozzy Osbourne did I discover during those years? What amazing music did I acquire whilst trembling past gang-bangers and waving cheerfully at Jews on hot summer days?

Lessee …

After Paranoid, I’m reasonably certain that the next album I bought was Black Sabbath’s self-titled debut. Talk about getting blown away, now! The opening track gave me the absolute shivers; it reminded me of the old Universal Studios horror films that I so loved as a kid. What is this/ that stands before me/ figure in black/ which points at me/ turn ‘round quick/ and start to run/ Find out I’m the chosen one/ OH, NO!!! (Fittingly, Black Sabbath takes their name from a horror film starring Boris Karloff of Universal Studios fame. On a side note, I have a pet sugar glider named Boris. Yep, after Boris Karloff.)

Another song that blew me away was ‘N.I.B.’, so named after the shape of drummer Bill Ward’s head which looked like a fountain-pen nib. The rabid ‘Satan haters’ claimed that the name was an acronym for ‘Nativity in Black,’ which would later become the title of a Black Sabbath tribute album. I loved the song because I love any song that tells a story! The lyrics come from a seductive lover wooing a young woman: Some people say my love cannot be true/ please believe me, my love/ and I’ll show you/ I will give you those things you thought unreal/ the sun, the moon, the stars all bear my seal…

But, I love the twist ending. After all the sweet talk and self-adulation, the young lady finds that her seducer is actually the Devil: Now I have you with me/ under my power/ my love grows stronger now/ with every hour/ look into my eyes, you’ll see who I am/ my name is Lucifer, please take my hand …

Cue the BASS riff!!!

That song became particularly poignant in my twenties. Who hasn’t fallen for some smooth-talker that finally tipped his hand and went from being an angel to becoming the Devil?! ‘N.I.B.’ is a timeless tune.

Another album I bought after Black Sabbath was Sabbath Bloody Sabbath. (An album/song title that U2—the worst band ever to have set foot on a stage in my opinion—would later rip off.) The title cut, in my opinion, is Ozzy’s best vocal performance ever. Sabbath bloody Sabbath/ what you gonna do?/ living just for dying/ dying just for you. Recorded in a creepy castle (as described in Ozzy’s autobiography I am Ozzy), the album is a fitting reflection of the drug-addled, dark circumstances under which it was recorded.

I also bought Ozzy’s Bark at the Moon. Honestly? I didn’t like it and I still don’t. But, Ozzy was still reeling from the sudden death of his guitarist Randy Rhoads, and I think he struggled to work with his new guitarist Jake E. Lee. The album was born of a disjointed working relationship, and it shows. Except, of course, for the title cut which is pure GENIUS!!!

I loved that Jake E. Lee used a movable chord for the main riff, much like Zakk Wylde would later do with the iconic balled ‘Mama, I’m Coming Home.’ The lyrics—once again—were reminiscent of my beloved black-and-white horror films. Howling at shadows/ living in a lunar spell/ he finds his heaven/ spewing from the mouth of Hell/ those that the beast is looking for/ listen in awe and you’ll hear him/ BARK AT THE MOON!!! I love the werewolf howl at the end; I always have to do it when I’m singing along. AWOOOOOOO!!! Whoa, whoa, yeah, bark at the moon!

Ozzy’s next release with Jake E. Lee on guitars, however, was NOT ‘disjointed’!!! I have only ever used one word to describe The Ultimate Sin: ‘elegant.’ My favorite song on the album is ‘Killer of Giants,’ but, honestly? Like Pink Floyd’s The Wall or Iron Maiden’s Brave New World, I can never just listen to one or two songs. I MUST let the album play all the way through!

Then came No Rest for the Wicked

THAT was the first Ozzy album to feature guitarist Zakk Wylde, who is, um, yeah, kind of a demi-god in my household. Zakk went on to become the front man for Pride and Glory and Black Label Society, and he also released two brilliant acoustic albums under his own name. What’s cool, though, is that while Zakk would go on to become an incredibly nuanced musician, No Rest for the Wicked is an amazingly raw piece of work. Ozzy’s iconic voice played off of Zakk’s heavy riffing, and the world was handed a slice of heavy metal at its absolute finest.

Then came No More Tears ...

Good grief, y’all! Can you imagine a world without ‘Mama, I’m Coming Home’? The one track that always hit me hardest was ‘The Road to Nowhere.’ I’m still haunted by lingering ruin that was my twenties, and Ozzy sung quite eloquently about the topic: The wreckage of my past keeps haunting me/ it won’t leave me alone/ I still find it all a mystery/ could it be a dream?/ the road to nowhere leads to me …

So, yep, that’s the hodge-podge of albums that I bought from the fat black man and Traxx Records. But, it didn’t end there. When I was seventeen, Ozzy released Ozzmosis. I can’t even BEGIN to tell you what that record meant to me and what a profound influence it was during my late adolescent years. Me n’ my favorite boy cousin Eric used to sing along to it for hours. We weren’t izzackly ace singers, but, that’s okay. Music is about participation, not perfection; it’s about enthusiasm, not operatic training. I don’t give a shit if you sound like Bob Dylan, just go ‘head and sing! I don’t mind. I’ll sing along with you!

So, let’s switch gears here …

I’ve often said that Ozzy Osbourne’s/ Black Sabbath’s music is the soundtrack of my life. Why? What moments during my short existence could have conjured such music into the forefront of my brain?

Lessee …

‘Crazy Train’ – I remember jamming around my living room at the age of four or so, and I asked my crazy uncle ‘what did Ozzy say there? I didn’t understand.’ So, my uncle explained that the lyric was mental wounds not healing. I didn’t understand that either, so he had to explain what ‘mental wounds’ were. At which point I sat down on the carpet and mournfully replied, ‘yeah, I got those.’

I’ll never forget the look on my uncle’s face. He knew how crazy his sister was and he tried his best—particularly during my adolescent years—to shield me from her relentless abuse. ‘Let’s order a pizza, kiddo,’ he said kindly. ‘Your mom said we could.’

‘Miracle Man’ – Ozzy penned the lyrics to this one after televangelist Jimmy Swaggart got busted with a hooker. Miracle Man got busted! I found the song quite cathartic. Suddenly, one of ‘Satan haters’ who caused me so much pain got his just desserts. Jimmy Swaggart fanned the flames of the anti-metal movement, blaming Ozzy’s song ‘Suicide Solution’ for a tragic teenage suicide. Even a cursory glance at the song tells you that it’s a song about alcohol addiction and not an endorsement of suicide: wine is fine/ but whiskey’s quicker/ suicide is slow with liquor/ take a bottle, drown your sorrows/ then it floods away tomorrows/ evil thoughts and evil doings/ cold, alone, you hang in ruins/ thought that you’d escape the reaper/ you can’t escape the Master Keeper.

Jimmy Swaggart fucked up my life just like he fucked up Ozzy’s. I was quite happy to hear that ‘Miracle Man’ GOT BUSTED!!!

‘Mama, I’m Coming Home’ – Yes, this is just a pretty ballad to most people. But, it has much more meaning to me. A few times a month, my better half stumbles home from work looking like he’s been run over by a truck. He’s pushed himself to the limit and he’s finished. When that happens, my world comes to a complete stop. It doesn’t matter what I wanted to write or what I meant to do that evening; the head of my household is down for the count and now I’m ‘up.’ I know my place. Genesis says that ‘the Lord God said “it is not good for man to be alone; I will make a helper who is suitable for him.”’

I’m not the ‘mover-and-shaker’; I’m the helper. My better half always gushes with gratitude when I take care of things after he’s been busted to shit; he always tells me he looks forward to coming home. It scares me when he comes home in such a condition because he’s not the same strong, happy-go-lucky guy who left for work that morning. That’s when Ozzy’s song springs to mind: Times have changed/ and times are strange/ here I come but I ain’t the same/ Mama, I’m coming home.

My role was assigned at the beginning of Creation: ‘a helper who is suitable for him.’ His was assigned at Creation as well: ‘subdue the earth.’ If either one of use fail to do our jobs? Another line from Ozzy’s song will come true: selfish love/ yeah, we’re both alone/ the ride before the fall

That’s probably anti-feminist but I was never much of a feminist anyway. God ordered this world to work in a certain way, and men and women were both created for specific purposes. I know mine. When I peep through the kitchen curtain and see the head of my household stumbling out of his truck, I think here I come but I ain’t the same

He thinks Mama, I’m coming home.

And, that’s marriage. To understand your place in Creation leads to a happy relationship. Fighting against your place in Creation leads to being alone, embittered, and wondering where the hell all the good men went.

I’m not alone and I’m not embittered. ‘Mama, I’m Coming Home’ is also one of my favorite songs to play on guitar. When I was first learning to finger-pick that was one of the first tunes I figured out. And, I’ll never forget Ozzy’s profound lyrics until I either croak or go completely senile.

‘I Just Want You’ – There are no un-lockable doors/ there are no un-winnable wars/ there are no un-rightable wrongs or un-singable songs/ there are un-beatable odds/ there are no believable gods/ there are no un-namable names/ shall I say it again/ there are no impossible dreams/ there are no invisible seams/ each night when they day is through/ I don’t ask much, I just want you.

People have often asked me why I love that song so much when it says ‘there are no believable gods.’ To me? Even as a Christian, that lyric makes perfect sense. A deity, by definition, is unbelievable. That’s why we’re rewarded for having faith; we found the strength to believe the unbelievable. Ozzy spoke the truth: there are no believable gods.

But, this song has always held an even deeper meaning for me. When I started dating my better half it always played in my mind’s ear. Yeah, I’m told I have a near-genius IQ. What the fuck ever. If I do indeed possess all the smarts that my educators said I did, it still doesn’t mean a damn thing. Everything I know is a drop in the bucket compared to all that there is to know.

I didn’t know any more when I was dating my better half than I do now, but I did know this: I wanted that relationship to be my last. No more fooling around, no more mistakes, and no more disappointments. Each night when the day is through/ I don’t ask much, I just want you.

I got what I wanted. Life is good!

Honestly? I could go on forever. Ozzy Osbourne was a profound thinker but he always delivered his profound thoughts in a blue-collar, relatable manner. His sense of humor was amazing, as was his humility. He made a boatload of mistakes (like, you know, going on a forty-year bender) but he always readily admitted to them. When his album Ordinary Man came out, I slowly began the mourning process: I’ve been the bad guy/ been higher than the blue sky/ but the truth is I don’t wanna die an ordinary man. (That was a duet with his longtime friend Elton John, by the way.)

After Ordinary Man came Patient Number Nine. Patient Number Nine was fitting finale for our beloved Prince of Darkness. The songs were all co-written with a ‘who’s who’ of epic guitarists. Zakk Wylde, Toni Iommi, Eric Clapton, the late, great Jeff Beck … That album was INCREDIBLE!!! But, it was also haunting. You could hear Ozzy facing his own upcoming demise. I love the song ‘Mr. Darkness’: Dear Mr. Darkness/ I write you again

Who hasn’t felt so low that he feels like his only solace are his own dark thoughts? While Ordinary Man was a fairly even-tempered album, Patient Number Nine was heavy as HELL!!! Talk about throwing a hand grenade through the door on your way out.

In twenty-sixteen, I saw Black Sabbath in Minneapolis, Minnesota. It was worth the road trip and it was worth fighting past the bullhorn-wielding idiot who nearly got himself snapped in half by my husband. To hear the First Voice of heavy metal shouting ‘GOD BLESS YOU ALL’ and demanding that you clap along with him, well …

I clapped. And, clapped and clapped until my arms felt like rubber. And, then, clapped some more. That’s the magic of the legend that was Ozzy Osbourne. Seeing him live didn’t feel like a concert. It felt like a party, and he was your enthusiastic host! He made it his duty to ensure that you had a wonderful evening and you left his party with a wide grin. He once wrote about that: ‘That’s what I do. I’m an entertainer.’

Yes. Yes, he was!

Shortly before his passing, Ozzy rejoined Black Sabbath for a finale concert. Who’d have guessed that he was giving us his two-week notice? But, that was the Oz-man for you. I waited a while to write this blog because I needed to recollect my memories to give that ol’ bat-eating maestro a fitting tribute. One does not simply take the entire soundtrack of one’s life and then re-arrange it into a neat blog in one day …

I didn’t start writing until I stopped crying.

That’s what Ozzy wanted. As he wrote in Trust Me, I’m Doctor Ozzy: I honestly don’t care what music they play at my funeral—they can put on a medley of Justin Bieber, Susan Boyle, and “We Are the Diddymen” if it makes ‘em happy—but I do want to make sure it’s a celebration, not a mope-fest. Also, it’s worth remembering that a lot of people on this earth see nothing but misery their whole lives. So by any measure, most of us in the Western Hemisphere—especially rockers like me—are very lucky. That’s why I don’t want my funeral to be sad. I want it to be a time to say ‘thanks.’

I’m trying not to be sad. I’m trying to remember the wise words of Dr. Seuss: ‘Don’t cry because it’s over. Smile because it happened.’ On a final note, I will leave all you lovely readers with this: a few thoughts on death sung by the Man Himself. Don’t cry, just sing along. That’s what Ozzy wanted you to do. That was his final wish, and I for one honor it.

As the iconic playwright Jack Thorne once wrote: ‘Those we love never truly leave us. There are things that death cannot touch.’ It is impossible to write about Ozzy without mentioning his well-documented foibles, and I have. But, as Jack Thorne also wrote: ‘They were great men, with huge flaws, and you know what—those flaws almost made them greater.’

Rest in peace, Old Friend. https://www.youtube.com/watch?v=-9yYJ6ZAYns&list=RD-9yYJ6ZAYns&start_radio=1

Welcome to ‘Lessons on Seduction’!!!

The year was 2020 …

I’d just been signed on with a respected romance imprint. The first book I ever read from said publisher was one written by my good friend Estelle Pettersen, who took the gig just before I did.

We were both ‘newbies,’ you know? I’ll always have a soft spot for Estelle because of that. We were both trying to find our feet in a new world, and working together made us more confident. Estelle asked me to read her script before it was released.

Naturally, being the good ‘wing gal’ that I am, I did. This is how it opens …

Look, y’all, I ain’t gonna mince words here. There’s a certain dissonance when it comes to art. I adore horror films, but I am not in the least inclined to run out and kill someone. I like sexy stories, but they don’t make me toddle out and cheat on my better half. Honestly? That’s why I love Estelle. She’s never said ‘boo’ about my sadistic tales; she just takes them in stride. I don’t judge her any more than she does me. I don’t write tales that hit the top of the ‘erotic’ scale, and Estelle doesn’t drown the world in literary blood. I’m violent. She’s erotic. And, honestly? It’s all just ‘pretend,’ both the blood and the blowjobs.

If erotic stories have a ‘cause and effect’ impact on you – if ‘Lessons on Seductions’ will tempt you to do something immoral – then don’t read it. It’s funny, though. Estelle’s public bios paint her as a loving ‘family woman.’ I know her; she’s a devoted wife and mother. (And, yes. I have a policy of never saying anything about a fellow author that the author hasn’t already said to the reading public.)

‘Lessons on Seduction’ is a fantasy, nothing more. The author—like me—is detached from her fantasies. Much like my own brutally violent fiction, this tale is just an escape. We authors LOVE to write about things that we would never do in real life! I would never harm anyone—brutally or otherwise—and I’m reasonably certain that Estelle would never wreck her happy home with grossly inappropriate sexual behavior.

That having been said, ‘Lessons on Seduction’ a ROCKIN’ tale! The opening made be blush. Bad writing elicits no response from me whatsoever, blushing or otherwise, but that’s not ‘Lessons’ …

Sapphire, the leading lady, is a complete skunk. She has the morals of an alley cat. And that’s what makes her story SO much fun to read! Her tale is a deliciously naughty one. Remember, this is fantasy. Not real life. I found Sapphire to be a very engaging leading lady; in fact, I think it was her shameless amorality that made her such a standout from other romance heroines, including my own.

Julian, the leading man, is cut from the same cloth as Sapphire. It is no small task, molding a yahoo who generally thinks with his second head into someone truly likable. But Estelle does. Julian’s evolution of character is subtle; the shifts in his thinking are so gradual that you don’t notice them. Then, when you’ve finished reading, you look at who he is at the end of the book compared with who he was at the beginning. Only then does the contrast hit you.

The ending—the last few paragraphs—really sticks the landing. Skunks don’t run around behaving like skunks and then miraculously earn a ‘happily ever after.’ Not in real life, anyway, but this is a story. Sapphire and Julian’s happy ending reads beautifully. (And, no, that’s not a spoiler. Romance—erotic or otherwise—by definition always has a happy ending! If a love story doesn’t have a happy ending, then it’s just a love story and not a romance. See also Titanic, or maybe Romeo and Juliet.)

What I loved most about this tale is how Estelle artfully inserted profound thoughts even if they were woven throughout all the sexual hi jinks! That is truly indicative of great writing. Great writing doesn’t just tell you a story; it also makes you think. It challenges your ideas and your belief system.

‘Lessons on Seductions’ is a great book. Full stop. Yeah, read it with caution or maybe don’t read it at all if it will tempt you to do something wrong …

But, honestly? If you can handle it, it’s a damn good story. Five stars. I THOROUGHLY enjoyed it!

IF YOU DARE TO READ ‘LESSONS ON SEDUCTION,’ YOU CAN FIND IT HERE!!! https://www.amazon.com/Lessons-Seduction-Estelle-Pettersen-ebook/dp/B08BKRPF63/ref=sr_1_1

An Interview by Andrea Miles Rhoads!!!

Andrea Miles Rhoads was a both dear friend of mine and a ferociously effective mentor. Her clever marketing landed me not one but three bestsellers: ‘Haunting at the No Return Hotel,’ ‘Genesis Rising I: The Children of Apep,’ and ‘Genesis Rising II: The Angel and the Beast.’

Honestly? I miss her most as a friend and mother figure. Andrea was quick to ‘get after me’ when I messed up, and quite stern about telling me what I needed to do in order to become the author that I wanted to be. But, behind all that business-like sternness beat a heart of the purest gold. Andrea cared about me as a younger author, and she never wavered in her belief that I was tough enough to evolve into the writer that I so craved to become. Working with her was like working with one’s mother: the perfect balance of love and discipline.

Why discipline? Because Andrea possessed something that I lack: Marketing skills. I had to be molded into something that I was not, and she made doing so her mission.

Andrea’s passing was sudden and heartbreaking. Like my fellow author Gerry ‘Alan’ Souter and my poet friend Chris Taylor, not a day goes by that I don’t mourn her. But, as Dr. Seuss put it: ‘Don’t cry because it’s over. Smile because it happened.’

I’m smiling. Sadly, some days, but still smiling. Andrea would have sternly ordered me to smile, and then given me an ass-chewing if I didn’t. And, then she’d go on to tell me how awesome I was even if I didn’t believe that myself.

What follows is an unreleased interview with me that Andrea did, meant for one of her newsletters. Sadly, it was never published. But, Andrea always did tell me that my biggest marketing strength was my ability to be a ‘ham,’ at least when I could hide behind a keyboard.

So, here’s me … answering a few questions from one of the greatest women I’ve ever known. Andrea left the world a better place than it was when she came into it. I – and many authors like me – will testify to this.

So, without any further ado …

AMR: Where did you grow up and do you still live there?

Sadly, I don’t live there anymore. I do miss the ocean! I was born and raised in Norfolk, Virginia, USA.

AMR: When you were younger, what did you want to be when you grew up?

I wanted to illustrate comic books as a teenager. I made fair amount of money in graphic design, advertising art, and portraits in my younger years. I was accepted by the Joe Kubert School of Animation and Art … and then I second-guessed myself. I was like, those artists spend fifteen hours a day hunched over a drawing board! Is that really how I wanna live?! So during my later years, I gravitated toward writing. It struck me as a more direct form of self-expression.

AMR: Where do you see yourself in 10 years?

Honestly? Dead. The world is blowing itself up even as I type this, and I’m not naïve enough to believe that I’ll escape the fallout. But as Michael Ende—the author of the iconic The Neverending Story—put it: ‘That is another tale, and shall be told at another time.’ In the meantime, God blessed me with a wonderful life. When it’s over, it’s over. I love the quote from one my favorite films, The Village: ‘We are grateful for the time that we have been given.’

AMR: When did you start writing and why?

I was in my teens. I fell in love with the works of Ray Bradbury, Mark Twain, and Daphne du Maurier. But I was still mostly an artist back then, so the writer that bridged the gap between writing and art for me was J. Marc DeMatteis—a comic-book writer. J. Marc’s writing brought Sal Buscema’s art to glorious life, and that’s when I began to examine the written word. Sal Buscema I already understood; he was an artist, like me. But there was something about J. Marc DeMatteis’ storytelling that I found very intriguing, and wanted to further explore.

AMR: What is your favorite movie?  How many times have you seen it?

I have three: The Lion King, The Crow, and Natural Born Killers. Honestly? They never get old. I’ve seen all three at least a hundred times, maybe more.

AMR: What genre do you write?

ALL of ‘em!!! Literature is just one big, exciting adventure for me. There’s always some new frontier, you know?

AMR: What is your favorite book or character that you have written?

I have two favorite characters. Jillian is a werewolf, and she was featured in “Renewing Forever” and “Beginning Forever,” both published by Black Velvet Seductions. And then there’s ‘The Dark One.’ I ain’t spilling the beans quite yet, but you’ll meet him soon enough! (V’s Note: ‘The Dark One’ appears in ‘Genesis Rising II: The Angel and the Beast.’)

AMR: Do you have a new release coming out? What is the title and genre?

I have book one and book two in a series entitled Genesis Rising. The genre is dark fantasy. The titles are The Children of Apep and The Angel and the Beast. The contracts haven’t come in yet, but I think I also have two short stories on deck: a sci-fi romance entitled “Talitha,” and an erotic romance entitled “Behind the Wall of Sleep.” (V’s Note: Both of the anthologies in which those stories first appeared are out of print, but both tales have been re-published in ‘Even in Madness.’)

AMR: What are your rituals before you start writing?

Drink a lot of beer. DON’T judge! I’m working on that … (V’s Note: I’m trying to recover from alcoholism now …)

AMR: Who is or are your favorite authors? Favorite Book?

Mark Twain’s Huckleberry Finn, Ray Bradbury’s The October Country, and Daphne du Maurier’s Rebecca. I re-read all three every year. And yes, that’s my triad of literary idols!

AMR: Fun facts about you?  Or unusual thing about you.

I like tartar sauce on my omelettes. I’m also a huge fan of musicals, despite my well-deserved reputation as a metal chick. Phantom of the Opera and Hairspray are two of my favorites!.

AMR: What words of wisdom would you give someone wanting to become a writer?

Don’t do it. Seriously. It ain’t worth it. But if you MUST do it, well … go ‘head and PM me. I may have some advice for you! Being an author is both a blessing and a curse. It’s best avoided if possible, but yeah, if it’s your curse—and you can’t escape it—I’m here for you!

AMR: If you had 2 hours to talk to whoever you wish alive or dead, who would it be and why?  And what would you talk about?

Jesus. Humans cannot truly create; we can only re-arrange the elements of that which has already been created. I’d like to sit down with the true Creator—BEFORE I kick the bucket—and ask Him what that process looks like.

AMR: Anything additional you wish to add?

DON’T write because you wanna be rich and famous! It ain’t happening. Trust me, I would know. If you wanna be rich and famous, go screw some Hollywood producer and hope that he puts you into a movie. Good luck with that! Not the screwing part, of course; that’s easy. The ‘being put into a movie’ is the hard part, and may require repeated screwing.

Write because you want to, and for no other reason. Write because you have stories to tell. Write because you hope that your words will inspire a young person. Write because you can’t imagine what your life would like if you weren’t a writer. Whatever your reason … just write! Writing is pure. Writing is clean, and comes from an altruistic place in the human heart.

If you love stories—if you love the written word—you must write! The world is desperate to hear what you have to say, whether they realize it or not. The social-media haters might say otherwise, but hey …

F**K ‘em!!!

And that’s it. If I were to keel over right now, I think those would make fitting last words for my tombstone.

I mean, there’s even an F-bomb in there …

May God rest the soul of Andrea Miles Rhoads. Sleep well, my friend. I’ll be seeing you soon enough. – V

Meet Dirty Space Groove!!!

LADIES AAAAAAND GENTLEMEN!!!

Boy howdy, do I EVER have a different sort of band for you today! You know how we all have our own quirky record collections? How most of us have a lot of our favorite genre and then we have a little something of everything else?

Imagine a band that somehow managed to put ‘everything else’ onto a single record …

That band would be DIRTY SPACE GROOVE!!! My new friend Dave Neri was kind enough to have a chat with me, representing his band and explaining some of the ‘stories behind the songs.’

So, without any further ado …!

K, here we go … Dave, can you tell us about Dirty Space Groove and how you got together?

Okay, about three years ago, MTK3 the vocalist posted for a side project band on Mondays. I knew of him from his prior band Kocosante, they were very popular and he’s is a great front man, I was in between projects at the time, so we met up with former drummer Marc from another local band Toasted Marshmallow Zombies, clicked immediately, and began writing songs that night

MTK3?

Mike Thomas Kennedy the Third. This is his stage name

Ah! For our readers, what is your local area? I like to know where my favorite bands are so I can show up, get hammered, and usually land myself in trouble!

We are in south Florida

Lucky … I’m freezing my patootie off at the moment! I’d like to chat about this MTK3, if we may. I’m listening to the single ‘Nancy’ as we’re talking. VERY unique singer! The first thing that comes to mind is ‘edgy nerd rock.’ And I DO hope he takes that as a compliment! See also Michael Stipe of R.E.M. and, of course, Geddy Lee of Rush. I’d be curious as to what drove him toward his unique singing style when rock in general seems to have gravitated toward darker, snarly vocals. Can you share a little about that?

Well, when we got together we were going to write heavier material, but I write more of a dark pop kinda rock style with melodies, so I brought this. MTK3 changed his normal style and really brought that unique voice you hear now. Most people say he sounds like Ozzy, or we sound like Faith No More meets the Red Hot Chili Peppers. But, he really learned a new way to sing, and it’s been really good to be able to stand apart from what is going on and focus on new sounds and vocal melodies

I also hear echoes of Rob Halford. ‘Nancy’ is a pretty heavy song, and the note at the beginning of the video talks about mental illness. Is that a running theme in Dirty Space Groove’s music?

No , we all have family members that fall into all of the categories of mental illness discussed in the opening segment of the video. I worked in memory/ Alzheimer’s care for a while and it really broke my heart, but our music jumps to different genres from we want to party to until the world ends or the climate/ pollution issues just being straight up silly. (V’s note: Yeah, ‘climate change’ is just fuckin’ silly. It’s called ‘weather,’ dipshit!) So, there’s really no path we follow when writing; whatever comes out comes out. We like to play around with the whole ‘alien’ thing; it’s fun, and we’ve all had encounters for our whole lives. When you hear our EP on iTunes you will see how different each song is.

Alzheimer’s really is heartbreaking. Yes, ‘diverse’ DEFINITELY describes Dirty Space Groove! A lot of bands would chase me down and beat me with the mic stand for saying this, but I’m hearing a definite eighties pop influence. Echoes of Wham!, A-Ha, and David Bowie, you know? And, also excellent use of pianos and keyboards. Was it deliberate, adding those elements to the music or did it just kind of evolve?

With My Sweet Space Dream, we did want the eighties elements, the Miami sound, KC and the Sunshine Bands horns, electronic drums reminiscent of the drums on Miami vice, and a bit of the Latin flair. You have a good ear. The synths are played by Carlos we played together in a band prior. I always play with synths, keyboards rather than another guitarist to open up our musical pallet and more soundscapes.

When our good friend Cheri Belfiore-Kane first sent me your music, that was the one thing that really blew me away. Most bands tend to revolve their music around one or two elements, whether it be vocals, lead guitar, bass, etc. With Dirty Space Groove, no one element jumps out … which somehow makes them ALL jump out—perfect balance. You don’t often hear that; I honestly think that’s what made Guns N’ Roses such a once-in-a-lifetime phenomenon. So, how do y’all write? Is your process structured or do the songs come from jam sessions? Do one or two of you write and the band fleshes it out, or is everyone involved from the get-go? DO share! I’m always fascinated by the writing process.

It’s different with every song. We all bring elements to the songs; someone will have a riff or a complete song and bring it in, or we take some elements from jam sessions that we play every night as a warm-up before rehearsal. But, everyone brings their style to the songs and we all write and play multiple instruments so we have many songs

Wow … I really appreciate the bass and drum players. They almost sound like different musicians with every song. It’s very tempting, I think, to settle on a ‘pet’ set of riffs and tempos. Do y’all do your own sound mixing, or is that subbed out to a studio?

Nancy and My Sweet Space Dream was played by Marc, our first drummer. The rest of the EP was a drummer named Alfredo; he has since left the band and we are working with a new drummer: Jeremy Staska. https://www.discogs.com/artist/261969-Jeremy-Staska from Studio 13; he also co-produced the EP with us and played some Latin instruments on it. Jeremy also mixed the EP and mastering was done by https://coladamix.com/ . We brought our good friend Oski Gonzalez https://www.facebook.com/oski.gonzalez.10 in to play congas on a few tunes, so we have an amazing team behind us.

Indeed you do! Tell me, who made that GORGEOUS video for My Sweet Space Dream? It SO reminds me of one of my favorite films: Heavy Metal!

That was made by Odette, the bassist David’s wife. It is very electric and eye-catching; she did an amazing job. Heavy Metal is one of my favs, too, I seen it in the theater when it came out. The song is about someone that is obsessed with Lady GaGa (Stephene) and he can only see her in his dreams.

Lucky! My mother wouldn’t let me see Heavy Metal when it came out. And, wow! Dreams are a running theme in my writing; I often think we don’t attach enough importance to them. Speaking of theaters, I’m told Dirty Space Groove has a major event coming up?

Yes, we are playing two nights at Deafstock, the first of its kind event to help all walks of life enjoy music and celebrate life.

https://deafstock.org

deafstock.org

Nice! I once knew a deaf fellow who loved going to metal shows. He said he could feel the beat even if he couldn’t hear anything, and he loved the energy. And, that does kind of sound like the first of its kind. How did Deafstock come to be?

This is taken from the page Story of Deafstock Music & Art Festival About Deafstock, Inc.: ‘David Ritchey, a passionate advocate for inclusivity in music and art, founded the Deafstock Music & Art Festival to bridge the gap between the Deaf and hearing communities. Inspired by the idea of Woodstock and frustrated by the lack of accessibility at traditional events, David envisioned a festival where everyone could enjoy music and art together for all walks of life. One evening at a local music festival, David felt frustrated by the lack of accessibility for Deaf individuals. This idea inspired him to create the Deafstock Music & Art Festival, where Deaf and hearing people could enjoy music and art equally. He envisioned a three-day festival with visual art installations, live performances with sign language interpreters, and tactile experiences. David assembled a dedicated all-volunteer team and faced numerous challenges, including funding and skepticism. They launched a successful crowd funding campaign and secured a spacious, accessible park for the event. Partnering with local Deaf and hearing artists, they also incorporated innovative technologies like vibrating dance floors and visual light shows. Deafstock features visual art installations, live music performances with sign language interpreters, and tactile experiences that let Deaf attendees feel the music through vibrations. The festival celebrates the talents of Deaf artists and musicians, providing them a platform to showcase their work. With the inaugural event set for April 2025, Deafstock aims to create a vibrant, inclusive environment. David and his dedicated team have worked tirelessly to bring this vision to life, transforming a spacious park into a celebration of music and art for all. Join us as we break down barriers and foster unity through the power of creativity.’ I seen his post on Facebook about five months ago, and we said we have to be a part of this event. We help out any organization that is for the betterment of humans and brings awareness to any worthwhile cause. We were the first band to apply to play.

Truly a noble cause! Rockers are and have always been the most charitable people I know. Always looking out for others! So, what’s new on the horizon for Dirty Space Groove? What does the far future hold?

Well, we are working with Irongate records, we are putting together a tour, and going back to record another six songs. We’ll have new videos and we’re looking forward to connecting with new fans around the world

WOW! Full speed ahead and damn the torpedoes! I for one—to quote Senator Palpatine—will be watching your career with great interest! So, before we wrap up, I have one final question for you. I always ask this one because I think it’s the most important question: What advice would you give a young/aspiring musician?

Learn about the business part as much as the music part. Be yourself and don’t follow trends. Write, write, and write music. Get knowledge on publishing and all aspects of the biz. Collaborate with other artists, and don’t be a dick!

‘Don’t be a dick!’ LOVE it! And, I absolutely agree about learning the business end. I struggled with that as an author but I had some great mentors, as I’m sure you did, too. Thank you, Dave, so much for your time today! Here’s wishing both you and Dirty Space Groove ALL the best going forward!

Thank you, Virginia.

You are most welcome. Cheers!

CONNECT WITH DIRTY SPACE GROOVE ON FACEBOOK: https://www.facebook.com/DirtySpaceGroove

CHECK OUT DIRTY SPACE GROOVE’S VIDEOS! https://www.youtube.com/@dirtyspacegroove

Welcome to ‘Lilah’s Limit’!!!

“You were right, Mommy. He’s an angel. God did touch him with his finger! Look at the beautiful scars …” – Line from Suzanne Smith’s Lilah’s Limit

Was there ever any doubt that Suzanne Smith is the Queen of Dark Romance?

Well, in case you missed the memo … yeah, she kinda is. https://virginiawallace.com/2021/03/03/a-chat-with-suzanne-smith/

This is the epitome of dark romance, a gothic masterpiece reminiscent of Mary Shelley and Anne Rice with a dash of Daphne du Maurier thrown in.

Taking place in New Orleans in eighteen seventy-one, Lilah’s Limit is set in the world of New Orleans’ brothel scene. It’s unnerving to think that—in the United States, of all places—there would be human trafficking organizations operating in broad daylight. But, yes, that was actually the case.

What makes Lilah’s Limit fascinating, though, is not the evil setting of the tale. What makes it truly shine in the amazing characters blossoming within said setting—the good, the bad, and the morally ambiguous.

And, if I had to describe Suzanne Smith’s characters –all of them—with simple phrases, it would be these: ‘morally ambiguous’ and also ‘scarred.’  It is very, very difficult to separate her characters from the wickedness that molded them. Some rise above their pasts, and some wallow in them. One of the most vile characters I’ve ever read is the calculating, diabolical Madame Cheney—a sociopath who traffics in the flesh of women less fortunate than herself. Her introduction is positively chilling: (Renault) looked at her incredulously. It was obvious she had no qualms about her immoral role as a flesh peddler. She talked about her girls as if they were unfeeling, mindless horses she was trying to sell rather than sentient human beings. While her dehumanizing and solicitous manner irritated him it also made him a little envious. How he wished he could be like her and shove his conscience aside. Take pleasure in his sinful behavior without feeling an ounce of guilt.

Renault, the leading man, is fascinating character. It was no small task, turning a common whoremonger into a romance hero. He’s the perfect counterbalance to the incredibly damaged Lilah, a woman of birth and breeding forced into a life of prostitution.

The book also raises this question: is murder always a crime? Should the law always remain immutable, unbreakable … or are some people just so evil that the law only serves to aid and abet their heinous deeds? The French Revolutionaries once said that ‘the more wrong that has been done, the more blood it takes to set it right.’

Is that true? It was unlawful for the Revolutionaries to behead Marie Antoinette, but given her sins against her people, History doesn’t seem to judge the Revolutionaries all that harshly. Perhaps sometimes—just sometimes—Civil Law is an impediment to the exercise of the simple Law of Good and Evil.

I will say that this book has a happy ending. I kinda feel like I have to say that, because everything I’ve written thus far is pretty dark. But, mind you, I won’t tell you how the story arrives at said happy ending. That’s the fun part, so I’ll just say that it does.

That having been said, I must also add that this book isn’t for everyone; Suzanne’s books generally aren’t. I’d rather be honest about what’s in a book than have the wrong reader find it, and then pan it. Suzanne is too talented to suffer such embarrassment. So I will point out that this story brutally portrays the realities of human trafficking, from the cold-blooded selling of virginity to outright pedophilia, although this is all written as tastefully as possible given the subject matter.

But, nevertheless, it’s the setting that makes the dark hero and heroine truly memorable. Our scars often define who we are, but sometimes we find the strength to rise above them. That is the overarching point of this tale: that oftentimes incredibly flawed people will surprise you. Not always, but often.

This truly is a five-star read, and I give it my hearty endorsement! https://www.amazon.com/Lilahs-Limit-Suzanne-Smith/dp/B0D1JKGNZM

Enjoy! – V

Welcome to ‘Bounce … Into the Unknown’!!!

I have long been a fan of S.K. White’s lush, vivid scifi and romance! (To read more about her, click here: https://virginiawallace.com/2021/12/08/all-gone-by-s-k-white-a-review-and-author-interview/ )

I had the honor of being able to read Bounce … Into the Unknown before it was released, and wow … just fuckin’ WOW, y’all! Check it out!

BLURB

What if you found yourself in a different reality… same face, but different you? Whitney Ann Rhodes bounces into the alternate realities of Whit and Annie. Can she navigate Whit’s complicated and volatile life or survive Annie’s dystopian world living under the rule of a global authoritarian leader and his military regime? Will she resist or comply? Afterward, can Whitney return to her world and face what lies ahead?

MY REVIEW

There are very few authors who do science fiction as well as S.K. White …

I’ve been a fan ever since the epic All Gone, and Bounce does NOT disappoint! It’s interesting that the world-building and technical jargon almost seem incidental. The real meat of the story—the thought-provoking part—is the emotional entanglements and conflicts that plague Whit/Whitney’s constant shifts between alternate realities.

It really does beg the question: What makes a person? Is it nature, nurture, or both? Whitney is a nice young woman from a good family. She treats people with gentleness and respect. Her doppelganger Whit, however, is the product of an alcoholic home and constant sexual abuse. While Whitney is gentle and kind, Whit is more or less a sociopath.

The setting begins on a more or less normal note, but as Whitney’s alternate lives begin to come unraveled, so does the world around her as she ‘bounces’ between societies upended by civil unrest and totalitarian governments.

Bounce is a masterfully told tale that is one part sci-fi, one part melodrama … and all heart. Five stars!

So, yep, that ’bout says it all! Click here to buy: https://www.amazon.com/Bounce-Trilogy-Book-I-ebook/dp/B0CX3VB4FQ

Cheers! – V