‘They Always Fall for Ruby’: A Tale

I suspect that most of us would agree that the year 2020 – at least in the Western world – ushered in a dystopian experiment in tyranny that shook society to its very foundation.

Now? Artificial Intelligence is expanding that dystopia to new levels thought unthinkable just a few years ago. I had a choice: I could cower in terror, or I could turn my anger and apprehension into art.

I chose the latter.

Welcome my dear readers, to one of the tales from the pages of ‘Even in Madness …’ https://geni.us/talesofloveanddeath

WARNING: Contains violent, sexual, and disturbing content

They Always Fall for Ruby

by Virginia Wallace

copyright 2023

Prologue

“I don’t know what to do,” said the tall, muscular man as he untied his loincloth.

The earth shall soon dissolve like snow,

the sun forbear to shine

But God, who called me here below,

shall be forever mine …

“It’s okay,” said the young woman, spreading her thighs invitingly as she tried to ignore the singing outside. “I’ll help you.”

Her heart was pounding as her newfound lover dropped to his knees and leaned over her prone, naked body. She smiled at him, running a hand through his long, dark hair as she moved upward to kiss him. His nervousness helped mask her own; focusing on him took her attention away from herself.

This, she thought, is exactly how such affairs ought to go! Loving another more than oneself, focusing on another’s needs and desires before one’s own—such a mindset was the polar opposite of the philosophies that had long ago burned the world to the ground. But even in a pile of ashes there often burns a fiercely stubborn ember …

This coupling was one of those embers. “I’m not sure what to do,” repeated the man ruefully, lowering his body carefully over hers.

“That’s okay,” said the young woman. “Let me help you.”

The man trembled as she guided him slowly towards her feminine ‘holy of holies.’ Don’t think about yourself, she thought. Maybe this will hurt, and maybe it won’t. Just focus on him, and trust him to focus on you.

The young woman hugged her lover tight, pressing her bare breasts against his chest as he slowly—carefully—pierced her. She’d expected this to be a slow process, and her lover was doing his best to make it so.

But in the end, the rending of her flesh happened quite suddenly. She gasped as she hugged her lover even more tightly.

She pulled him closer as, after a while, he began moving faster. This was almost over …

She closed her eyes as he poured his seed—the concentrated essence of all that he was—into her newly opened womb. This, she thought fiercely, is something they can never take away from us! Not now, and not ever.

When it was all over, her lover flopped down at her side. He held her close, laying kisses on her sweaty forehead. The young woman let him hold her for a while, calming down. She was slowly becoming aware of the singing once again.

Swing low, sweet chariot,

coming for to carry me home …

“You have to get dressed,” she said firmly, disentangling herself from her lover. “It’s up to the groom to go out and thank the singers after … well, you know. Don’t forget to throw my tiara to the witnesses; our superstition says that the young lady who catches it will be the next to be married.”

“I’ll be right back.”

“I know you will,” said the young woman warmly, patting his bare behind as he rose. “Now, go.”

Chapter One

The twentieth century saw more death, war, and brutality than any other century before it. The twenty-first century turned out even worse.

A plague kicked off ‘the beginning of the end,’ one that swept the world like wildfire. Entire populations were put under quarantine, and businesses—as well as churches—were ordered to shutter their doors. It seemed strange to many that privately owned businesses were made to close while the businesses owned by mega-corporations continued operating with utter impunity.

That en masse house arrests violated the constitutions of most states deterred their power-mad leaders not one iota. From London to Canberra to Sacramento, sadistic despotism became the order of the day.

There were those who pointed out that the ‘plague’ seemed to consist of little more than a mild cold, but such voices were quickly silenced. Doctors saw their licenses stripped away for prescribing anything except the approved ‘treatments’ concocted by the global pharmaceutical corporations.

As if all that were not enough, another plague swept the world only a few years later, killing people by the billions. Some pointed out that the second plague might not have been a real plague at all, but rather the belated fallout from the gene-mutating, blood-clotting treatments prescribed as ‘cures’ to the first plague.

Those voices, too, were silenced.

And as the world population was steadily dying off …

Aliens invaded!

Not the kind of aliens from foreign nations, but the kind from outer space.

Some said that the images on television and social media were computer-generated, and that the mass deaths were the work of murderous, satellite-mounted lasers. The endless power outages led to social chaos; some said that those were caused by ‘electromagnetic pulse weapons’ installed in major cities by their respective governments years before. The ‘alien invasion,’ some claimed, was nothing more than an elaborate hoax whose end goal was to unite all the contentious nations—for the first time—under one global government. Such comments were deemed ‘misinformation,’ and those who spoke them were punished even more harshly than those who questioned the official narrative behind the First Plague.

The ‘invasion’ was ostensibly repelled by a global alliance, and a new world order—the brainchild of the world’s most menacing economic cartel—was put into place. The remnants of the world’s population were herded into ‘sustainable communities,’ and never allowed to leave; personal transport vehicles were outlawed in the name of stopping ‘climate change,’ a ‘looming disaster’ ostensibly caused by toxic ‘carbon emissions.’

Thus, humanity lived in walled compounds like cattle, housed in small apartments that weren’t much larger than closets. Men and women were required to dress alike in drab attire, to ‘set them free’ of the ‘social construct’ of gender. They were also required to take a daily regimen of mysterious drugs, and eat food synthesized from insect protein. Breeding was strictly controlled, and never allowed to happen without the approval of the authorities.

Normally such tyranny would have led to massive rebellion, but the social-media moguls came to the rescue with the perfect piece of technology: the Stasis virtual-reality goggle. Working in tandem with mood-altering drugs, it was the ultimate crowd-control tool; it placated the masses into blind, endless compliance by keeping their senses endlessly—and addictively—over stimulated.

And it was into this dystopian world that a man labeled ‘IZC-5926’ was born.

***

You are ordered to awaken, droned the loudspeaker. You must don your lenses within sixty seconds. Fifty-nine, fifty-eight, fifty-seven

Fumbling in the pitch-black room, IZC-5926 fumbled for his goggles. Finding them on their charging station, he held them to his face. Their edges sealed around his eyes, automatically securing them. He was grateful that he was born well past the early days of clunky, heavy goggles; the modern version was lightweight, thin, and required no head strap.

Make sure your lenses are secured. Activating lights in ten, nine, eight, seven

IZC-5926 smiled as the lights came on. The room in which he’d been sleeping was spacious, but fairly austere. Tapping the side of his lens, he scrolled through several decors before finding one that suited him.

He smiled as the sound of a bubbling aerator filled the air, oxygenating the indoor fishpond in the middle of his room. Carp swam in merry circles, gaily flicking their tails as they chased each other about. Leaning over the edge of the rock wall surrounding the pond, Z eyed his bald, bespectacled reflection.

“Hello, you,” he smiled.

Of all the inhabitants of the compound known as ‘The Owl’s Nest,’ IZC-5926 alone had the letter ‘z’ in his designation; thus, ‘Z’ had become his nickname. He donned his cotton shift, and crossed the wooden bridge over the fishpond as he headed toward the door.

Your room will be automatically sterilized in your absence. Please remember that this room is for your occupation alone. Remember to keep six feet of distance between yourself and others for your safety and theirs.

As he opened his door, Z tapped the side of his lenses to change the appearance of his shift to that of a dapper suit. He stepped into the hallway, smiling at those passing him by.

“Hey, Z!”

“Morning, Z! How’s it hanging?”

“Good to see you, Z!”

Z greeted each of his friends in turn, heading for the kitchen. He tapped his lens as he entered, willing the large common area to appear as a medieval feast hall with a cheerfully burning fire at one end. He approached what was now a large table with an enticing array of food—bacon, eggs, and thick, juicy steaks.

“Steak and eggs, please,” he said. “And orange juice.”

“As you wish,” said the bald, bland-looking woman behind the table. She served up Z’s food with neither word nor smile, and poured his juice.

Z took his tray and sat down, careful to keep the required distance from others as he idly chatted with his fellow diners. Breakfast was delicious, and over far too soon.

It is now time to work. Be at your stations in fifty-nine, fifty-eight, fifty-seven

Before the time expired, Z was seated comfortably in his chair. His cubicle was in Ward Six, one of sixty-six cubicles. He—like his peers—was tasked with the sacred duty of preventing the next climate shift. Reaching for his keyboard, Z typed in the password to access the global satellite database.

He thought of his work as a calling, and he was the best at it! His job was to constantly monitor the earth, using different types of scanners to seek out heavy pockets of carbon dioxide—Co2—emissions. It was a tricky process, aligning the lasers on the satellites precisely on the ‘problem spot,’ but Z was intimately familiar with the satellites’ programming. A few short commands and zap! The Co2 gas was dispersed.

The world hung by a thread; a global temperature shift of two degrees would bring about ‘climate change,’ destroying the world that the Masters had worked so hard to build. Z smiled at the owl figurine next to his monitor, with its silver pendant around its neck; the pendant was in the shape of a five-pointed star. This was the mascot of the Masters, the wise men who held the world eternally in perfect balance.

Z was grateful to have a role in maintaining that balance.

He worked until the early hours of the evening, and then went to the lounge to play a board game with some of his friends. They sat at a large, round table, seated six feet apart as they tapped their goggles to move their game pieces about.

Lights will go out in fifty-nine, fifty-eight, fifty-seven

Z went dutifully to his room and waited for the next command: Do not remove your lenses before the lights have gone out. Doing so will lead to corrective reeducation.

Only when the room was pitch-black did Z remove his goggles. He slid them carefully into their docking station so they could recharge, and crawled into bed. He felt a quiet sense of euphoric satisfaction as he drifted off to sleep—the sleep of someone who knows that he has worked hard, and done well.

Chapter Two

You are ordered to awaken, droned the loudspeaker. You must don your lenses within sixty seconds. Fifty-nine, fifty-eight, fifty-seven

Z quickly donned his goggles and slipped his shift over his head before the lights came on. He tapped his lenses to change the appearance of his room, and settled on an elegantly decorated, Victorian-style bedchamber.

He sallied forth to face his day, to greet all of his friends traversing the long hallway outside of his chamber. Most wore suits, although some wore casual clothing. All looked about the same; thin, with bald heads and faces. No one was different; no person was out of place.

Careful to maintain a safe distance from others, Z headed for the dining room.

He turned the corner to enter the large chamber …

And that’s when he saw it—saw her. Someone who definitely did NOT belong!

An oddly dressed young woman was facing him. Her clothes were fitted to her curvy form, and she had hair on her head! Long hair, like some kind of animal’s. It hung below her shoulders in straight red tresses. She was also marked with carbon-fouled, sun-tanned skin, like the barbarians tasked with running the outdoor ‘bug farms.’

Z just stared at her, suddenly stricken by a strange sort of curiosity.

The young woman turned and walked swiftly out of the dining room.

Z followed her into the hall. Had he frightened her? He hoped not.

“Hello?” he called.

But she was gone, as though she’d simply vanished. Z ran down the hall, barely maintaining the mandatory six-foot distance as his friends shouted at him to ‘watch it!’ He careened around the next corner, falling against the wall as he gasped for breath.

The young woman was still ahead of him, walking swiftly toward the …

The front door?

Going outside was forbidden. The world was fouled by carbon emissions. It wasn’t safe. Only the barbarians who performed certain necessary outdoor tasks went outside; everyone knew that …

Except, apparently, this woman. She tapped a code into an electronic door panel, ignoring Z’s warning shouts as she stepped into the sunlight. Z ran toward her, hoping against hope that he’d be able to pull her back inside before the door closed behind her. He couldn’t say why he knew the door would close behind her; he just did.

He lunged through the door, trying to ignore the screaming pain in his muscles.

His goggles went black as a bag was thrown over his head, and he felt himself being pulled roughly to the ground.

Cuff him, ordered a male voice.

Leg irons? asked another.

Nah, he’s too weak to run. Looks like he fell for Ruby.

Yeah … They always fall for Ruby.

***

It may have been mere days that IZC-5926 was held in complete isolation, but he would later suspect that it was much, much longer.

He was left alone in a room with brick walls, a wooden floor, and a pile of blankets in the corner. He became deathly ill almost as soon as he was brought in, and stayed that way for what seemed like forever.

Body aches, chills, and vomiting became his daily routine. His puke was always dutifully mopped up by the same bland, silent man who brought him food and drink, water for sponge baths, and buckets in which to relieve himself. He, too, had hair on his head like an animal, and possessed a barbarian’s suntan.

The food made Z deathly ill at first, but in time he got used to it. His physical recovery was marred by some rather odd changes, though. He found himself growing hair on his head, and even on his face! And he repeatedly dreamed about the woman from the dining room. During his waking hours, he wondered why she was so curvy and had such an exaggerated, pronounced chest.

Often when he awakened from such dreams, he was aghast to find that his … penis had grown hard, almost as if it had rigor mortis. Was he dying by degrees? Was his body coming undone, one appendage at a time? The hardness kept him from urinating, so Z grew ever more certain that it was an affliction, some debilitating physical condition.

Once his constant vomiting, nausea, and pain began to subside—about the same time that he noticed the hair on his head and the bulge under his shift—a lingering sense of panic took hold of him. His room consisted of four walls, and nothing else. He couldn’t tap his lenses and change its appearance, for this was all there was to it: four … brick … walls.

Whenever his inability to stimulate his senses overwhelmed him, Z would pound on the walls, screaming in terror. His cries drowned out the crushing sense of claustrophobic ennui that was tearing his mind apart, but such episodes gave him only limited relief. He would eventually collapse in exhaustion, taking solace in fevered, fractured sleep (during which he often dreamed of the young woman). Then he would repeat the whole routine within a few hours.

Only a narrow window high in the wall let the light in, giving him some sense of night and day. Night after night, day after day, hour after hour, minute after minute …

Second after stifling second, the man called ‘Z’ found himself slowly going insane.

Chapter Three

“You’ve stopped screaming in your sleep. That’s a good sign.”

Z sat up, blinking. There was a man sitting across the room from him, dressed in a coarse shirt and pantaloons. He had hair on his head, and a long, red beard.

“Who are you?” asked Z.

“I’m the man who had your job long before you did, son. What our village elder once did for me, I have now done for you. How are you feeling?”

“I’ve had that job my whole life,” said Z.

“You’ve had it for about twenty-two years,” said the man flatly. “You started when you were six years old. But you don’t remember anything before then, do you?”

“Before?”

“You only remember living in the compound, with your friends and your job. Nothing else. Am I wrong?”

“What else is there to remember?” asked Z.

“What, indeed?” the man answered cryptically. “They labeled me KLB-5827. I’ve gone by ‘Caleb’ for years now. I’m sorry we didn’t extract you sooner, son, but doing so would have brought your ‘masters’ down on our heads. Simply daring to exist is risky for us, let alone meddling in the affairs of the oligarchs. But my monitoring shows that they’ve stopped following your operation on a daily basis, although I haven’t yet figured out why.”

“Impossible! The Masters care deeply for us all! About our lives, our jobs, and even the very food we eat!”

“Why do you think you’ve been so ill?” asked Caleb. “Your food was heavily processed. They once used pornography and sexual perversion to enslave the masses, but they later decided that creating a sexless society better served their interests. Your food contained chemicals that basically castrated you, but always kept your mood elevated. You look much healthier now; my wife’s cooking usually has that effect. How do you like your beard? Your ‘morning wood’? Those were the … hardest parts for me to process. Pun intended.”

Lies!”

“Your food was also designed to keep you weak and mentally compliant. It’s ironic, isn’t it? The early survivors of the Great Reduction were held prisoner behind locked doors. They had explosive chips implanted in their heads, and tracking chips in their hands. But you have neither of those, do you? You were a slave to your own need for mental stimulation, and the stability in which to satisfy it. As long as that was provided for you, there was no need for further restraints. The door that you so boldly unlocked was meant to keep us out, not you in.”

“How did the girl get in?” demanded Z. “The barbarian with the red hair?”

“She didn’t,” smiled Caleb. “I told you I had your job once, yes? I projected her image inside. Your curiosity did the rest, my friend.”

“Why is she so … pretty?” asked Z hesitantly. “Why is she shaped the way she is? Is she deformed?”

“That’s how women develop when they aren’t being fed chemicals,” said Caleb. “Normal men actually like that about them! Their bodies are designed to give life, to bear children—and, I suppose, to provide pleasure. I wince to think of my daughter that way, but I suppose it’s natural enough.”

“Babies come from cloning labs,” said Z haughtily. “Everyone knows that!”

“Apparently you’ve never worked on their forced breeding farms,” observed Caleb, completely unruffled. “Only the oligarchs—and the Outsiders—are allowed to reproduce normally, in family groups.”

“‘Family’? Who are the ‘outsiders’?”

“That’d be us, son,” said Caleb, rising. “Those who exist outside the sanctioned order, those lucky enough to have survived ‘the Great Reduction’ without actually joining it. When our communities grow too large, we scatter into smaller groups. It’s important that we stay off the radar, lest we be exterminated.”

“Are you going to let me go back to The Owl’s Nest?” asked Z, trembling.

“I’m afraid not,” said Caleb, looking away. “You let yourself out, but there’s no way for me to get you back in. That’s why we had to trick you into leaving.”

“Do you have my goggles?” asked Z hopefully. “I might be able to connect with the mainframe and open the door.”

“No,” said Caleb flatly. “You could be traced by those goggles! They are nothing more now than a pile of crushed plastic, silicon, and wires buried in the woods.”

“What is to become of me?”

“I have no wish to free slaves only to re-enslave them myself. You may do as you wish, but I assure you that if you strike out on your own, you will perish. You’re still too weak, too accustomed to having your every physical need met by others. But if you like, I can arrange quarters for you at the House of Archives. You can work on my farm, and I will provide you an honest living for honest labor.”

“Labor? Like the barbarians do? What about the carbon emissions? Barbarians die young from being out in them. Everyone knows that!”

Do they, now?” chuckled Caleb, sounding genuinely amused. He held out his hand. ‘Let me help you.”

“NO!” shouted Z, scooting closer to the wall. “You have to stay away from me! Do you have a mask? You can’t come within six feet of me without a mask!”

“Surrendering one’s identity to their ‘deities,’ standing six feet apart around the circle that is our world,” said Caleb, sounding suddenly grim. “A global Black Mass, the largest ever celebrated. There’s no need for that, son. You were created to commune with others. A handshake, a hug … sex. You will learn, in time, just how much has been taken from you.”

Z just looked at him, wide-eyed.

“Very well,” sighed Caleb, lowering his arm. “Will you follow me, then, if you won’t take my hand?”

“Do I have a choice?”

“It’s either that,” shrugged Caleb, “or these four walls.”

Z rose on shaky legs, still unwilling to stand too close to Caleb. He blinked as the door to his room—so long secured—was unlocked before him. He waited for his rescuer to walk away from the building before following him into the open.

The air smelled strange. It smelled … unfamiliar. Unsafe. Someone else might have described the air as smelling ‘wild,’ but Z had no frame of reference from which to define ‘wild.’ He looked curiously upward, into a celestial ocean of endless blue, dotted here and there with fluffy white clouds. He blinked from the sunlight.

The blue never ended! His environment was no longer controllable, not even a little bit. He struggled to breathe as terror overwhelmed him, as the sky smothered his strangled cries for help. He felt as if he were sucking in the clouds. And the clouds were made of cobwebs and dust, dust that choked the very breath from his lungs.

Z thrashed as Caleb grabbed him, roughly pulling his arms behind his back. He fought with all his strength, terrified of the diseases that he was surely catching from such close contact. But his resistance was all for naught; Caleb was far stronger than he.

Caleb let him go once he was safely back inside, and Z lunged for his blankets and wrapped himself in them. ‘Here’ was controllable. ‘Here’ was safe, without the Giant Blue Thing to overwhelm and terrify him.

‘Here’ was good.

Chapter Four

Days passed.

At least, thought Z, he was no longer so incoherent that he couldn’t keep track of time. He was more bored than afraid now, which struck him as a good thing.

The same nameless man who’d always cared for him continued to bring him his food and toiletries, as if nothing had changed.

Caleb came back on the fourth day. “Feeling better, son?”

“I … I’m sorry for what I did,” said Z, shamefacedly. “That wasn’t very brave of me, was it?”

“They allowed you to know the meaning of ‘brave’?” asked Caleb, suppressing a smile. “I would think that they’d call that ‘counterproductive.’”

“There were stories,” said Z, frowning as he tried to remember, “videos that we could watch, about great heroes. We were allowed to watch them in the common areas before ‘lights out.’”

“So confident are they that they no longer worry about inspiring rebellion. But that’s neither here nor there, my friend, at least not at the moment. Would you care to venture outside again?”

“I’m not sure I can,” moaned Z. “The sky is so big!”

“It’s nighttime now, and overcast,” said Caleb reassuringly. “Our little corner of the world feels insulated. Cozy, even. We’re celebrating the autumn harvest. Please, join us. My wife baked some lovely apple pies, and the other wives contributed treats as well. They would be terribly disappointed if you declined their hospitality.”

Z still shied away from Caleb’s rough-looking, calloused hand, but he followed him outside anyway.

The cool air smelled of wood smoke and dead leaves, two scents that were alien to Z. It took him a moment to figure out if he liked them or not, and then he decided that he did. Yet something about the airborne aromas nevertheless made him nervous.

“That smell,” he asked Caleb, “is it … carbon emissions?”

“Yes,” said Caleb flatly.

“WHAT? Those will kill us!”

“Will they, now?” asked Caleb with an amused smile. “Do you hear that?”

Z cocked his head, listening.

“Music,” he said at last, with a breathless sense of wonder. He’d not heard music since he’d been stripped of his lenses.

“Music, indeed,” smiled Caleb. “Come this way.”

Z followed curiously as Caleb led him between rows of old, decaying buildings. The wood smoke smell was growing stronger now, and there was an odd light in the sky. He followed Caleb around one more corner …

And came face-to-face with a roaring bonfire, in the middle of an open field covered in square hay bales. “FIRE!” shouted Z, turning to run.

“It’s safe!” snapped Caleb, grabbing him by the shoulder. “It’s safe. It’s meant to keep us warm, and give light. It won’t hurt you.”

Z eyed the fire with receding fear and budding fascination. He’d seen fire in stories, of course, and knew what it was, but he’d never actually seen it.

It took him a moment to discover the source of the music. It came not from speakers, but from strange, ancient-looking instruments played by men sitting near the fire.

“Have a seat,” invited Caleb, motioning toward a bale of hay.

Z sat down, adjusting his rear end to avoid being tickled by the rough, scratchy hay. The music played merrily as the adults clapped and the children ran about like wild things, chasing each other through the bales.

At last, one of the men abruptly stopped playing his stringed instrument, and the other musicians followed suit. They looked at each other, whispering for a moment, and then an old gentleman motioned toward the crowd with his stick. Or, at least, Z thought it was a stick; the old man had been using it to rub the strings on his instrument, which rang out in sweet, clear notes.

A hush came over the crowd as a petite, cloaked person emerged from between the bales of hay.

Z sucked in his breath, recognizing the odd figure with its curves and exaggerated chest. This was a woman, but not like the waifish, bald ones from The Owl’s Nest. This was one of the kind that Caleb called ‘natural.’

The woman turned to face the assembly as she slowly lowered her hood.

Z froze as he saw her face.

He was closer to her now than he’d been in his old compound. Her hair was as red as the fire itself, and straight like silk curtains. The freckles across the bridge of her tanned, button nose struck Z more as an adornment than a flaw, as did her sparkling green eyes. He stared at her, utterly fixated.

“That’s my daughter,” he dimly heard Caleb saying. “We call her Ruby. She’s nineteen.”

Ruby …” breathed Z.

The man with the stick raised it to his instrument, and began playing a sweet melody. The other musicians began playing along; as they did, more young women gathered around the fire and began dancing slowly, almost hypnotically.

Ruby raised her head high, and as Z watched her with utter fascination …

She began to sing.

O, where are you going? To Scarborough fair,

Savory sage, rosemary, and thyme;

Remember me to a lad who lives there,

For once he was a true love of mine.

Z threw a hand to his eyes, wondering why they suddenly felt so strange. He wiped them as he listened to Ruby’s bewitching, dulcimer voice, confused.

Crying. He was crying.

He had seen people cry in the stories, of course, usually when someone died. Crying seemed to be a sign of sadness. So why did he do it now, while he was being swept away by a sudden, uplifting sense of the Sublime?

And tell him to make me a cambric skirt,

Savory sage, rosemary, and thyme,

Without any seam or needlework,

And then he shall be a true love of mine.

Ruby spread her cloaked arms expressively, closing her emerald eyes as she sang. Her eyebrows were prettily chiseled, noticed Z, and her lips had a pretty heart shape even though her mouth was wide open.

And tell him to wash it in yonder dry well,

Savory sage, rosemary, and thyme,

Where no water sprung, nor a drop of rain fell,

And then he shall be a true love of mine

This was a strange song. It was written from the perspective of a girl giving a young man a list of impossible tasks. Why would anyone do that? And what was a ‘true love’?

Ruby took a step back, and the other young women obscured Z’s view as they danced slowly around her. Ruby bowed her head humbly, hiding her pretty face behind her fiery red tresses; the firelight danced eerily off her shining hair as the musicians played through a sweeping interlude. The assembly seemed to be in some kind of trance, for they watched in utter silence and with rapt attention.

It seemed like an otherworldly lifetime before Ruby raised her head again. The dancers spread out a little, giving her room in which to step forward. She took a deep breath, obviously preparing to sing again—and with far more power this time.

O, where are you going? To Scarborough fair,

Savory sage, rosemary, and thyme;

Remember me to a lad who lives there,

For once he was a true love of mine.

Her sweet voice was louder and more intense with this stanza, like sonic waves white-capping across the sea of baled hay. She went silent as she finished for a moment, bowing her head as the instruments began playing in softer tones.

Remember me to a lad who lives there, Ruby sang slowly,

For once … he … was … a … true love of mine.

Z threw both hands to his eyes as the crowd broke into applause, standing one by one as they howled their approval and appreciation. Ruby curtsied prettily to her audience, and then pulled her hood back up over her head.

The other young women fell into line behind her as she walked away from the bonfire. They all sat down together, just outside the glow of firelight.

“Why do they all sit together?” asked Z of Caleb, still wiping his eyes. “They were waiting there when we arrived; I didn’t recognize Ruby then. Why do the young women not mingle?”

“That’s our way,” said Caleb. “We learned long ago that the family is the bedrock of society, and marriage is the bedrock of family. So, we protect marriage by protecting sexual purity prior to marriage. Years ago, we thought that ‘marriage’ meant anything we wanted it to mean—until it finally ceased to mean anything at all.”

“‘Marriage’?”

Caleb gave Z a long, lingering look. His expression was completely inscrutable …

“Exactly,” he said at last.

Chapter Five

The harvest celebration broke the ice for Z. Before he knew it, he was mingling with others as easily as he’d interacted with his friends in The Owl’s Nest. He still tried to keep a safe distance between himself and others, for which many gave him quizzical looks. An old man once asked him why ‘six feet’ of distance was such a magical number, and for the life of him, Z couldn’t give him an answer.

He didn’t understand the notion of ‘worship,’ or why the community ‘church’ met on Sundays. It took quite some time for Caleb to explain to him the notion of ‘God.’ Related concepts such as Heaven, Hell, sin, redemption, prayer, and baptism were utterly beyond Z’s grasp for the time being.

But he dutifully attended worship because Ruby was there. Ruby was always there. And she always sang, and she was beautiful and bewitching and …

Like ‘God,’ the notion of ‘romantic love’ was new to Z. But he was slowly figuring it out.

And so, the man called ‘Z’ spent his winter helping—in his fumbling way—to stack firewood, prepare food, and maintain the carbon-spewing fires for the elderly as his newfound ‘people’ hunkered down to survive the cold winter. Caleb sent Z about to his neighbors whenever his help was needed, but he never once asked him to work in his own home.

This bothered Z, for Ruby was there and he yearned desperately to see more of her. Caleb visited him often—and usually brought him tasty food prepared by his wife—but he never once invited Z to his home.

‘Winter’ was a new concept to Z, and also ‘cold.’ After he’d finished his daily work for whichever family Caleb had sent him to serve, he would spend his evenings alone in the House of Archives. Whenever his work overtired him, he looked forward to sitting next to his meager fire and reading books by its feeble light. ‘Books’ were also strange things to Z, but in the absence of his lenses, well …

He was grateful for the books.

Caleb saw to it that Z had food, clothing, and basic creature comforts. Z was grateful for his provision and worked with a will to earn his keep. It felt strange to work with his hands and his body, and he often came home exhausted.

But he was feeling stronger, too, and beginning to feel the sense of pride that comes with doing a man’s work with neither flinch nor complaint. And it was during this season that he slowly came to grasp what a ‘man’ really was. Not some mewling creature obsessed with comfort and visual stimulation, but a creature of action—a creature upon whom those weaker than himself can rely.

And it was in this manner that Z passed his first season among the Outsiders, the winter of his unwilling-but-appreciated reeducation.

Before he knew it, spring began to blossom.

***

Z stirred in his bed, startled.

“Wake up!” ordered Caleb excitedly, yanking off Z’s blanket. “It’s that day! It’s May Day!”

“What on earth is May Day?” groaned Z, sitting up and turning sideways to hang his hairy legs over the edge of the bed.

“It’s the day we celebrate having survived another winter,” said Caleb cheerfully, pulling Z to his feet. “And looking forward to a fruitful summer! Put on your best shirt and wash your face, my friend. Then come to the meadow south of the town, where we held the harvest celebration. Come! We haven’t a moment to lose.”

With that, Caleb was gone.

Z washed his face and donned his best outfit. His clothes looked rather homespun compared to the finery that his lenses once told him he was wearing, and little did he know they were on par with the shift he’d actually been wearing. But the memories of his former life were growing dim; perhaps he’d soon lose them altogether.

Eyeing himself in the mirror, Z thought for the thousandth time that he still looked strange. His dark hair was long and thick on his head, and he tried to keep it neat as he tied it back with a leather thong. His dark beard was down to the bottom of his rib cage now, just above his stomach. He’d thought about shaving, but mingling with the other men had taught him something: if he cut his beard short—or shaved it off—they would think him less than masculine. Effeminate, even. Now that his body was flooded with natural testosterone instead of artificial, castrating chemicals, well …

It seemed best to leave the beard where it was.

Z walked toward the meadow, watching the Outsiders milling all about. It seemed strange to him that the young women and little girls all wore white dresses, and flowers woven into wreaths upon their heads.

He stopped at the edge of the meadow. In the center was a tall tree trunk, stripped of branches and mounted upright in the dirt. It was wrapped with brightly colored ribbon, from top to bottom.

“Curious?” asked a voice from behind him.

“Caleb,” asked Z, “what is that trunk for?”

“In the old days,” replied Caleb, “it was meant to represent a penis.”

What?”

“Where does human life come from, once God decides to grant it?” smiled Caleb. “The seed of a man blossoms in the garden that is the woman, and that’s the way of it. But for delicacy’s sake, we simply call it a ‘May Pole.’ The unmarried women and girls will dance around it, making merry under the spring sun. The dancing is meant to represent hope, the looking forward to a fruitful harvest, and to marriage and children. To the ancient pagans, it was a fertility rite; to us, it is a grateful acceptance of God’s gifts—and a looking forward to more of His blessings.”

An old man—the preacher from the church—walked slowly toward the May Pole, and stood beneath its shadow. As if on cue, the young women and girls gathered around him while the men watched from a distance.

The minister opened his Bible, cleared his throat, and read a single passage of Scripture. Just one, single passage: “This is what the Lord Almighty, the God of Israel, says to all those I carried into exile from Jerusalem to Babylon:“Build houses and settle down; plant gardens and eat what they produce.Marry and have sons and daughters; find wives for your sons and give your daughters in marriage, so that they too may have sons and daughters. Increase in number there; do not decrease.Also, seek the peace and prosperity of the city to which I have carried you into exile.

Then, he closed his Bible and walked back into the crowd. And that was that.

There were no instruments, not this time. The crowd began clapping, keeping rhythm as the young women and girls broke into song after cheerful song, dancing around the May Pole. They twirled their skirts and flipped their hair, brunettes, blondes, redheads, and black-haired girls all. Sometimes they danced singly and sometimes by twos or threes, holding hands and spinning merrily around the brightly decorated May Pole.

But there was only one young woman—one redhead—for whom Z had eyes. He watched her with a crushing sense of longing, wishing with all of his heart that Ruby was his to hold, to kiss, to …

He shook away such thoughts, although doing so was difficult. He knew now where babies came from. He knew now what ‘husbands’ and ‘wives’ were, and what they did together when they were alone. And he also knew what was expected of a man when he dared to ask permission of her father to wed.

Those expectations terrified him more than a little.

Such thoughts saddened him. Z frowned, overwhelmed by despair beneath the shining springtime sun as the young ladies danced around the not-quite-a-penis May Pole. He allowed his shoulders to sag and his back to stoop …

But he never once took his eyes off Ruby.

Chapter Six

That summer was the most brutal thing that Z had ever experienced.

But then, maybe that’s because he hadn’t actually ‘experienced’ much of anything. He’d never so much as shaken a friend’s hand during his former life. His world consisted of waking up, doing a job, and going to bed. Only his goggles kept him from feeling bored, and he was beginning to suspect that Caleb’s assertion—that his masters put mood elevating drugs into his food—was probably true.

The summer was hot, mercilessly so. Z learned what it was like to work the fields, to sweat beneath the sweltering sun. His job had once been to seek out ‘carbon emissions’ and eliminate them. Now, he was slowly learning that there is more fulfillment in nurturing something than destroying it.

Sweat was new to him. Dirt was new to him. Fatigue was new to him—but then, so was strength. So was self-assurance, and the satisfaction that comes from overcoming one’s own weakness. Z flopped painfully into bed most nights, too exhausted even to dream.

But on rare nights, he would stay up late reading books from the archives. What the printed words said struck him as grim, and extremely fanciful. This was not the history of the world as he’d been taught to believe! But yet there was something about the merciless account that sounded authentic. Genuine …

True.

In the end, of course, it is difficult to monitor the ebb and flow of history whilst also breaking one’s back and sweating nearly to death. Perhaps, Z thought once, that was why so many of the great thinkers in history held slaves: because there is indeed such a thing as being too tired to think! Not that he’d want to be a slave, naturally, and he pitied those who were. But the inverse relationship between mental acuity and fatigue was something he was coming to know all too well.

The summer was passing by with grueling slowness; the next harvest festival still seemed ‘forever’ away. Z had resigned himself to slogging through the hot season with nothing but manual labor and sleep as his companions.

And then, one hot morning, Caleb woke him just before dawn …

***

That afternoon, Z stood before the wall around what had once been his ‘home.’

It seemed strange to revisit this compound after his world changed so drastically, and with such unpredictable suddenness. He almost felt as though the House of Archives had always been his home. His life had become rather quaint, as though Antiquity had slowly resurrected itself. He went to bed every night surrounded by books, each one written and stitched together by hand.

So, learning—as he had this morning—that one of the abandoned, ‘pre-reduction’ buildings had a bank of sophisticated computers in its basement came as a bit of a shock.

That was why Caleb was always so cagey about his affairs. He was not born of the Outsiders; he was like Z. Thus, it fell to him to monitor the doings of the oligarchy, keeping a watchful eye out for threats against his people.

Normally, Caleb asked for no one’s help. He couldn’t even if he wanted to, for most in his circle possessed neither his knowledge nor skills.

But today … Today was different.

Z held up his old goggles, unwilling to don them as of yet. Caleb had lied about having destroyed them; Z wasn’t sure yet how he felt about that. If he put them on, would he be sucked back into the comforting, false reality that had defined his old life? Would the pleasure of being able to control everything he saw slowly edge out everything he’d learned? Everything he’d come to believe?

He’d been offered an incentive to perform today’s task. But did he want it badly enough to do … this?

He would soon find out.

Z walked through the open gate, which squeaked as it moved in the slight breeze; Caleb had also lied about his not being able to get back in. This place had once been a warehouse, he’d learned from the archives. It had a wall around it to protect whatever merchandise had once been stored within. There were dozens of locations like this scattered all over the world, each housing a discreet ‘carbon cleaning’ operation.

He walked toward the sizable building, taking in the sight of the peeling paint and the cracked, wire-reinforced windows. Mental slavery had once kept him chained here like a monkey in a zoo, with never a thought of freeing himself—until her.

They always fall for Ruby.

Z wasn’t the only ‘carbon cleaner’ to have been freed by the Outsiders. Ruby had bravely volunteered to have her likeness digitized into a realistic, three-dimensional entity that could be broadcast into the Stasis goggle. It seemed strange that a young woman to whom he’d never spoken was nevertheless his salvation. She was often within his line of sight, but she’d never approached him—and it would be a breach of manners for him to approach her without the permission of her father. Her words came only to him in song, delivered sweetly at gatherings and in worship.

She was his muse, the innocently alluring phantom that ever haunted his dreams.

And with that one, wistful thought of his redheaded mental paramour, the man called ‘Z’ found his resolve at last. He stepped through the open door of the warehouse, looking around.

There were no rooms, no lobby or foyer. There lay his tattered mattress in the corner, and there was his rusty metal toilet. He walked toward the center of the warehouse, approaching a peeling wooden desk with an old stool in front of it.

He looked down with a sense of utter detachment. The keyboard on the desk was covered in dust. Its wire hung over the side of the desk, attached to absolutely nothing. There was no monitor, no screen; everything was an illusion, a facade created by the goggles that were ever attuned to his senses. The illusion of a ‘workstation’ existed simply to give him a sense of purpose.

He thought he’d been saving the world from ‘climate change,’ benevolently maintaining the planet’s habitability for its happy, content populace.

Caleb had told him the final, devastating truth, and Z knew in his heart that Caleb was right. He’d been taught that ‘carbon emissions’ were an unnatural thing spewed by vehicles and power plants, and that they would poison the earth.

Z held up one of his hands, eyeing it sadly. People are a carbon-based life form, Caleb had told him. You are carbon based. Make carbon an enemy from which humanity needs to be ‘saved’ and you grant yourself control over all life.

As he closed his eyes, Z was not at all surprised to feel tears falling from them. The carbon they want to eliminate, Caleb had said, is everyone that they can’t control. The carbon you directed the satellites to ‘clean’ … was people. Villages full of Outsiders that grew large enough to be seen by satellite—and destroyed by them.

He was a murderer.

He was a murderer on a massive scale, on par with the dictators of the twentieth century. That he killed in innocence made him no less guilty. Isn’t that what drove the great dictators to slaughter so wantonly: the ‘other-ization’ of others? Stripping them of their humanity and thinking of them as mere numbers—or Co2 ‘clouds’ on a screen?

He was a murderer …

And he was here to kill again.

Z walked toward the machine on the west wall of the warehouse, the only thing in the area that wasn’t rusting or decaying. The machine was made of stainless steel, dusty but otherwise pristine. Were he to don his goggles and ask for food, the machine would read his desire. It would then spit out a bland, tasteless bug-protein bar infused with sterilizing and mood-enhancing drugs, which his mind would tell him was delicious cuisine.

The drink dispenser held only water, laced with fluoride to keep him docile.

The water was piped in from an unknown source, but the food was refilled every few years. Z raised his eyes to the giant hopper over the machine, from which his hyper-processed rations had always dropped.

A hopper. They kept his food in a hopper, like an animal’s feeding trough.

The hopper was always refilled from an opening on the building’s exterior … and this by the only human who ever came near IZC-5926. His ‘friends’ were no more real than his tasty breakfast omelets.

It was time for those ‘omelets’ to be replenished …

And to kill the man who replenished them.

It was strange, thought Z, how calm he felt. Killing as an act of self-preservation seemed rather dubious to him, considering that he himself was a murderer.

But killing to protect his home—his people—struck him as righteous. It was odd to feel righteous again. The feeling was familiar, for he’d felt it before as he helped ‘save the earth.’ His righteousness was once based on a lie.

Now, it was real.

Z sat crossed-legged on the concrete floor—still holding his goggles—and waited. He’d fallen for Ruby, and now his path was set; there was no changing it, even if he wanted to.

They always fall for Ruby.

Chapter Seven

The moon was bright tonight, eerily so. It shone through the dirty windows of the old warehouse, creating alleyways of light between invisible high-rises of utter darkness. Z was wearing his goggles now, but felt no need to visually modify the creepy interior of the old warehouse.

When the Outsiders freed Z, Caleb reprogrammed his goggles to continue sending his heartbeat, brain scans, and sleep patterns to … well, wherever they had always been sent. He’d pulled the patterns from Z’s history, and re-played them on repeating loops with just enough variance in the patterns to fool the Artificial Intelligence analyzing the data.

But a little over a week ago, Caleb shut off the data stream.

The small ship heading this way—the one whose flight path showed clearly on Z’s now ‘off the grid’ goggles—could only be coming here for one reason: to ascertain whether he was dead, or simply had a malfunction in his goggles’ ability to broadcast information. Upon finding him alive, they’d change his goggles out while he slept and re-load his poisonous food supply.

Upon finding him dead, one would normally have thought that arrangements would be made for a new ‘carbon cleaning’ attendant. But no, Caleb had intercepted several communications which gave Z a newfound sense of hope: whether its keeper was dead or alive, The Owl’s Nest would soon be allowed to expire. Expanded technology had now given the oligarchs the ability to control the global population with fewer human agents.

Soon, he would be obsolete.

The only ‘x’ factor was the pilot, who could sound the alarm about Z’s escape …

Z smiled grimly, running a hand through his long beard as he watched the dot on the map moving toward the square on the map. As the dot grew closer, he could hear the hum of an aircraft engine outside.

Hunkering down behind the food machine, Z watched grimly as the side door opened. He tapped his goggles, letting it read his thoughts as his words appeared on the lenses and were transmitted immediately to Caleb: His designation is MEB-4835. Override his signal now.

Z watched as his skinny, bald visitor tapped his goggles. The lenses must have ‘hiccupped’ as Caleb overrode their programming with his own; they would now transmit Caleb’s prepared data, no matter what actually happened.

Z tapped the side of his own goggles, thinking so loudly that he could almost hear his own thoughts: Terminate my software now!

His lenses flickered as Caleb initiated the drive-wiping sequence on the lenses’ software. All that remained now was to destroy the hardware.

His visitor turned his head sharply as Z crushed his old goggles beneath his boot. The pilot was standing in a shaft of light, but it was obvious that he was having trouble seeing Z. He tapped the side of his lenses, obviously selecting a ‘night vision’ mode.

Z strode toward him, knowing he was now visible. The pilot was wearing a simple white shift, and he would not be armed; the Masters had long since moved past using armed agents to do their dirty work, since armed agents could also turn upon them. No, the oligarchs now used weapons that came from space, from the sky. And rather than targeting a single person, they simply destroyed everything within the vicinity of the perceived threat.

To kill a single adversary—targeting him, and him alone—is to show respect.

To blow up the region which he inhabits—never once looking him in the face, and killing others with him—is contempt.

Even worse, it is cowardice. But what should one expect from leaders upon whom even Satan would frown? What had the preacher said? ‘Cowards will not inherit the Kingdom.’ If he must destroy all that he had once been, Z at least felt the need to look his adversary in the eye.

The pilot took a trembling step back as Z reached for his face. “Mayday!” he whispered, as if he were too terrified to breathe. “Mayday!”

“They can’t hear you anymore,” said Z mournfully, momentarily revisiting the lovely memory of his own ‘May Day.’

“They … They will come for you!” hissed the pilot as Z pulled his goggles from his face. “You don’t belong here!”

“I did, once,” said Z, carefully tucking the stolen goggles into his pocket. “And you always will. Your ship crashed into the building; the diagnostic data has already been sent and analyzed. You are terribly injured, and almost certainly going to die from your injuries.”

“Why do you SAY these things?”

The pilot’s terrified eyes were a watery shade of gray, like they could never become accustomed to sunlight. There was nothing in his gaze but blind panic, the blank stare of a creature who has never known happiness, sorrow, or love.

It was the stare of an organic computer screen, a machine composed of viscera and arteries rather than a motherboard and circuits. But organic or not, the pilot was still a computer. A machine. The corporeal incarnation of a billion programmed ones and zeros, none of which meant anything in the end.

Every man occasionally looks into the mirror and loathes what he sees. Some even fantasize about reaching into that mirror, and choking everything they hate about themselves to absolute death.

Only when something loathsome dies can it be reborn as something new …

But, thought Z as he wrapped his hands around the pilot’s spindly neck, he himself had done things completely backwards. He’d been reborn before he died, coexisting with his past in an odd sort of limbo.

Now, it was time for his life to come full circle; now, it was time to die—if only by proxy. This is for Caleb, he told himself, and my friends.

He thought for another moment as the pilot gagged and choked, feebly—and ineffectively—thrashing about. His latest thought was powerful, one that he was surprised he’d even dared to think. But he thought it nevertheless: Above all others, Ruby, this is for you.

One cannot kill something that never truly lived, Z realized dully. The thought of any of his friends or neighbors dying was a horror to him; indeed, he’d wept his way through several funerals already. But this?

This was like tossing out a jug of soured milk. He didn’t understand why the Outsiders saved him, but yet condemned the pilot to death. In the end? Their motives made more sense than those of the oligarchs, whether he understood them or not.

Or maybe he did understand them. The village elder had freed Caleb, and Caleb had freed Z. There was a certain symmetry to the triumvirate of liberated ‘carbon cleaners’ …

But the pilot was outside of the line of succession.

He was an anomaly.

As the pilot ceased his breathing, Z lowered him gently to the floor. He felt no sorrow, and no shame; he only felt a sense of relief.

Z reached into his pocket and pulled out his victim’s goggles. He put them on, and covered the pilot’s body with a blanket as he waited for Caleb to attune the goggles to his senses. It would take a moment, for it must be done without betraying the change in biometric input.

You’re good, read Caleb’s message at last. Do it.

Headquarters, thought Z, this is MEB-4835. Do you read me?

We do, read the lenses. What is your status, and what of IZC-5926?

Z smiled grimly, knowing that he was ‘chatting’ with Artificial Intelligence. A self-teaching pattern of annoying ones and zeros in a world polluted by annoying ones and zeros. IZC-5926 is deceased, he thought clearly, watching the words appear on his lenses. I am bleeding profusely, and will lose consciousness soon. May I call for a rescue?

Z held his breath, hoping he’d been wise to count on the callousness of his old masters …

Negative. We lack the assets at the moment. You have served us well, and we thank you for your dedication. The food you were carrying as cargo has painkillers in it, if this comforts you.

Will you be sending someone else to work this outpost? asked Z, praying that Caleb’s intelligence was correct.

We will not, responded the AI model. Terminating all communications in 5 … 4 … 3 ...

Z breathed a sigh of relief as he tapped the lens yet again. It’s over, he thought to Caleb. Give me five minutes, and then do it.

Copy that.

Z crushed the pilot’s goggles under his heel and walked out of the warehouse. Then he walked through the gate in the wall beyond. He kept walking in a straight line, never looking back, knowing that Caleb was forcing major malfunctions in the aircraft docked behind the building.

He didn’t even turn around when the sky grew unnaturally bright, and an explosion rocked the still night air.

It was over.

Why don’t you just blow the aircraft when he arrives? Z had asked Caleb earlier. Program everything yourself, and execute the commands? Why do I have to be there? Why do I have to KILL a man?

Caleb’s answer had initially surprised him, but it didn’t now. Now, he understood. If you want someone to love, then you must prove your ability to protect her. A man who cannot kill when he must is nearly as useless as a man who will not work.

Z shook his head, remembering his shock at Caleb’s next question: I know you can work, Z. But can you kill?

Z walked straight to Caleb’s house. These Outsiders had been wise, he thought, to have settled so close to The Owl’s Nest. Never had it occurred to him to search so close to his own home for ‘carbon emissions.’ He had been their unwitting guardian even if he had killed others.

Z knocked boldly on Caleb’s door, noticing for the first time that his right hand was covered in blood. As the pilot had begun choking to death, he’d also sprung a rather alarming nosebleed.

Caleb opened the door, holding a candle high.

“It is finished,” said Z simply, dully quoting the dying Christ as he held up his bloodied hand.

“I know,” said Caleb, nodding.

“About your promise?”

“I promised you my consent, my friend,” said Caleb, “but there is another whose approval you also require. Please, come in. I’ll make some tea.”

“Thank you,” said Z, crossing his friend’s threshold for the very first time.

“And,” continued Caleb, smiling a little, “I’ll send her mother to wake her up, and to convey your question. Please, have a seat.”

Epilogue

Z stood beneath the summer sun, clad in a simple white shift. He’d resisted wearing it at first, but Caleb had explained to him that to the Outsiders it represented innocence instead of subservience.

Thus, Z had consented to wear it. And he was innocent, he thought nervously. He wasn’t entirely sure as to how to do … well, what he was supposed to do after this. What he so badly wanted to do. Trust Ruby, Caleb had assured him. She knows what she wants from you. She will guide you. Every woman knows her own body, and she knows where to put … you. And do NOT tell my daughter that it was I who gave you this advice! But this is what our elder—my liberator—told me when I married HIS daughter, and he spoke the truth.

Caleb stood beside Z. His beard was braided into a long, red strand that matched Z’s black one. Behind them stood all the women of the village, both young and old.

It was a queer thing, thought Z, that so many cultures had so many differing wedding ceremonies; he’d feverishly studied them in the days that followed the destruction of his old compound. So many different customs, so many varied, oft-repeated rituals …

But in the end, each and every ritual served the same purpose: to bind together a man and a woman, in the eyes of both God and man.

Caleb stood at Z’s side today to offer him to his daughter: Z was a gift from a father to his child. The women stood behind them to make sure that there was no coercion; they were there to bear witness that the young woman accepted her father’s gift of her own accord.

Ruby’s mother stood at the head of the feminine posse, their matriarch du jour. She was black-haired and dark-eyed, which Z found rather strange. Ruby’s appearance, apparently, came mostly from her father’s side of the family.

Z trembled as the door of an abandoned building opened. The building was abandoned because the roof leaked in the winter, but still useful because its brick exterior was a bulwark against the summer swelter during the fair seasons. Its interior was now decorated with rose petals, and there was a cozy bed made up in the one of the rooms …

Z shook his head, willing himself not to think of such things. He would occupy that room soon enough, but that would be ‘then.’

This was ‘now.’

Two people emerged from the building: an old man and a young woman. The young woman held the man by his shaking elbow, graciously allowing him to lead her toward Z and Caleb.

The old man was the village elder, the revered old patriarch who had once served the same role as both Caleb and Z. He was there to oversee the offering of the groom to the bride. Behind him stood many young men; strong men, they were, each one a man of industry and tough moral fiber.

The maidens watched over the groom, and the men watched over the bride. Marriage—and by extension, sex—often mimics war; this reality struck Z as he watched the bridal procession moving slowly toward his immobile entourage. Sex gives life and death takes it, and so both the modesty of the queen and the safety of the king are guarded by those in their respective circles.

The bride’s face was covered; Z could see her face only as a blur through her veil. But apparently the bride could see beyond her veil better than he could see through it, for she walked with sure steps. Above her veil, she wore a tiara of woven flower stems and petals; the flowers stubborn enough to survive the scorching summer heat had now become the crown of a newly coronet-ed queen.

That queen continued her dignified trek forward, until, at last, she stopped before the groom.

The village elder cleared his throat, subtly signaling that someone should speak.

Caleb raised his head and addressed the crowd. “My daughter,” he said clearly, “I offer you this man in my stead, as your provider and protector! I have fed you the bounty of his labor, and given you the cloth stained by the blood from his hands! Do you accept my gift?”

The voice behind the veil was steady, and calm. “I do, Father.”

“Then make your promises, both of you,” said Caleb, taking a step back from Z. “The oaths you take today are between the two of you, and you alone. But know this: this village will hold you to our laws of marriage, whether we have heard your vows or not!”

Everyone took a step back from the bride and groom, leaving Z staring longingly at the veiled young woman. The witnesses all put their fingers into their ears and began humming, signifying that everything said from here on out would be private.

“Well!” giggled the young lady. “Say something!”

Those were the first words she ever spoke to him, words that Z knew he would cherish forever, silly as they were.

“I … I promise to protect you,” said Z awkwardly. “And to work to provide for you, and … and for our children. And I promise to be faithful.”

“You’re allowed to touch me while we talk, you know,” said the bride, holding out her slender hands.

Z took them gratefully. “That’s all I have to say,” he said sincerely. “I hope that’s enough.”

“And I promise to love and support you as you provide for—and protect—our family, and to be faithful as well. Yes, I think that’s more than enough.”

“Thank you.”

“What is your name?” asked the bride.

“What do mean? It’s ‘Z.’ You know this.”

“I mean, your real name.”

Z took a deep breath …

“I was originally designated ‘IZC-5926,’” he said. “It’s not a poetic name, I know.”

“Are you joking? That’s so romantic!”

“What do you mean?”

“If your ‘designation’ is ‘IZC,’” said the bride, “then may I call you ‘Isaac’? I know now that this wedding was meant to be. That name comes from one of the best love stories of all time—my favorite.”

“I don’t understand,” said Z. “I know the name from the Bible, but I don’t understand the importance.”

“Lift my veil,” said the bride. “They’ll announce us as husband and wife—pending consummation, of course—and then I’ll explain.”

Z shook like a leaf as he lifted the bride’s veil …

He stared into Ruby’s emerald eyes, up close for the first time. He scanned her tanned face, dotted here and there with freckles, admiring how pretty her fiery bangs looked over her forehead.

“THEY HAVE AGREED!!!” shouted the ancient elder. “Now we shall sing, as they become one!”

“This is the part I’m afraid of,” moaned Z.

“Hush,” said Ruby, placing a pretty finger over his lips. “Don’t be afraid; I will help you. But do you want to know why I wish to call you ‘Isaac’? Do you want to hear about my favorite romantic story?”

“Yes …”

“My name isn’t ‘Ruby,’” said the bride, leaning in to whisper in Z’s ear. “That’s just a nickname they gave me when I was little, because of my hair. Do you want to know my real name?”

“Yes,” croaked Z, breathing in the aroma of Ruby’s scented tresses.

“It’s ‘Rebekah.’ And that is how I know we were meant to be together, for it was foretold in Scripture.”

“Foretold? How?”

Ruby stepped away, and squeezed Z’s trembling hand.

“Rebekah?” prodded Z, although the new name felt awkward on his lips. “Tell me! Which passage are you talking about?”

Ruby smiled impishly, and leaned toward Z’s ear once more.

“Isaac’s story is not unlike yours,” she whispered. “The Biblical Isaac was mourning the death of his mother, just like you had to mourn your old life.”

“I don’t understand.”

“This is how Isaac and Rebekah’s story comes full circle,” whispered Ruby. Isaac brought her into the tent of his mother Sarah, and he married Rebekah. So she became his wife, and he loved her; and Isaac was comforted after his mother’s death. Your old life is gone; your ‘mother’ is dead. Let me comfort you. Please, let me comfort you.”

“Thank you,” murmured Z gratefully.

He smiled as he half-led and half-followed his soon-to-be-crowned wife toward their bridal suite. As the witnesses began singing hymns behind them, he fondly remembered the casual comment that now seemed oh-SO-prophetic: Looks like he fell for Ruby.

Isaac gave Rebekah an awkward, heartfelt kiss on her cheek as they continued walking.

Yeah … they always fall for Ruby.

The End

Welcome to Shea Ernshaw’s ‘Long Live the Pumpkin Queen’!

I was walking through a department store a couple weeks back, pushing my cart with the new blinds I’d just had cut for the bedroom. I was leaving the electronics section, where I’d just checked to see if there were any cool Nintendo games that I’d somehow missed.

Anyway, the book section is just outside of the electronics section. I don’t generally look at department-store bookshelves, since they’re always stocked with the same handful of cookie-cutter authors who should probably have stopped writing years ago.

But, that day, a single book caught my eye: Long Live the Pumpkin Queen, by Shea Ernshaw. https://www.amazon.com/Long-Live-Pumpkin-Queen-Nightmare/dp/1368069606/ref=sr_1_1?hvqmt=p&mcid=6bce978c039838dfbd3974fa2fc74375

Being a die-hard fan of ANYTHING connected to the classic film The Nightmare Before Christmas, I stopped and flipped through it. Honestly? I assumed that it was a gimmick, probably something that would only appeal to a kid. Besides, I haven’t the foggiest idea who Shea Ernshaw is; the cover says that she’s a ‘#1 New York Times bestselling author.’ But, then, so’s Tom Clancy and he’s terrible.

I was immediately stricken by the lush, dream-like quality of the writing:

Jack leans forward, eyes damp at the edges, and presses his grave-cold mouth to mine—and my seams feel like they’re going to fray and burst, like they can’t contain this swollen, chest-widening feeling rupturing through me. A feeling so strange and unknown and peculiar that it makes me dizzy. Makes my head swim, my legs teeter.

Jack and I are married.

He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I’m certain I’m certain they should bury us both here, at the center of the graveyard. Married, and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids.

The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart.

I am now Sally Skellington.

The Pumpkin Queen.

And I’m certain I will never again be as happy as I am right now.

I closed my eyes for a second, hearing in my mind’s ear the soft moaning of wind through the dead trees as the fallen leaves rustled along the ground. I could hear the werewolf’s mournful howl in the distance, answered by the playful barking of Zero the ghost dog …

Well, that settled it! Into my cart went Long Live the Pumpkin Queen, right next to the blinds.

The book is just as well plotted as it is lushly written. The tension is almost unbearable as the Sandman—escaped from Dream Town—makes his inexorable way through the holiday lands, putting everyone into a deep, dreamless sleep. It falls to Jack Skellington’s new bride to keep the holidays from going forever extinct …

I’ll definitely be reading more by Shea Ernshaw, if for no other reason than her hypnotic use of prose. She’s amazingly talented, and I thoroughly enjoyed her tale—doubly so since it was set in a such a familiar, nostalgic setting. I particularly enjoyed the portrayal of Dr. Finkelstein, fleshing him out as a true icon of evil.

I found only one flaw in the book, which wouldn’t have bothered me except for one thing: By virtue of its subject matter, this book will inevitably appeal to young readers. For a time, a vampire brother fell in love with Mr. Hyde, and a witch sister with the mayor.

There is another, similar reference, which is two too many. Look, y’all, I’ve enjoyed—and even promoted—books that have sexual deviancy as a plot element. But I’m an adult! There is NEVER an excuse to put such references in a book for young readers!

Was that Ms. Ernshaw’s doing? Was she trying to be subtly ‘woke’? Or was it done at Disney’s bidding? After all, John Nolte—one of my favorite journalists—always refers to the company as ‘The Disney child grooming syndicate.’ Whosoever idea it was, inserting such elements into a book peddled to young people is inexcusable.

That having been said, it certainly didn’t ruin the book for me although I wouldn’t give it to a seven-year-old.

All in all, Long Live the Pumpkin Queen was a dream-like, gripping tale reminiscent of the likes of Ray Bradbury or Daphne du Maurier. Five stars!!!

DR. WERTHLESS: The Life and Legacy of Fredric Wertham, M.D.

I don’t usually review books from big names and/or publishers. I prefer to help out the struggling author, the unsung genius trying to find his or her feet in the world of publishing.

But, sometimes—just sometimes—a big-name book really grabs me, and I feel the need to share it.

Dr. Werthless by writer Harold Schechter and artist Eric Powell is just such a tome. https://www.amazon.com/Dr-Werthless-Studied-Murder-Industry/dp/1506744362/ref=sr_1_1?hvqmt=p&mcid=c9a3d9c8d6d73deda9dd804b89eb394d

Dr. Werthless is biographical, non-fiction graphic novel, rendered in a similar style to Schechter and Powell’s earlier Did You Hear What Eddie Gein Done? In fact, the infamous serial killer/grave robber Ed Gein appears in the narrative, as he was interviewed by the title character: the notorious psychiatrist Fredric Wertham.

Dr. Wertham is best known for Seduction of the Innocent, a book that I read as a teenager. It’s no exaggeration to say that Seduction of the Innocent severely crippled and nearly destroyed the booming comic-book industry; comics wouldn’t fully rebound until their second ‘Golden Age’ in the nineteen-nineties. How long did the comics industry flounder in the shadow of Wertham’s hatred for it, you ask…?

Seduction of the Innocent was first published in nineteen fifty-four. But, I’ll get more into that later.

Schechter and Powell do a fine job of telling Wertham’s life story, detailing both his incredible strengths and his deplorable flaws. While I knew—as does every student of comic-book history—about Fredric’s mad crusade against sequential art, there was also a lot about him that I didn’t know.

For starters, Wertham became renowned for his ability to at least interview—if not effectively treat—serial killers. He spoke to them as people, without judgment or fear, and got them talking in ways that other therapists could not. His work with the likes of Robert Irwin, Albert Fish, and Ed Gein shed a great deal of light on the mind of the serial killer.

While he was known for his affability and compassion with murderers, Fredric Wertham was nevertheless poison to his peers. Stubbornly opinionated and often neurotic, he was viewed as brilliant but unstable. Despite his shortcomings, Wertham took it upon himself to start a psychiatric clinic for underprivileged youth in Harlem. Since many of his clients proudly refused to be treated for free, Wertham began charging twenty-five cents per session, earning him the nickname ‘Dr. Quarter.’

The founding of such a clinic—particularly in the nineteen-forties—took iron will and force of personality. For this, Wertham deserves historical acclaim …

Unfortunately, it was his time at the free clinic that led to the manic obsession for which Fredric Wertham will be forever known: his unreasoning, blistering hatred of comic books.

The early fifties was known as the ‘Golden Age’ of comics. Detective Comics (DC) had its vaunted superhero universe. EC Publishing produced some of the finest horror and ‘true crime’ comics ever seen, many of which are reprinted to this day. (The incredibly popular “Tales from the Crypt” television show is based on the books by EC.) Dell Publishing had the rights to Disney characters such as Donald Duck and Uncle Scrooge, as well as many other ‘funny animals.’ Business was booming, and culture-defining tales were being spun on a daily basis.

It’s unclear as to exactly when Wertham’s obsession with comics began, but it appears that it came from his time running his free clinic. He began to link comic reading to anti-social behavior, using an almost laughable formula: Anti-social youths read comic books, therefore comic books cause anti-social behavior. It’s the same flawed reasoning that money-grubbing televangelists such as Jimmy Swaggart and Pat Robertson would later use in regards to heavy metal music, horror films, and role-playing games. (For more on this topic, check out this brilliant interview with my better half: https://www.youtube.com/watch?v=mhxUdyfMdyE )

Wertham’s assertions would probably never have flown today because there was no control group! He never created an isolated group of test subjects to prove his ‘cause and effect’ theory; his ideas were purely anecdotal. Indeed, Wertham’s base assumption—that children are ‘blank states’ and all negative behavior comes from outside influences—was never an idea that he bothered to test. Wertham simply did not believe in the innate depravity of the human heart, and—rather than testing his skepticism—he went on a mad crusade attacking said ‘outside forces.’

Seduction of the Innocent was never extensively peer-reviewed. It was not influential because psychiatrists took it seriously; rather, it was influential because hysterical parents did. Instead of testing his ideas in a clinical setting, Wertham ‘tested’ them in the court of public opinion.

Facing massive pressure from parents, the comics industry soon found itself operating under an onerous censorship regime known as ‘The Comics Code Authority.’ Gone now were most horror comics, and the few that survived were pretty toothless, much like the PG-13 horror films of the nineties before the rise of After Dark Productions and A24 Studios.

Only Dell refused to bow to the CCA, but that was because Dell’s books were fairly tame anyway. Rather than submitting their books for code approval, Dell instead opted to insert its own ‘Pledge to Parents’ inside every cover.

It wasn’t until the eighties that the industry began to push back. DC Comics launched its iconic, adults-only line of comics with such titles as “The Swamp Thing,” “Hellblazer,” and Neil Gaiman’s “The Sandman.” The rules began to relax a little, allowing for darker characters such as Wolverine and the Punisher. Horror and dark fantasy comics slowly crept back with such titles as “Eerie” and “Heavy Metal,” skirting around the code by marketing themselves as ‘magazines’ rather than ‘comic books.’

It wouldn’t be until the nineties—with the founding of Image Comics—that Wertham’s fascist legacy finally got flipped one big, fat bird: Image refused to submit its books for code approval. Honestly, classic books like “Spawn” and the “The Maxx” wouldn’t have been approved anyway, but it was the raw, visceral nature of their storytelling that made them legendary.

Marvel Comics was the last publisher to drop the code in the early two thousands, rendering it officially extinct. Most books today will have some kind of label stating such things ‘Rated T for Teen’ or ‘for mature readers only.’ Books with explicit art usually come in plastic bags, which is common sense.

Still, a once-proud element of America’s unique cultural heritage wallowed in the darkness of censorship for four decades. How many epic tales were never told? Or, if they were told, got watered down so badly as to lose their effectiveness?

Schechter and Powell did a fantastic job of rendering Wertham’s story—both the good and the bad—into a riveting, beautifully-illustrated narrative. Their summary of Wertham’s life and work is spot on: If there is a tragic element to his life, it is that this limitation—his monkey-see-monkey-do view of human behavior—has so thoroughly overshadowed his many admirable traits. Fairly or not, in the world of comicdom, he will always remain …

Dr. Werthless.”

My Ode to Ozzy: A Literary Funeral for a Friend

How the ‘Osbourne Identity’ Was Unlocked

-In July 2010, a “phlebotomist”—whatever the fuck that is—took a sample of my blood and sent it to a lab in New Jersey.

-DNA was taken from my white blood cells, dissolved in salt solution, and then sent off to Cofactor Genomics in St. Louis, Missouri.

-At Cofactor, my DNA was “chopped up” into ten or twenty-five trillion pieces thanks to some heavy-duty shaking. After that, they spelled out all the chemical letters—in precise order—that make me the certifiable nutter I am.

-For the next sixteen days, Cofactor used a photocopier-sized machine—which cost more than three Ferraris, I’m told—to “read” my genome thirteen times over and put it on a hard drive.

-The hard drive with “me” on it was sent to Knome, Inc., in Cambridge, Massachusetts.

-Knome compared the six billion letters in my genome with every other genome on the planet—to find out why the fuck I’m still alive. Then they put all the findings on a little USB stick thing and presented it to me at home.

-While trying to understand what had just happened … my brain exploded.

– Ozzy Osbourne, on having his genome sequenced. (From Trust Me, I’m Doctor Ozzy)

John ‘Ozzy’ Osbourne is no longer with us. The lead singer of Black Sabbath and solo metal icon has, sadly, gone to the Great Mosh Pit in the Sky. I should have written this blog a while ago, but I couldn’t. I couldn’t put my thoughts together, or wrap my head around going forward in life without the musician who provided the soundtrack of my life.

A co-worker broke the news to me, and I immediately hung my head and wept. My favorite boy cousin and lifelong bestie Eric was similarly heartbroken. He went home, hid in his ‘man cave,’ got blasted (Ozzy-style, you know?), and watched Ozzy Osbourne: Live at the Budokan. Me? I hid in the den, wrapped myself in a blanket on the couch, and sniffled through Black Sabbath: The End ...

And, yes, there was ice cream involved.

It’s impossible to talk about Ozzy without talking about my early years, during which his music slowly evolved as a massive influence. The following narrative might feel a bit meandering to some, but it makes sense to me. In any case, to quote the Joker from Batman: The Dark Knight

Here … we … GO!!!

My mother was a religious psycho when I was a kid. No, I don’t mean a ‘Christian’ ; that’d be me. (A crappy one, mind you, but I try.) She was no ‘Christian,’ but she was a ‘religious psycho’ because it made her feel like she was better than everyone else. It also gave her an excuse to exercise brutal, ironclad control over her children’s every word and deed. In the end, it was all about superiority and control; religion was just the means to the end.

So, hard rock and heavy metal were off the table. My mother bought into the ‘Satan hatin’’ hysteria of the eighties, which was fueled by money-grubbing televangelists claiming to represent Jesus while they bowed at the altar of The Almighty Dollar. Jim Baker, Jimmy Swaggart, etc. … Those clowns have a court date in Hell, and, honestly? They keep coming back like toenail fungus. Now, we have Joel Osteen raking in the big bucks while he preaches heresies. And, it’s all preach and no practice to him. Love your neighbor? Use your ‘mega church’ to take in the flood refugees of Houston in their hour of need? Oh, HELL no!!! These are new carpets!

The ‘Satan hatin’’ crowd really was idiotic! Fueled by sleazy TV ‘stars’ masquerading as preachers (many of whom got caught with hookers or busted for embezzlement), parents bought into the absolute DUMBEST conspiracy theories! Your kid loves metal? Pull down his shirt collar; he’s probably wearing a Baphomet amulet. Your kid loves horror movies? He’ll be a serial killer before he graduates high school. Check his room for signs of blood and maybe a few dead bodies. Worst of all, does your kid play ‘Dungeons and Dragons’? Watch for his head starting to spin around while he bazooka-barfs pea soup. Also, check your house for signs of demonic activity. If the spots won’t come off your dishes, your household is probably possessed.

The scary thing is that parents actually bought into this shit! As a writer molded by heavy metal, horror films, and role-playing games, I take extreme offense. For an excellent rebuttal to all this nonsense, check out this podcast starring my long-suffering better half: https://www.youtube.com/watch?v=mhxUdyfMdyE

But, for better or for worse, my parents believed that garbage. They ate it up like pig slop.

Ozzy wrote at great length about how hard it was to deal with protestors and matchstick men masquerading as preachers. I didn’t take that to heart until twenty-sixteen, when my better half and I took a long road trip to Minneapolis, Minnesota to see Black Sabbath during their finale tour.

There was this whole crowd of yahoos on the sidewalk in front of the venue, screaming into bullhorns. “THIS IS THE SONG OF FOOLS!!! YOU ARE ALL HERE TO WORSHIP THE DEVIL!!! YOU WILL BE DAMNED AND BURN FOR ALL ETERNITY!!! WE WILL BUY BACK YOUR TICKET TO SAVE YOUR IMMORTAL SOUL!!!”

My first thought was you haven’t figured out that nineteen eighty-five left without you?

My second thought came from a much angrier place: if those idiots were standing outside one of the Planned Parenthoods, gay bars, strip clubs, or Masonic lodges that we passed on the way to venue, I’d have asked to borrow a bullhorn so I could join them. We would have unarguably held the moral high ground! But, a concert? Raining on everyone’s parade during what might have been the high point of their lives? How many people can say they’ve seen BLACK SABBATH, and these clowns had to shit all over it?!

This scrawny dweeb with a bullhorn got in my better half’s face, which was a mistake; scrawny dweebs should never confront burly, muscled men who weigh an eighth of a ton. That’s just dumb. “YOU ARE GOING TO HELL!!!” he shouted.

My better half didn’t yell at him, and that was bad. When he yells, he’s just blowing off steam. When he speaks in a calm, measured tone he means exactly what he says. “If you don’t get that horn out of my face,” he said with a menacing half-smile, “I’ll shove it so far up your ass that it comes out of your nose.”

Scrawny Dweeb got the hint and backed off. I breathed a sigh of relief, grateful that he didn’t get into my face. It’s one thing to poke the bear; it’s quite another to poke the bear’s mate. My better half would have dragged him out into the street, curb-stomped him into pothole filler, and up-ended his bullhorn over his carcass as a makeshift traffic cone.

It’s one thing to read someone else’s account of being hassled by nutjobs. It’s quite another to have nutjobs coming at you! In real time. In your face. Foaming at mouth and screaming out psychotic ideas that they’re too crazy to ever be talked out of. The experience was unnerving, and I’ll never forget it. I’ll talk about the concert later, because I’ll also never forget THAT!!!

Yeah, this was the garbage that my parents fell for. So, yep! No metal for me.

But, there was my crazy uncle …

My mother gave birth to me when she was sixteen, so when I was old enough to start remembering things (around four) she was twenty. Her baby brother is six years younger than she is, so he would have been fourteen. Letting him babysit me was a ‘measure of last resort,’ but it occasionally happened.

And, my uncle would always bring over a backpack with records in it. I remember the first time I ever heard Ozzy’s ‘Crazy Train.’ I was dancing all around the living room, gleefully head-banging like a pint-sized maniac! “Careful, V!” laughed my uncle. “You’ll make the record skip!”

My uncle was my lifeline. He introduced me to music that reflected the darkness that I felt even at such a tender age. My childhood was defined by brutal verbal—and occasional physical—abuse. I always felt like I was strangling from the ironclad control exercised over my every word, my every move. I couldn’t breathe, and the dark music that my uncle brought over was oxygen. For just a few hours, I felt free. I could breathe again. People were singing thoughts that mirrored my own, and suddenly those thoughts became a lot less scary. Ozzy—and others like him—made it okay to harbor dark ideas about the suffering being inflicted upon me.

I’ve said it before and I’ll say it again: Metal is catharsis. By turning fear and pain into art, fear and pain are robbed of their power over you. Horror films have the exact same effect. Life moved on, and soon I wasn’t four anymore. I was seven…

I loved listening to my hometown rock station, FM99, on my headphones after my mother and stepfather went to bed. As much as I enjoyed their music, it bugged me that they rarely played metal. Oh, they had all the ‘classic rock’ and ‘glam rock’ covered—and I loved both genres—but playing the likes of Black Sabbath, Ozzy Osbourne, or Metallica? You were lucky to get one song a day by those bands. Metal wouldn’t become ‘mainstreamed’ until Metallica released their self-titled album in nineteen ninety-one.

So, I had to get my hands on cassettes. There was no other option.

The only record store with bike-riding distance to me was this tiny shop that sat in what was otherwise a sprawling, empty lot between Sewell’s Point Road and I-64. The window was completely covered in fading, dusty posters of pop, soul, and R&B stars. It was widely rumored that the shop was just a cover for less-than-legal activities, and it was on the bad side of the Five Points intersection.

But, it was a RECORD store!!!

I talked a neighborhood boy into making the initial journey with me, since I was kind of scared of the neighborhood. That wasn’t hard; I was always a pretty lil’ gal (no brag, just fact) and getting a boy to tag along was effortless. He was like, whoa! I get to hang out with V?!

The bike ride was pretty scary, but, times were different then. You didn’t have to afraid in a bad neighborhood until you were a teenager. Gang-bangers didn’t mess with small children. Now? They’ll murder a three-year-old but it wasn’t like that back then. So, we made it to the record store safely. (Notice that I’m not giving the name of the record store? Just in case the owner wasn’t involved in less-than-legal activities, I don’t wanna slander him …)

(That having been said, I’m pretty sure he was.)

So, we walked inside. The owner was watching a flickering black-and-white TV behind the counter. He was a, um, ‘large gentleman of color,’ and he looked at my escort and I like we both had three heads. “Whatchoo lil’ crackas’ DOIN’ in here?!” he demanded.

“Just looking for some tapes, Sir,” I replied politely. (I’ve been called a ‘cracker’ more times than I can count. That’s what it was like to grow up in culturally-divided Norfolk, Virginia. Honestly? It never really offended me. Yes, I’m white. Which—in colloquial terms—makes me a ‘cracker.’ I don’t get bent out of shape over racial slurs. I don’t think it’s any worse to use a racial slur than it is to call someone a ‘big, fat stupid-head.’ An insult is an insult, no more and no less. It’s dumb to elevate one kind of insult over another.)

But, I digress …

A cursory look through the dust-covered records and cassettes made one thing immediately obvious: This record store had a ‘no white artists allowed’ policy. “Sir,” I asked the portly owner, who still looked shocked by our presence, “do you have any Black Sabbath albums?”

“I don’t sell no ‘white people music’!” he proclaimed.

I hung my head, defeated …

And, then his demeanor softened. Despite whatever sketchy business he may or may not have been involved in, he obviously had a heart. “But,” he added, “I do got dis catalogue!”

I perked up as he pulled a phone-book sized catalogue out from under the counter. “You tell me whatchoo want,” he explained, “and gimme fi’ dolla. Come back next week, and I’ll have yo’ tape and you pay the other fi’ dolla den.”

And, that’s how I got my hands on a cassette copy of Black Sabbath’s Paranoid

I did a fair amount of business with that portly black gentleman over the next couple of years. The routine was always the same: bat my eyelashes at a boy to get him to go with me, tremble in fear on the bike ride there and back again, tell the fat man what I wanted and give him ‘fi’ dolla,’ and then repeat the ritual the next week to pick up my cassette.

I kept my cassettes hidden in my closet. If I didn’t, they’d get confiscated and I’d get grounded for engaging in ‘Devil worship.’

It’s funny, when Guns n’ Roses came out with Appetite for Destruction, I went in and ordered a copy. Upon being given the band name the fat man hastily blurted out ‘I don’t sell guns!” Which, of course, immediately told me everything I needed to know. Of course he did! I’ll wager that he had a dozen handguns under his counter (sans, of course, a dozen serial numbers).

But, you know what? I don’t give a shit. He was kind to me and we did a lot of (legal) business. What lawn-mowing money of mine didn’t go to him went for comic books, and thus I was content.

When I was twelve or so, my parents bought me a mountain bike for Christmas that went a lot faster than my dirt bike. I was also getting bolder about venturing further afield, so one day I made the journey to Traxx Records in Ward’s Corner.

Traxx was the TAJ MAHAL of record stores!!! Think Empire Records from the movie by the same name. Suddenly, the angels started singing from the heavens. No more paying ‘fi’ dolla’ in installments; they had everything in stock!

Ward’s Corner is in the Jewish section of Norfolk. The Jews have a synagogue there, and they all live huddled in this one neighborhood so they can walk to the synagogue on nice days without breaking Moses’ law about walking too far on Saturday. I felt much safer because—unless I’m badly mistaken—you don’t often hear about people being robbed by Orthodox Jews.

So, my bike trips to Traxx Records continued until I got my driver’s license at the age of seventeen. And. no, thank God, I never got mugged by a rabbi.

So, what treasures from Black Sabbath and Ozzy Osbourne did I discover during those years? What amazing music did I acquire whilst trembling past gang-bangers and waving cheerfully at Jews on hot summer days?

Lessee …

After Paranoid, I’m reasonably certain that the next album I bought was Black Sabbath’s self-titled debut. Talk about getting blown away, now! The opening track gave me the absolute shivers; it reminded me of the old Universal Studios horror films that I so loved as a kid. What is this/ that stands before me/ figure in black/ which points at me/ turn ‘round quick/ and start to run/ Find out I’m the chosen one/ OH, NO!!! (Fittingly, Black Sabbath takes their name from a horror film starring Boris Karloff of Universal Studios fame. On a side note, I have a pet sugar glider named Boris. Yep, after Boris Karloff.)

Another song that blew me away was ‘N.I.B.’, so named after the shape of drummer Bill Ward’s head which looked like a fountain-pen nib. The rabid ‘Satan haters’ claimed that the name was an acronym for ‘Nativity in Black,’ which would later become the title of a Black Sabbath tribute album. I loved the song because I love any song that tells a story! The lyrics come from a seductive lover wooing a young woman: Some people say my love cannot be true/ please believe me, my love/ and I’ll show you/ I will give you those things you thought unreal/ the sun, the moon, the stars all bear my seal…

But, I love the twist ending. After all the sweet talk and self-adulation, the young lady finds that her seducer is actually the Devil: Now I have you with me/ under my power/ my love grows stronger now/ with every hour/ look into my eyes, you’ll see who I am/ my name is Lucifer, please take my hand …

Cue the BASS riff!!!

That song became particularly poignant in my twenties. Who hasn’t fallen for some smooth-talker that finally tipped his hand and went from being an angel to becoming the Devil?! ‘N.I.B.’ is a timeless tune.

Another album I bought after Black Sabbath was Sabbath Bloody Sabbath. (An album/song title that U2—the worst band ever to have set foot on a stage in my opinion—would later rip off.) The title cut, in my opinion, is Ozzy’s best vocal performance ever. Sabbath bloody Sabbath/ what you gonna do?/ living just for dying/ dying just for you. Recorded in a creepy castle (as described in Ozzy’s autobiography I am Ozzy), the album is a fitting reflection of the drug-addled, dark circumstances under which it was recorded.

I also bought Ozzy’s Bark at the Moon. Honestly? I didn’t like it and I still don’t. But, Ozzy was still reeling from the sudden death of his guitarist Randy Rhoads, and I think he struggled to work with his new guitarist Jake E. Lee. The album was born of a disjointed working relationship, and it shows. Except, of course, for the title cut which is pure GENIUS!!!

I loved that Jake E. Lee used a movable chord for the main riff, much like Zakk Wylde would later do with the iconic balled ‘Mama, I’m Coming Home.’ The lyrics—once again—were reminiscent of my beloved black-and-white horror films. Howling at shadows/ living in a lunar spell/ he finds his heaven/ spewing from the mouth of Hell/ those that the beast is looking for/ listen in awe and you’ll hear him/ BARK AT THE MOON!!! I love the werewolf howl at the end; I always have to do it when I’m singing along. AWOOOOOOO!!! Whoa, whoa, yeah, bark at the moon!

Ozzy’s next release with Jake E. Lee on guitars, however, was NOT ‘disjointed’!!! I have only ever used one word to describe The Ultimate Sin: ‘elegant.’ My favorite song on the album is ‘Killer of Giants,’ but, honestly? Like Pink Floyd’s The Wall or Iron Maiden’s Brave New World, I can never just listen to one or two songs. I MUST let the album play all the way through!

Then came No Rest for the Wicked

THAT was the first Ozzy album to feature guitarist Zakk Wylde, who is, um, yeah, kind of a demi-god in my household. Zakk went on to become the front man for Pride and Glory and Black Label Society, and he also released two brilliant acoustic albums under his own name. What’s cool, though, is that while Zakk would go on to become an incredibly nuanced musician, No Rest for the Wicked is an amazingly raw piece of work. Ozzy’s iconic voice played off of Zakk’s heavy riffing, and the world was handed a slice of heavy metal at its absolute finest.

Then came No More Tears ...

Good grief, y’all! Can you imagine a world without ‘Mama, I’m Coming Home’? The one track that always hit me hardest was ‘The Road to Nowhere.’ I’m still haunted by lingering ruin that was my twenties, and Ozzy sung quite eloquently about the topic: The wreckage of my past keeps haunting me/ it won’t leave me alone/ I still find it all a mystery/ could it be a dream?/ the road to nowhere leads to me …

So, yep, that’s the hodge-podge of albums that I bought from the fat black man and Traxx Records. But, it didn’t end there. When I was seventeen, Ozzy released Ozzmosis. I can’t even BEGIN to tell you what that record meant to me and what a profound influence it was during my late adolescent years. Me n’ my favorite boy cousin Eric used to sing along to it for hours. We weren’t izzackly ace singers, but, that’s okay. Music is about participation, not perfection; it’s about enthusiasm, not operatic training. I don’t give a shit if you sound like Bob Dylan, just go ‘head and sing! I don’t mind. I’ll sing along with you!

So, let’s switch gears here …

I’ve often said that Ozzy Osbourne’s/ Black Sabbath’s music is the soundtrack of my life. Why? What moments during my short existence could have conjured such music into the forefront of my brain?

Lessee …

‘Crazy Train’ – I remember jamming around my living room at the age of four or so, and I asked my crazy uncle ‘what did Ozzy say there? I didn’t understand.’ So, my uncle explained that the lyric was mental wounds not healing. I didn’t understand that either, so he had to explain what ‘mental wounds’ were. At which point I sat down on the carpet and mournfully replied, ‘yeah, I got those.’

I’ll never forget the look on my uncle’s face. He knew how crazy his sister was and he tried his best—particularly during my adolescent years—to shield me from her relentless abuse. ‘Let’s order a pizza, kiddo,’ he said kindly. ‘Your mom said we could.’

‘Miracle Man’ – Ozzy penned the lyrics to this one after televangelist Jimmy Swaggart got busted with a hooker. Miracle Man got busted! I found the song quite cathartic. Suddenly, one of ‘Satan haters’ who caused me so much pain got his just desserts. Jimmy Swaggart fanned the flames of the anti-metal movement, blaming Ozzy’s song ‘Suicide Solution’ for a tragic teenage suicide. Even a cursory glance at the song tells you that it’s a song about alcohol addiction and not an endorsement of suicide: wine is fine/ but whiskey’s quicker/ suicide is slow with liquor/ take a bottle, drown your sorrows/ then it floods away tomorrows/ evil thoughts and evil doings/ cold, alone, you hang in ruins/ thought that you’d escape the reaper/ you can’t escape the Master Keeper.

Jimmy Swaggart fucked up my life just like he fucked up Ozzy’s. I was quite happy to hear that ‘Miracle Man’ GOT BUSTED!!!

‘Mama, I’m Coming Home’ – Yes, this is just a pretty ballad to most people. But, it has much more meaning to me. A few times a month, my better half stumbles home from work looking like he’s been run over by a truck. He’s pushed himself to the limit and he’s finished. When that happens, my world comes to a complete stop. It doesn’t matter what I wanted to write or what I meant to do that evening; the head of my household is down for the count and now I’m ‘up.’ I know my place. Genesis says that ‘the Lord God said “it is not good for man to be alone; I will make a helper who is suitable for him.”’

I’m not the ‘mover-and-shaker’; I’m the helper. My better half always gushes with gratitude when I take care of things after he’s been busted to shit; he always tells me he looks forward to coming home. It scares me when he comes home in such a condition because he’s not the same strong, happy-go-lucky guy who left for work that morning. That’s when Ozzy’s song springs to mind: Times have changed/ and times are strange/ here I come but I ain’t the same/ Mama, I’m coming home.

My role was assigned at the beginning of Creation: ‘a helper who is suitable for him.’ His was assigned at Creation as well: ‘subdue the earth.’ If either one of use fail to do our jobs? Another line from Ozzy’s song will come true: selfish love/ yeah, we’re both alone/ the ride before the fall

That’s probably anti-feminist but I was never much of a feminist anyway. God ordered this world to work in a certain way, and men and women were both created for specific purposes. I know mine. When I peep through the kitchen curtain and see the head of my household stumbling out of his truck, I think here I come but I ain’t the same

He thinks Mama, I’m coming home.

And, that’s marriage. To understand your place in Creation leads to a happy relationship. Fighting against your place in Creation leads to being alone, embittered, and wondering where the hell all the good men went.

I’m not alone and I’m not embittered. ‘Mama, I’m Coming Home’ is also one of my favorite songs to play on guitar. When I was first learning to finger-pick that was one of the first tunes I figured out. And, I’ll never forget Ozzy’s profound lyrics until I either croak or go completely senile.

‘I Just Want You’ – There are no un-lockable doors/ there are no un-winnable wars/ there are no un-rightable wrongs or un-singable songs/ there are un-beatable odds/ there are no believable gods/ there are no un-namable names/ shall I say it again/ there are no impossible dreams/ there are no invisible seams/ each night when they day is through/ I don’t ask much, I just want you.

People have often asked me why I love that song so much when it says ‘there are no believable gods.’ To me? Even as a Christian, that lyric makes perfect sense. A deity, by definition, is unbelievable. That’s why we’re rewarded for having faith; we found the strength to believe the unbelievable. Ozzy spoke the truth: there are no believable gods.

But, this song has always held an even deeper meaning for me. When I started dating my better half it always played in my mind’s ear. Yeah, I’m told I have a near-genius IQ. What the fuck ever. If I do indeed possess all the smarts that my educators said I did, it still doesn’t mean a damn thing. Everything I know is a drop in the bucket compared to all that there is to know.

I didn’t know any more when I was dating my better half than I do now, but I did know this: I wanted that relationship to be my last. No more fooling around, no more mistakes, and no more disappointments. Each night when the day is through/ I don’t ask much, I just want you.

I got what I wanted. Life is good!

Honestly? I could go on forever. Ozzy Osbourne was a profound thinker but he always delivered his profound thoughts in a blue-collar, relatable manner. His sense of humor was amazing, as was his humility. He made a boatload of mistakes (like, you know, going on a forty-year bender) but he always readily admitted to them. When his album Ordinary Man came out, I slowly began the mourning process: I’ve been the bad guy/ been higher than the blue sky/ but the truth is I don’t wanna die an ordinary man. (That was a duet with his longtime friend Elton John, by the way.)

After Ordinary Man came Patient Number Nine. Patient Number Nine was fitting finale for our beloved Prince of Darkness. The songs were all co-written with a ‘who’s who’ of epic guitarists. Zakk Wylde, Toni Iommi, Eric Clapton, the late, great Jeff Beck … That album was INCREDIBLE!!! But, it was also haunting. You could hear Ozzy facing his own upcoming demise. I love the song ‘Mr. Darkness’: Dear Mr. Darkness/ I write you again

Who hasn’t felt so low that he feels like his only solace are his own dark thoughts? While Ordinary Man was a fairly even-tempered album, Patient Number Nine was heavy as HELL!!! Talk about throwing a hand grenade through the door on your way out.

In twenty-sixteen, I saw Black Sabbath in Minneapolis, Minnesota. It was worth the road trip and it was worth fighting past the bullhorn-wielding idiot who nearly got himself snapped in half by my husband. To hear the First Voice of heavy metal shouting ‘GOD BLESS YOU ALL’ and demanding that you clap along with him, well …

I clapped. And, clapped and clapped until my arms felt like rubber. And, then, clapped some more. That’s the magic of the legend that was Ozzy Osbourne. Seeing him live didn’t feel like a concert. It felt like a party, and he was your enthusiastic host! He made it his duty to ensure that you had a wonderful evening and you left his party with a wide grin. He once wrote about that: ‘That’s what I do. I’m an entertainer.’

Yes. Yes, he was!

Shortly before his passing, Ozzy rejoined Black Sabbath for a finale concert. Who’d have guessed that he was giving us his two-week notice? But, that was the Oz-man for you. I waited a while to write this blog because I needed to recollect my memories to give that ol’ bat-eating maestro a fitting tribute. One does not simply take the entire soundtrack of one’s life and then re-arrange it into a neat blog in one day …

I didn’t start writing until I stopped crying.

That’s what Ozzy wanted. As he wrote in Trust Me, I’m Doctor Ozzy: I honestly don’t care what music they play at my funeral—they can put on a medley of Justin Bieber, Susan Boyle, and “We Are the Diddymen” if it makes ‘em happy—but I do want to make sure it’s a celebration, not a mope-fest. Also, it’s worth remembering that a lot of people on this earth see nothing but misery their whole lives. So by any measure, most of us in the Western Hemisphere—especially rockers like me—are very lucky. That’s why I don’t want my funeral to be sad. I want it to be a time to say ‘thanks.’

I’m trying not to be sad. I’m trying to remember the wise words of Dr. Seuss: ‘Don’t cry because it’s over. Smile because it happened.’ On a final note, I will leave all you lovely readers with this: a few thoughts on death sung by the Man Himself. Don’t cry, just sing along. That’s what Ozzy wanted you to do. That was his final wish, and I for one honor it.

As the iconic playwright Jack Thorne once wrote: ‘Those we love never truly leave us. There are things that death cannot touch.’ It is impossible to write about Ozzy without mentioning his well-documented foibles, and I have. But, as Jack Thorne also wrote: ‘They were great men, with huge flaws, and you know what—those flaws almost made them greater.’

Rest in peace, Old Friend. https://www.youtube.com/watch?v=-9yYJ6ZAYns&list=RD-9yYJ6ZAYns&start_radio=1

Welcome to ‘Lessons on Seduction’!!!

The year was 2020 …

I’d just been signed on with a respected romance imprint. The first book I ever read from said publisher was one written by my good friend Estelle Pettersen, who took the gig just before I did.

We were both ‘newbies,’ you know? I’ll always have a soft spot for Estelle because of that. We were both trying to find our feet in a new world, and working together made us more confident. Estelle asked me to read her script before it was released.

Naturally, being the good ‘wing gal’ that I am, I did. This is how it opens …

Look, y’all, I ain’t gonna mince words here. There’s a certain dissonance when it comes to art. I adore horror films, but I am not in the least inclined to run out and kill someone. I like sexy stories, but they don’t make me toddle out and cheat on my better half. Honestly? That’s why I love Estelle. She’s never said ‘boo’ about my sadistic tales; she just takes them in stride. I don’t judge her any more than she does me. I don’t write tales that hit the top of the ‘erotic’ scale, and Estelle doesn’t drown the world in literary blood. I’m violent. She’s erotic. And, honestly? It’s all just ‘pretend,’ both the blood and the blowjobs.

If erotic stories have a ‘cause and effect’ impact on you – if ‘Lessons on Seductions’ will tempt you to do something immoral – then don’t read it. It’s funny, though. Estelle’s public bios paint her as a loving ‘family woman.’ I know her; she’s a devoted wife and mother. (And, yes. I have a policy of never saying anything about a fellow author that the author hasn’t already said to the reading public.)

‘Lessons on Seduction’ is a fantasy, nothing more. The author—like me—is detached from her fantasies. Much like my own brutally violent fiction, this tale is just an escape. We authors LOVE to write about things that we would never do in real life! I would never harm anyone—brutally or otherwise—and I’m reasonably certain that Estelle would never wreck her happy home with grossly inappropriate sexual behavior.

That having been said, ‘Lessons on Seduction’ a ROCKIN’ tale! The opening made be blush. Bad writing elicits no response from me whatsoever, blushing or otherwise, but that’s not ‘Lessons’ …

Sapphire, the leading lady, is a complete skunk. She has the morals of an alley cat. And that’s what makes her story SO much fun to read! Her tale is a deliciously naughty one. Remember, this is fantasy. Not real life. I found Sapphire to be a very engaging leading lady; in fact, I think it was her shameless amorality that made her such a standout from other romance heroines, including my own.

Julian, the leading man, is cut from the same cloth as Sapphire. It is no small task, molding a yahoo who generally thinks with his second head into someone truly likable. But Estelle does. Julian’s evolution of character is subtle; the shifts in his thinking are so gradual that you don’t notice them. Then, when you’ve finished reading, you look at who he is at the end of the book compared with who he was at the beginning. Only then does the contrast hit you.

The ending—the last few paragraphs—really sticks the landing. Skunks don’t run around behaving like skunks and then miraculously earn a ‘happily ever after.’ Not in real life, anyway, but this is a story. Sapphire and Julian’s happy ending reads beautifully. (And, no, that’s not a spoiler. Romance—erotic or otherwise—by definition always has a happy ending! If a love story doesn’t have a happy ending, then it’s just a love story and not a romance. See also Titanic, or maybe Romeo and Juliet.)

What I loved most about this tale is how Estelle artfully inserted profound thoughts even if they were woven throughout all the sexual hi jinks! That is truly indicative of great writing. Great writing doesn’t just tell you a story; it also makes you think. It challenges your ideas and your belief system.

‘Lessons on Seductions’ is a great book. Full stop. Yeah, read it with caution or maybe don’t read it at all if it will tempt you to do something wrong …

But, honestly? If you can handle it, it’s a damn good story. Five stars. I THOROUGHLY enjoyed it!

IF YOU DARE TO READ ‘LESSONS ON SEDUCTION,’ YOU CAN FIND IT HERE!!! https://www.amazon.com/Lessons-Seduction-Estelle-Pettersen-ebook/dp/B08BKRPF63/ref=sr_1_1

An Interview by Andrea Miles Rhoads!!!

Andrea Miles Rhoads was a both dear friend of mine and a ferociously effective mentor. Her clever marketing landed me not one but three bestsellers: ‘Haunting at the No Return Hotel,’ ‘Genesis Rising I: The Children of Apep,’ and ‘Genesis Rising II: The Angel and the Beast.’

Honestly? I miss her most as a friend and mother figure. Andrea was quick to ‘get after me’ when I messed up, and quite stern about telling me what I needed to do in order to become the author that I wanted to be. But, behind all that business-like sternness beat a heart of the purest gold. Andrea cared about me as a younger author, and she never wavered in her belief that I was tough enough to evolve into the writer that I so craved to become. Working with her was like working with one’s mother: the perfect balance of love and discipline.

Why discipline? Because Andrea possessed something that I lack: Marketing skills. I had to be molded into something that I was not, and she made doing so her mission.

Andrea’s passing was sudden and heartbreaking. Like my fellow author Gerry ‘Alan’ Souter and my poet friend Chris Taylor, not a day goes by that I don’t mourn her. But, as Dr. Seuss put it: ‘Don’t cry because it’s over. Smile because it happened.’

I’m smiling. Sadly, some days, but still smiling. Andrea would have sternly ordered me to smile, and then given me an ass-chewing if I didn’t. And, then she’d go on to tell me how awesome I was even if I didn’t believe that myself.

What follows is an unreleased interview with me that Andrea did, meant for one of her newsletters. Sadly, it was never published. But, Andrea always did tell me that my biggest marketing strength was my ability to be a ‘ham,’ at least when I could hide behind a keyboard.

So, here’s me … answering a few questions from one of the greatest women I’ve ever known. Andrea left the world a better place than it was when she came into it. I – and many authors like me – will testify to this.

So, without any further ado …

AMR: Where did you grow up and do you still live there?

Sadly, I don’t live there anymore. I do miss the ocean! I was born and raised in Norfolk, Virginia, USA.

AMR: When you were younger, what did you want to be when you grew up?

I wanted to illustrate comic books as a teenager. I made fair amount of money in graphic design, advertising art, and portraits in my younger years. I was accepted by the Joe Kubert School of Animation and Art … and then I second-guessed myself. I was like, those artists spend fifteen hours a day hunched over a drawing board! Is that really how I wanna live?! So during my later years, I gravitated toward writing. It struck me as a more direct form of self-expression.

AMR: Where do you see yourself in 10 years?

Honestly? Dead. The world is blowing itself up even as I type this, and I’m not naïve enough to believe that I’ll escape the fallout. But as Michael Ende—the author of the iconic The Neverending Story—put it: ‘That is another tale, and shall be told at another time.’ In the meantime, God blessed me with a wonderful life. When it’s over, it’s over. I love the quote from one my favorite films, The Village: ‘We are grateful for the time that we have been given.’

AMR: When did you start writing and why?

I was in my teens. I fell in love with the works of Ray Bradbury, Mark Twain, and Daphne du Maurier. But I was still mostly an artist back then, so the writer that bridged the gap between writing and art for me was J. Marc DeMatteis—a comic-book writer. J. Marc’s writing brought Sal Buscema’s art to glorious life, and that’s when I began to examine the written word. Sal Buscema I already understood; he was an artist, like me. But there was something about J. Marc DeMatteis’ storytelling that I found very intriguing, and wanted to further explore.

AMR: What is your favorite movie?  How many times have you seen it?

I have three: The Lion King, The Crow, and Natural Born Killers. Honestly? They never get old. I’ve seen all three at least a hundred times, maybe more.

AMR: What genre do you write?

ALL of ‘em!!! Literature is just one big, exciting adventure for me. There’s always some new frontier, you know?

AMR: What is your favorite book or character that you have written?

I have two favorite characters. Jillian is a werewolf, and she was featured in “Renewing Forever” and “Beginning Forever,” both published by Black Velvet Seductions. And then there’s ‘The Dark One.’ I ain’t spilling the beans quite yet, but you’ll meet him soon enough! (V’s Note: ‘The Dark One’ appears in ‘Genesis Rising II: The Angel and the Beast.’)

AMR: Do you have a new release coming out? What is the title and genre?

I have book one and book two in a series entitled Genesis Rising. The genre is dark fantasy. The titles are The Children of Apep and The Angel and the Beast. The contracts haven’t come in yet, but I think I also have two short stories on deck: a sci-fi romance entitled “Talitha,” and an erotic romance entitled “Behind the Wall of Sleep.” (V’s Note: Both of the anthologies in which those stories first appeared are out of print, but both tales have been re-published in ‘Even in Madness.’)

AMR: What are your rituals before you start writing?

Drink a lot of beer. DON’T judge! I’m working on that … (V’s Note: I’m trying to recover from alcoholism now …)

AMR: Who is or are your favorite authors? Favorite Book?

Mark Twain’s Huckleberry Finn, Ray Bradbury’s The October Country, and Daphne du Maurier’s Rebecca. I re-read all three every year. And yes, that’s my triad of literary idols!

AMR: Fun facts about you?  Or unusual thing about you.

I like tartar sauce on my omelettes. I’m also a huge fan of musicals, despite my well-deserved reputation as a metal chick. Phantom of the Opera and Hairspray are two of my favorites!.

AMR: What words of wisdom would you give someone wanting to become a writer?

Don’t do it. Seriously. It ain’t worth it. But if you MUST do it, well … go ‘head and PM me. I may have some advice for you! Being an author is both a blessing and a curse. It’s best avoided if possible, but yeah, if it’s your curse—and you can’t escape it—I’m here for you!

AMR: If you had 2 hours to talk to whoever you wish alive or dead, who would it be and why?  And what would you talk about?

Jesus. Humans cannot truly create; we can only re-arrange the elements of that which has already been created. I’d like to sit down with the true Creator—BEFORE I kick the bucket—and ask Him what that process looks like.

AMR: Anything additional you wish to add?

DON’T write because you wanna be rich and famous! It ain’t happening. Trust me, I would know. If you wanna be rich and famous, go screw some Hollywood producer and hope that he puts you into a movie. Good luck with that! Not the screwing part, of course; that’s easy. The ‘being put into a movie’ is the hard part, and may require repeated screwing.

Write because you want to, and for no other reason. Write because you have stories to tell. Write because you hope that your words will inspire a young person. Write because you can’t imagine what your life would like if you weren’t a writer. Whatever your reason … just write! Writing is pure. Writing is clean, and comes from an altruistic place in the human heart.

If you love stories—if you love the written word—you must write! The world is desperate to hear what you have to say, whether they realize it or not. The social-media haters might say otherwise, but hey …

F**K ‘em!!!

And that’s it. If I were to keel over right now, I think those would make fitting last words for my tombstone.

I mean, there’s even an F-bomb in there …

May God rest the soul of Andrea Miles Rhoads. Sleep well, my friend. I’ll be seeing you soon enough. – V

Meet Dirty Space Groove!!!

LADIES AAAAAAND GENTLEMEN!!!

Boy howdy, do I EVER have a different sort of band for you today! You know how we all have our own quirky record collections? How most of us have a lot of our favorite genre and then we have a little something of everything else?

Imagine a band that somehow managed to put ‘everything else’ onto a single record …

That band would be DIRTY SPACE GROOVE!!! My new friend Dave Neri was kind enough to have a chat with me, representing his band and explaining some of the ‘stories behind the songs.’

So, without any further ado …!

K, here we go … Dave, can you tell us about Dirty Space Groove and how you got together?

Okay, about three years ago, MTK3 the vocalist posted for a side project band on Mondays. I knew of him from his prior band Kocosante, they were very popular and he’s is a great front man, I was in between projects at the time, so we met up with former drummer Marc from another local band Toasted Marshmallow Zombies, clicked immediately, and began writing songs that night

MTK3?

Mike Thomas Kennedy the Third. This is his stage name

Ah! For our readers, what is your local area? I like to know where my favorite bands are so I can show up, get hammered, and usually land myself in trouble!

We are in south Florida

Lucky … I’m freezing my patootie off at the moment! I’d like to chat about this MTK3, if we may. I’m listening to the single ‘Nancy’ as we’re talking. VERY unique singer! The first thing that comes to mind is ‘edgy nerd rock.’ And I DO hope he takes that as a compliment! See also Michael Stipe of R.E.M. and, of course, Geddy Lee of Rush. I’d be curious as to what drove him toward his unique singing style when rock in general seems to have gravitated toward darker, snarly vocals. Can you share a little about that?

Well, when we got together we were going to write heavier material, but I write more of a dark pop kinda rock style with melodies, so I brought this. MTK3 changed his normal style and really brought that unique voice you hear now. Most people say he sounds like Ozzy, or we sound like Faith No More meets the Red Hot Chili Peppers. But, he really learned a new way to sing, and it’s been really good to be able to stand apart from what is going on and focus on new sounds and vocal melodies

I also hear echoes of Rob Halford. ‘Nancy’ is a pretty heavy song, and the note at the beginning of the video talks about mental illness. Is that a running theme in Dirty Space Groove’s music?

No , we all have family members that fall into all of the categories of mental illness discussed in the opening segment of the video. I worked in memory/ Alzheimer’s care for a while and it really broke my heart, but our music jumps to different genres from we want to party to until the world ends or the climate/ pollution issues just being straight up silly. (V’s note: Yeah, ‘climate change’ is just fuckin’ silly. It’s called ‘weather,’ dipshit!) So, there’s really no path we follow when writing; whatever comes out comes out. We like to play around with the whole ‘alien’ thing; it’s fun, and we’ve all had encounters for our whole lives. When you hear our EP on iTunes you will see how different each song is.

Alzheimer’s really is heartbreaking. Yes, ‘diverse’ DEFINITELY describes Dirty Space Groove! A lot of bands would chase me down and beat me with the mic stand for saying this, but I’m hearing a definite eighties pop influence. Echoes of Wham!, A-Ha, and David Bowie, you know? And, also excellent use of pianos and keyboards. Was it deliberate, adding those elements to the music or did it just kind of evolve?

With My Sweet Space Dream, we did want the eighties elements, the Miami sound, KC and the Sunshine Bands horns, electronic drums reminiscent of the drums on Miami vice, and a bit of the Latin flair. You have a good ear. The synths are played by Carlos we played together in a band prior. I always play with synths, keyboards rather than another guitarist to open up our musical pallet and more soundscapes.

When our good friend Cheri Belfiore-Kane first sent me your music, that was the one thing that really blew me away. Most bands tend to revolve their music around one or two elements, whether it be vocals, lead guitar, bass, etc. With Dirty Space Groove, no one element jumps out … which somehow makes them ALL jump out—perfect balance. You don’t often hear that; I honestly think that’s what made Guns N’ Roses such a once-in-a-lifetime phenomenon. So, how do y’all write? Is your process structured or do the songs come from jam sessions? Do one or two of you write and the band fleshes it out, or is everyone involved from the get-go? DO share! I’m always fascinated by the writing process.

It’s different with every song. We all bring elements to the songs; someone will have a riff or a complete song and bring it in, or we take some elements from jam sessions that we play every night as a warm-up before rehearsal. But, everyone brings their style to the songs and we all write and play multiple instruments so we have many songs

Wow … I really appreciate the bass and drum players. They almost sound like different musicians with every song. It’s very tempting, I think, to settle on a ‘pet’ set of riffs and tempos. Do y’all do your own sound mixing, or is that subbed out to a studio?

Nancy and My Sweet Space Dream was played by Marc, our first drummer. The rest of the EP was a drummer named Alfredo; he has since left the band and we are working with a new drummer: Jeremy Staska. https://www.discogs.com/artist/261969-Jeremy-Staska from Studio 13; he also co-produced the EP with us and played some Latin instruments on it. Jeremy also mixed the EP and mastering was done by https://coladamix.com/ . We brought our good friend Oski Gonzalez https://www.facebook.com/oski.gonzalez.10 in to play congas on a few tunes, so we have an amazing team behind us.

Indeed you do! Tell me, who made that GORGEOUS video for My Sweet Space Dream? It SO reminds me of one of my favorite films: Heavy Metal!

That was made by Odette, the bassist David’s wife. It is very electric and eye-catching; she did an amazing job. Heavy Metal is one of my favs, too, I seen it in the theater when it came out. The song is about someone that is obsessed with Lady GaGa (Stephene) and he can only see her in his dreams.

Lucky! My mother wouldn’t let me see Heavy Metal when it came out. And, wow! Dreams are a running theme in my writing; I often think we don’t attach enough importance to them. Speaking of theaters, I’m told Dirty Space Groove has a major event coming up?

Yes, we are playing two nights at Deafstock, the first of its kind event to help all walks of life enjoy music and celebrate life.

https://deafstock.org

deafstock.org

Nice! I once knew a deaf fellow who loved going to metal shows. He said he could feel the beat even if he couldn’t hear anything, and he loved the energy. And, that does kind of sound like the first of its kind. How did Deafstock come to be?

This is taken from the page Story of Deafstock Music & Art Festival About Deafstock, Inc.: ‘David Ritchey, a passionate advocate for inclusivity in music and art, founded the Deafstock Music & Art Festival to bridge the gap between the Deaf and hearing communities. Inspired by the idea of Woodstock and frustrated by the lack of accessibility at traditional events, David envisioned a festival where everyone could enjoy music and art together for all walks of life. One evening at a local music festival, David felt frustrated by the lack of accessibility for Deaf individuals. This idea inspired him to create the Deafstock Music & Art Festival, where Deaf and hearing people could enjoy music and art equally. He envisioned a three-day festival with visual art installations, live performances with sign language interpreters, and tactile experiences. David assembled a dedicated all-volunteer team and faced numerous challenges, including funding and skepticism. They launched a successful crowd funding campaign and secured a spacious, accessible park for the event. Partnering with local Deaf and hearing artists, they also incorporated innovative technologies like vibrating dance floors and visual light shows. Deafstock features visual art installations, live music performances with sign language interpreters, and tactile experiences that let Deaf attendees feel the music through vibrations. The festival celebrates the talents of Deaf artists and musicians, providing them a platform to showcase their work. With the inaugural event set for April 2025, Deafstock aims to create a vibrant, inclusive environment. David and his dedicated team have worked tirelessly to bring this vision to life, transforming a spacious park into a celebration of music and art for all. Join us as we break down barriers and foster unity through the power of creativity.’ I seen his post on Facebook about five months ago, and we said we have to be a part of this event. We help out any organization that is for the betterment of humans and brings awareness to any worthwhile cause. We were the first band to apply to play.

Truly a noble cause! Rockers are and have always been the most charitable people I know. Always looking out for others! So, what’s new on the horizon for Dirty Space Groove? What does the far future hold?

Well, we are working with Irongate records, we are putting together a tour, and going back to record another six songs. We’ll have new videos and we’re looking forward to connecting with new fans around the world

WOW! Full speed ahead and damn the torpedoes! I for one—to quote Senator Palpatine—will be watching your career with great interest! So, before we wrap up, I have one final question for you. I always ask this one because I think it’s the most important question: What advice would you give a young/aspiring musician?

Learn about the business part as much as the music part. Be yourself and don’t follow trends. Write, write, and write music. Get knowledge on publishing and all aspects of the biz. Collaborate with other artists, and don’t be a dick!

‘Don’t be a dick!’ LOVE it! And, I absolutely agree about learning the business end. I struggled with that as an author but I had some great mentors, as I’m sure you did, too. Thank you, Dave, so much for your time today! Here’s wishing both you and Dirty Space Groove ALL the best going forward!

Thank you, Virginia.

You are most welcome. Cheers!

CONNECT WITH DIRTY SPACE GROOVE ON FACEBOOK: https://www.facebook.com/DirtySpaceGroove

CHECK OUT DIRTY SPACE GROOVE’S VIDEOS! https://www.youtube.com/@dirtyspacegroove

Welcome to ‘Lilah’s Limit’!!!

“You were right, Mommy. He’s an angel. God did touch him with his finger! Look at the beautiful scars …” – Line from Suzanne Smith’s Lilah’s Limit

Was there ever any doubt that Suzanne Smith is the Queen of Dark Romance?

Well, in case you missed the memo … yeah, she kinda is. https://virginiawallace.com/2021/03/03/a-chat-with-suzanne-smith/

This is the epitome of dark romance, a gothic masterpiece reminiscent of Mary Shelley and Anne Rice with a dash of Daphne du Maurier thrown in.

Taking place in New Orleans in eighteen seventy-one, Lilah’s Limit is set in the world of New Orleans’ brothel scene. It’s unnerving to think that—in the United States, of all places—there would be human trafficking organizations operating in broad daylight. But, yes, that was actually the case.

What makes Lilah’s Limit fascinating, though, is not the evil setting of the tale. What makes it truly shine in the amazing characters blossoming within said setting—the good, the bad, and the morally ambiguous.

And, if I had to describe Suzanne Smith’s characters –all of them—with simple phrases, it would be these: ‘morally ambiguous’ and also ‘scarred.’  It is very, very difficult to separate her characters from the wickedness that molded them. Some rise above their pasts, and some wallow in them. One of the most vile characters I’ve ever read is the calculating, diabolical Madame Cheney—a sociopath who traffics in the flesh of women less fortunate than herself. Her introduction is positively chilling: (Renault) looked at her incredulously. It was obvious she had no qualms about her immoral role as a flesh peddler. She talked about her girls as if they were unfeeling, mindless horses she was trying to sell rather than sentient human beings. While her dehumanizing and solicitous manner irritated him it also made him a little envious. How he wished he could be like her and shove his conscience aside. Take pleasure in his sinful behavior without feeling an ounce of guilt.

Renault, the leading man, is fascinating character. It was no small task, turning a common whoremonger into a romance hero. He’s the perfect counterbalance to the incredibly damaged Lilah, a woman of birth and breeding forced into a life of prostitution.

The book also raises this question: is murder always a crime? Should the law always remain immutable, unbreakable … or are some people just so evil that the law only serves to aid and abet their heinous deeds? The French Revolutionaries once said that ‘the more wrong that has been done, the more blood it takes to set it right.’

Is that true? It was unlawful for the Revolutionaries to behead Marie Antoinette, but given her sins against her people, History doesn’t seem to judge the Revolutionaries all that harshly. Perhaps sometimes—just sometimes—Civil Law is an impediment to the exercise of the simple Law of Good and Evil.

I will say that this book has a happy ending. I kinda feel like I have to say that, because everything I’ve written thus far is pretty dark. But, mind you, I won’t tell you how the story arrives at said happy ending. That’s the fun part, so I’ll just say that it does.

That having been said, I must also add that this book isn’t for everyone; Suzanne’s books generally aren’t. I’d rather be honest about what’s in a book than have the wrong reader find it, and then pan it. Suzanne is too talented to suffer such embarrassment. So I will point out that this story brutally portrays the realities of human trafficking, from the cold-blooded selling of virginity to outright pedophilia, although this is all written as tastefully as possible given the subject matter.

But, nevertheless, it’s the setting that makes the dark hero and heroine truly memorable. Our scars often define who we are, but sometimes we find the strength to rise above them. That is the overarching point of this tale: that oftentimes incredibly flawed people will surprise you. Not always, but often.

This truly is a five-star read, and I give it my hearty endorsement! https://www.amazon.com/Lilahs-Limit-Suzanne-Smith/dp/B0D1JKGNZM

Enjoy! – V

Welcome to ‘Bounce … Into the Unknown’!!!

I have long been a fan of S.K. White’s lush, vivid scifi and romance! (To read more about her, click here: https://virginiawallace.com/2021/12/08/all-gone-by-s-k-white-a-review-and-author-interview/ )

I had the honor of being able to read Bounce … Into the Unknown before it was released, and wow … just fuckin’ WOW, y’all! Check it out!

BLURB

What if you found yourself in a different reality… same face, but different you? Whitney Ann Rhodes bounces into the alternate realities of Whit and Annie. Can she navigate Whit’s complicated and volatile life or survive Annie’s dystopian world living under the rule of a global authoritarian leader and his military regime? Will she resist or comply? Afterward, can Whitney return to her world and face what lies ahead?

MY REVIEW

There are very few authors who do science fiction as well as S.K. White …

I’ve been a fan ever since the epic All Gone, and Bounce does NOT disappoint! It’s interesting that the world-building and technical jargon almost seem incidental. The real meat of the story—the thought-provoking part—is the emotional entanglements and conflicts that plague Whit/Whitney’s constant shifts between alternate realities.

It really does beg the question: What makes a person? Is it nature, nurture, or both? Whitney is a nice young woman from a good family. She treats people with gentleness and respect. Her doppelganger Whit, however, is the product of an alcoholic home and constant sexual abuse. While Whitney is gentle and kind, Whit is more or less a sociopath.

The setting begins on a more or less normal note, but as Whitney’s alternate lives begin to come unraveled, so does the world around her as she ‘bounces’ between societies upended by civil unrest and totalitarian governments.

Bounce is a masterfully told tale that is one part sci-fi, one part melodrama … and all heart. Five stars!

So, yep, that ’bout says it all! Click here to buy: https://www.amazon.com/Bounce-Trilogy-Book-I-ebook/dp/B0CX3VB4FQ

Cheers! – V

Welcome to ‘EVEN IN MADNESS’!!!

This story collection is kind of a bittersweet one for me …

All but two of these tales were published with other publishers. One folded due to economic reasons, and the other collapsed due to the sudden passing of its CEO. (May you rest in peace, Andrea.) I would NEVER have asked for my rights to be returned to me in this manner!

But …

When it comes to Art, the show must go on. Andrea would have told me the same, and that in a rather scolding manner. She always described herself as an ‘accountant personality,’ and trust me: that was accurate. She was all about being practical.

So welcome to the skinny on ‘Even in Madness’! I got some horror for you, some romance, a few tales that are neither one nor the other, and some that are a WICKED blend of both! https://geni.us/talesofloveanddeath

BLURB

Our world is a depressing place sometimes. Just watch the news.

Ah, but in another world …!

In another world, a werewolf might go on the hunt for a human mate. In another world, the stars might shower us with sexy cowboys. Perhaps a pair of serial killers will fall madly in love, or a crumbling manor reveal itself as the gateway to another reality. Perhaps a fallen ‘goddess’ will seek refuge in the mortal world, or maybe a mysterious redhead will save her people from certain doom. Hell, Frankenstein’s monster might even re-emerge from the shadows!

Welcome to a kaleidoscopic collection of tales by the bestselling, award-winning author Virginia Wallace. For even in madness there is often an element of love, and love itself would soon become meaningless without the necessary contrast of horror …   

Renewing Forever

Orion

They Always Fall for Ruby

The Ritual

Behind the Wall of Sleep

The Monolith

Talitha

Beginning Forever

RENEWING FOREVER

Most of us wander blissfully throughout our mundane lives. We pass in and out of crowds on a daily basis, willfully oblivious to those around us. Anonymity is comforting; it simplifies life. But anonymity is a double-edged sword because it can also provide a mask for monsters, allowing them to walk un-detected among us.

But even monsters often seek a sense of normalcy. They run errands, hold down ordinary jobs, and sometimes they even get married. It is in marriage that the difference between plebeian and monster disappears, for all marriages suffer friction. Conflicts can be caused by issues such as children, money, careers, and cultural differences.

David Wollstonecroft has always tried to be a good husband to his wife, Jillian. Jillian was born into a world of shadows, and secrets; she comes from a society quite different from David’s, and thus their marriage occasionally falters. Lately, it almost seems destined to fail.

David, however, is determined to repair the damage …

Because if he can’t, Jillian might literally tear him to pieces.

ORION

Daisy O’Reilly will someday inherit a prosperous ranch …

But what she desires even more than wealth is to marry the man she loves, and to start a family. But Life, it seems, has a way of ruining even the best-laid plans. As Daisy’s dreams of motherhood slip away from her, it also seems likely that her beau Orion might disappear just as strangely as he appeared—on the night of a strange astronomical phenomenon.

Daisy thought she was riding straight towards her ‘happily ever after’. Now she’s not so sure. Will Orion make her into the wife, the mother that she wants to be?

Or will the stars reclaim him as abruptly as they sent him?

THEY ALWAYS FALL FOR RUBY

It has always been the goal of wicked men to dominate all life on the planet. To decide who lives and who dies, to decide who serves which purpose—and who serves no purpose at all.

It wasn’t until the twenty-first century that the global oligarchy finally acquired the technology necessary to realize its evil dream. The end began with a twin set of plagues and culminated in slave compounds; it was an unholy miracle that mankind meekly accepted his own ‘en masse’ debasement, foolishly trading his freedom for endless digital stimulation.

It was into this world that the man designated ‘IZC-5926’ was born.

And it was also into this world that a reckless temptress named ‘Ruby’ would someday wander …

THE RITUAL

Bert was quite content with his happy-go-lucky existence, endlessly rolling through the swamps of North Carolina in stolen truck after stolen truck …

Then he met Romy.

Bert has penchant for vehicle theft, and occasionally running people over with said stolen vehicles. Romy has a penchant for setting people, places, and things on fire. That these two psychopathic lovers ‘hooked up’ is enough to make any sane person question his or her belief in a benevolent God.

Yet despite their malevolence, Bert and Romy are living examples of true love. Their devotion to one another serves as a shining inspiration to us all …

Or not. Most lovers don’t go around killing people, do they?

BEHIND THE WALL OF SLEEP

Mankind has always found catharsis in dreams …

And so has Miles. Ever since his awkward ‘tween years, he has been tormented by the enticing specter of an otherworldly, elegant redhead. His curiosity for her changed into a need for her as adolescence slowly crushed him in its inescapable embrace.

The boy Miles wasn’t quite sure what to make of those dreams, and the man Miles is almost as confused as the boy. While his expertise lies in the field of science, he is nevertheless haunted by a rather esoteric question: wherein lies the line between fantasy and reality? Is a tangible dream any less ‘real’ than a humdrum, ephemeral existence?

The very question begs another question: If there is indeed a line between fantasy and reality …

Is it possible to cross it?

THE MONOLITH

Once upon a time, in North Carolina …

Three teenage boys once made a hobby of doing things they shouldn’t, and going places they had no right to be. Although they proudly called themselves ‘explorers,’ it was highly probable that any outsider would have witheringly labeled them ‘habitual trespassers.’ 

It was all just fun and games, until they discovered an eerie, abandoned manor deep in farm country. ‘Damn the Cripples,’ read the rusting arch over the property entrance. Little did Moe and his trusty friends know that walking under that arch would alter their lives forever.

‘The Dream House’ was just a spooky old place to explore, or so the boys thought. Now, they must face the fact that their adolescent shenanigans awakened something ancient …

Something evil.

TALITHA

During the twilight of the eighteenth century, a ship’s captain named Robert Walton penned a series of letters to his sister. Through those letters, he told the grisly tale of an evil scientist who chose to play God: Victor Frankenstein, the fiend who created a monster. It is anyone’s guess as to how the mewling novelist Mary Shelley came to be in possession of those letters, but she nevertheless published them as her own ‘fiction.’

In so doing, she inadvertently destroyed the life of one Agatha DeLacey.

Now a ship’s doctor, Agatha is sailing the high seas, safely hidden behind the pseudonym ‘Talitha de Morte.’ Only once did she ever encounter Frankenstein’s monster, but that encounter left her forever scarred; she carries a dagger strapped beneath her skirt, should she ever see his hideous face again. Creating a future—or finding love—in such a state of perpetual wariness seems almost impossible.

Almost …

BEGINNING FOREVER

Life doesn’t always go according to plan …

Jillian never meant to become a wife. Neither did she mean to become a mother, but Fate nevertheless decreed it to be so. She was quite accustomed to her existence, serving as an assassin for her kin—the Deista’ari, the hidden nation of werewolves.

But love has a way of blind-siding a girl, and Jillian is reeling from its unexpected backlash. She has a choice to make: continue in the life she knows, or throw it all away for one single, desperate shot at happiness.

This explosive prequel to ‘Renewing Forever’ pulls back the curtain on the dark secrets of Jillian Wollstonecroft’s sordid past. This is not ‘Jillian the homemaker’, and neither is it ‘Jillian the devoted mother’ …

No, this is ‘Jillian: the unrepentant KILLER’!!!

So there you HAVE it, my friends! I do hope you enjoy this collection of tales. It’s my opus, the result of years of honing my craft. And, hey, if you DON’T like it …

My publishers made me do it! TOTALLY not my fault.

Cheers! – V