‘THE RITUAL’ : A Tale

WARNING: This story contains pervasive sadistic violence and gore. It also contains profanity and sexual innuendo, as well as disturbing content in general.

THE RITUAL

There is always some madness in love. But there is also

always some reason in madness.

– Friedrich Neitzsche

ONE

THE NORTH CAROLINA sun shone brightly, scorching everything beneath its gaze with searing tendrils of blistering light.

There was no breeze today, and the air was dead silent. Even the midday symphony of cicada clacking was absent, here in this tiny clearing. This was a forgotten place, a place pulled out of time and even memory.

This place was the epicenter of Nowhere Land, its sadly glorious, un-remembered capital.

The clearing was completely surrounded by cypress swamps, their stagnant muck penetrated here and there by towering trees bearded with dry Spanish moss. The air reeked of sulfur, with a suffocating, rotten-egg stench.

In the center of the overgrown clearing sat a tiny brick building covered in peeling paint, with a rotting tar-paper roof and a few small, barred windows. Its door had a chain slung across it, for its own lock had long ago succumbed to rust. The sign on the door had once read “U.S. Post Office”, but alas it had long ago been rendered illegible by time and decay.

Only a narrow gravel road led to the clearing, overgrown with weeds and barely visible beneath the shadows of the towering trees. The swamp seemed languidly determined to devour the road, for the muck and stagnant water were steadily eroding its edges for miles beyond the forgotten clearing.

This place looked as though it would remain forever forgotten, inhabited only by ghosts. It appeared unlikely that mankind would ever trespass here again. Indeed, such would have seemed an insult.

But men are nothing if not prone to giving insult, and ever heedless of the respect due forgotten, secret places.

There was only silence …

And then there arose a roar in the distance, the unmistakable sound of a truck tearing down the gravel road.

Suddenly awakened from their torpor, the cicadas began clacking furiously. They increased their volume until the truck reached the clearing, skidding to a stop in front of the abandoned post office.

The truck was a shiny new king cab, painted black, with tinted windows. A hot breeze arose, as though the offended, hidden place meant to gently blow the interlopers away.

The truck’s engine rumbled to a stop as the doors opened, and two men climbed out. They were both dressed in black, with dapper pants, and shirts with the sleeves rolled up. They wore matching sunglasses, and they both had short-cropped dark hair. At a glance, they looked like photocopies of the same man, a man who was used to going incognito and could easily fade into the shadows.

The two men stood with arms crossed, waiting.

After a few minutes, another truck came tearing down the road. This one was also a king cab, but it was white. There was a shield painted on the door, shining in resplendent shades of gold. Alcott County Sheriff’s Department, read the lettering on the shield.

The truck came to a stop, just as roughly as the black truck had. The men in black made no motion as the front doors opened, and two people climbed out.

One was a portly, aging man. The other was a pretty, young woman, decidedly Latin in appearance, with her black hair pulled up into a tight bun. The old man wore a wide-brimmed hat, but the young woman did not; it seemed that her dark sunglasses and stern expression were sufficient to stave off the hot sunrays.

Both the man and woman wore matching brown uniforms, with a gold star stitched onto the breast pocket. Sheriff, read the lettering on the old man’s shield. The woman’s read Sheriff’s Deputy. The old man was armed with a holstered, semi-automatic pistol, but the woman was not.

She was carrying a shotgun, which she shouldered with a calm sense of self-assurance.

The sheriff threw open the back door of the truck and irritably reached inside.

Get your ass out here!” he ordered, dragging someone out.

That “someone” was a lanky, young-ish man. He was tall, with a boyish face and uncombed blond hair. His expression was mild, even as he was being dragged across the overgrown lawn by the chains shackling his hands behind his back. He tried to gain his footing as he was dragged along, but he couldn’t manage it with the leg shackles on.

The men in black watched calmly as the old man dragged his prisoner slowly toward the decrepit building. The young woman stepped smartly forward and unlocked the padlock holding the chain over the door. She kicked in the warped-shut door and stepped inside.

As the sheriff dragged the prisoner over the threshold, the deputy walked around the single room inside, smashing the windows out with the butt of her shotgun to let some air in. When she was finished, she slung the shotgun by its strap across her shoulder and stood at attention in the corner, still and silent.

“Sit your ass down!” ordered the sheriff, throwing his captive into a rickety chair. “And don’t speak ’less you’re spoken to, y’hear?”

“Of course,” said the young man pleasantly.

The prisoner wasn’t un-handsome, despite being so lanky and his hair being such a mess. In fact, most women would have said that he was rather attractive in his own peculiar way. He just sat there, smiling pleasantly at the scowling sheriff.

That’s when the men in black stepped inside. They calmly sat down on similarly dilapidated chairs, across the table from the young man.

“Hello,” said one of them. “I’m Bill, and this is Bob.”

“Not your real names, I’m betting,” replied the young man, speaking with a pleasant southern accent. “But that’s okay. Federal Bureau of Investigation, I assume?”

“That’s neither here nor there,” said Bob coolly. “You’re Herbert Ray Bartlett, right?”

“Call me Bert,” said the young man, in a friendly tone. “Please, what can I do for you?”

“You’ve been charged,” said Bill, “with more counts of first-degree murder than I’ve seen any one man rack up in my entire career. But we’re missing details, Bert, and we’re also missing your accomplice. We know who she is now. We could never find a match for her fingerprints before, not until her neighbor—Deputy Rodriguez, here—tipped us off about some suspicious activity. We printed her home, and positively matched her to most of the murders you committed. Sheriff Fleury was kind enough to play host for the day, so we could bring you here to shed some light on the situation.”

“You could have done this at the jail, I think,” said Bert, his eyes narrowing and his tone growing colder. “It is air-conditioned, you know. And as far as accomplices go, I don’t know what you’re talking about.”

“We wanted this … interview off the books,” said Bob. He pulled out his phone and opened a file on it.

“This is your accomplice, Bert,” he said firmly, “is it not?”

Bert took a long, long look at the photo on the phone.

“I have no idea what you’re talking about,” he said at last, looking away.

“You left her out of the story,” said Bill grimly. “Now, let’s put her in it, shall we?”

“Put who in the story?” asked Bert.

“YOU KNOW WHO!!!” roared Sheriff Fleury.

Bert looked down at the table, sweating. His jaw was tense, and his face red; clearly something –or someone—was at stake here, and he wasn’t happy about it. His expression was an odd mix of rage and terror.

“Look,” said Bill patiently, “if you cooperate, you can both reduce your own sentence and offer your courtroom testimony in exchange for reducing hers. But that’s only IF your assistance leads to her capture. If it doesn’t you’re both fucked, and her capture is only a matter of time. Got it?”

“That’s not what I want,” hissed Bert from between clenched teeth, “and it won’t be what she wants. I love her too much to sell her short, so no. Take your offer, sit on it, and twirl.”

“Then what do you want?” asked Bob, assuming a falsely intimate tone.

“We always hated it,” said Bert, his eyes radiating resentment, “when people begged for their lives …”

Gone now was the mask of geniality, of easy-going courtesy. Something near and dear to Bert Bartlett was at stake, and his intense, focused demeanor betrayed his fear.

“Why did you hate it when people begged for their lives?” prodded Bill.

“Because it’s PATHETIC!” snapped Bert. “Living life means accepting that it could end any minute. If you’re scared to die, then you never really lived. I’m alive, and so is she. And that’s why I won’t take your offer, and neither will she.”

“Then what do you want?” repeated Bob.

“Death penalty,” said Bert, his mask of courtesy slowly emerging once more.

“Execution?!” asked Bob. “You want that?”

“I’ll do whatever it takes to hang her, and me with her,” said Bert, now fully back in possession of his affable smile. “We’re not afraid of dying. I’ve never loved anyone so much in my life, and prison is the last thing I want for her. I can tell you about murders in both Virginia and North Carolina, which makes our case federal because we crossed state lines. Uncle Sam loves the death penalty, and we can waive all our appeals.”

Only briefly had Bert betrayed his tension, his fear for his ladylove. Now that he sensed a chance to help her—to improve her life, instead of making it worse—he seemed to be growing more relaxed as he talked.

Sheriff Fleury hated him for that. Mask on, mask off … truly, the mark of a sociopath. “Start talking,” he ordered grimly.

“I can’t remember everything,” said Bert honestly. “Having a partner in crime is like being married, you know? You remember the very first time you made love, and a few memorable experiences after that, but you don’t remember everything.”

“Then tell us,” said Bill, “about that first time.”

“Death penalty!” said Bert firmly.

“You have my word,” said the sheriff dangerously, “that I will do everything in my power to fry both your asses! It’d be my pleasure.”

“Thank you. May I have a water, please?” asked Bert politely. “It sure is hot in here.”

“Go get him a water, Rodriguez,” ordered Sheriff Fleury curtly. “Just bring in the cooler, would you? We’re gonna be here a while.”

“What do you want to know first?” asked Bert, as Deputy Rodriguez left the room. “And thank you for the water.”

“You’re welcome,” said Bob tersely. “Tell us how you met, which I believe was on a crime scene.”

Bert bowed his head for a brief, silent moment, and held his breath. No one could have known that he was silently praying to the god that he’d abandoned, long, long ago. Please don’t let them ever catch her, he begged internally. But if they do, let my story be enough to kill us both. Throw me into the darkest pit in Hell if you must, but spare her.

“So how did you meet?” prodded Bob. “Can we talk about that?”

“Oh, sure,” said Bert, letting his breath out. “It was a cooler summer, not nearly as hot as this one. And it was late, maybe around three in the morning…”

***

Bert stepped on the gas pedal, rolling down the country road as he sang happily along to “Friends in Low Places.” He’d always loved that song, with its theme of finding happiness after surviving a painful situation. It never failed to cheer him up, reminding him that the world was, indeed, a very happy place most of the time.

The flashy pickup truck bounced and careened along, steered as much by the cracks and potholes as by its driver. Watsonville was coming up soon, but it was just a little mud-puddle of a town. He’d pass through it soon enough and be on his merry way, disappearing into the swamps that he loved so.

“Friends in Low Places” segued into “The Devil Went Down to Georgia” as Bert reached the outskirts of Watsonville. He was careful to take a side road through town. Although he and his buddies had often joked that Watsonville always “died” at nine o’clock, a few stores along the main thoroughfare might be open all night. Bert couldn’t say for sure, though. He never went to Watsonville at night, not even to the bars. He much preferred to drink out in the wild, out in his own vast stomping ground.

He turned a dark corner …

And then the truck sputtered to a stop.

“Dang it!” moaned Bert, eyeing the gas gauge as he climbed out. “Really?”

He walked around to the front of the truck, surveying the mangled grill. The front end and hood were completely covered in blood, making the headlights rather dim. He hadn’t noticed the headlights before, probably because he knew these roads so well that he could have driven them even in the dark.

As Bert stood scratching his head, wondering what to do, he heard a noise behind him. He turned, wondering what could be stirring at this hour.

There was a young woman standing there, just watching him.

Bert eyed her in wonder, taking in her pretty face and form in the feeble, red glow of the headlights. She was short, but decidedly curvy. Her stylish auburn bob blew in the slight breeze, framing her heart-shaped face, her freckles, and attractive features. Her brown doe eyes reflected the light in a bewitching shade of rust, sparkling and soft.

She was dressed lightly, as befitted a North Carolina summer, in a short denim skirt. Her dark shirt was a “concert tee”, with Megadeth’s name and grinning skull logo printed on it. That was odd, thought Bert wordlessly. She looked so sweet, so pretty, certainly nothing like one of those raucous “metal chicks” he’d known in high school.

And she was holding a gas can.

“What’s wrong with your truck?” asked the young woman, in a distinctly musical voice.

“Out of gas,” said Bert. “What are you doing out here, miss?”

“Taking a walk,” she said. “I meant, what’s wrong with your grill?”

“Oh, that,” said Bert. “Hit a deer.”

“Was it wearing a plaid shirt?”

Bert turned, eyeing the tatters of a plaid shirt hanging from the mangled bumper.

“Sure was,” he said brightly. “Damndest thing I ever saw.”

That’s weird!” laughed the young woman. Her nose wrinkled prettily as she laughed, almost like a rabbit, causing her freckles to make a momentary shadow across the bridge of her nose.

He’d told an obvious lie, and the stranger clearly saw through it. That she was laughing about it—instead of panicking—warmed his heart in a way that he’d never before felt. Bert was about to offer the pretty stranger a walk home, when something stumbled screaming out of the nearby alley.

It took him a moment to make sense of what he was seeing. That “something” was a man…

And he was on fire.

The burning figure staggered around the street, looking like a cross between a zombie and an oversized tiki torch. Bert and his new friend glanced idly at him, and then turned their attention back towards one another.

“I’m Herbert,” said Bert, ignoring the shrill screams of the burning man. “Herbert Ray, but my friends call me Bert. I’d be honored if you did, too.”

The young woman blushed and set down her gas can. She looked bashfully away for a moment.

As she did, the burning man fell through the window of the antique store, shattering it. The dusty window displays went up like kindling, instantly setting the building ablaze.

“I’m Romary,” she said, flirtatiously fluttering her eyelashes. “Romary Anne, but my friends call me Romy. I … I’d be honored if you did, too.”

Bert took a step forward and gently took her slender hand.

“It’s lovely to meet you, Romy,” he said softly, relishing the feel of her quivering hand as he lifted it. He let the kiss linger for moment, tasting the sweat on her soft skin.

Such pretty manners!” she giggled as he released her hand. “You charmer, you.”

The burning man fell headlong into a pile of un-collected garbage bags, setting them alight in very short order. He thrashed around in the melting bags and blazing garbage, still screaming.

“I have a confession to make,” said Romy, wrinkling her nose from the smell. “I don’t have any gas left.”

“Were you taking the can to get filled up? Is your car out of gas?”

“No,” admitted Romy. “I kinda poured it all out.”

Bert looked at the burning man, and then at the empty gas can, and then back at Romy. Dank, foul smoke began to overwhelm the street as the garbage pile, the hapless victim, and the antique store began burning even more brightly. The hardware store next door was starting to burn as well. Yet somehow, amidst all the chaos and horror, all Bert did was give his pretty acquaintance an amused smile.

“Would you like to get some ice cream?” asked Romy abruptly.

“At this time of night?”

“Trip’s Truck Stop isn’t far, and it’s open all night.” She was blushing again, as though she was surprised by her own temerity. “They have the best ice cream! If … if you’re not busy, that is. I understand if you are.”

Romy looked both hopeful and terrified at the same time. Bert looked at her a moment, wondering if he dared…

He did.

“There’s nothing I’d rather do,” said Bert sincerely, leaning forward and kissing Romy tenderly on her forehead, “than have ice cream with you.”

Romy smiled from ear to ear, and her expression was so beautiful that it made Bert’s heart ache. He had never met anyone so lovely in his entire life.

The burning man managed to extricate himself from the garbage, and promptly stumbled into a wooden, tar-covered telephone pole.

“What about your truck?” asked Romy, as the telephone pole lit up like a Roman candle.

“It’s okay,” replied Bert. “It’s not mine anyway.”

“What about your fingerprints?”

“Never had ’em taken.”

“Me neither,” said Romy, kicking over her gas can. “Shall we?”

Bert shivered as Romy wrapped her arm around his midsection and sidled close. On impulse, he stuck his hand in the back pocket of her jean skirt.

He gave her rear end a gentle squeeze as the two of them trekked companionably off through the smoke. And he thought to himself that life just didn’t get any better than this.

TWO

“THAT ‘BURNING MAN’ had a name,” said Bill, drily. “His name was Rufus Taylor. He started walking home from the local bar, and then he passed out in the alley. He thought all he had to worry about was a hangover. I’m pretty sure he didn’t anticipate being set on fire.”

“She does love her some fire, Romy,” chuckled Bert. “It’s kind of her thing.”

“So we’ve heard,” said Bob. “Now let’s talk about your thing, shall we?”

“My thing?”

“You know exactly what he’s talking about, you little shit!” snapped Sheriff Fleury, wiping the sweat from his brow. “Tell him about that friend of your little girlfriend’s already!”

“Oh, they weren’t friends,” said Bert. “But of course I can tell you. We stayed at Romy’s that night, since it was just outside of Watsonville. It was lovely walking her home, under the stars. It was even better waking up next to her. I’ve never felt so alive, you know? We felt that fate had brought us together, so we decided to spend the day celebrating…”

***

Romy said something, but Bert couldn’t make it out.

“WHAT?!” he shouted.

Romy reached over and turned the truck radio down. “Sorry,” she said, as Megadeth slowly receded in volume. “I said, this truck rides really nice!”

“It sure does,” said Bert, reaching down to tuck the mangled wires back into the ignition opening. “I wonder who it belongs to?”

“Let’s find out,” said Romy. “Here, hold this.”

Bert reached for the offered half-gallon of Jim Beam and took a long tug as Romy rifled through the glove box.

“Here,” she said. “It’s registered to some guy named Buford Harrison.”

“Oh, I went to high school with him. We called him Big Bubba. I’m surprised he has a truck like this. I always figured he’d end up in jail.”

Romy took the bottle from Bert and helped herself to a deep draught. “Well, he doesn’t own it anymore!” she said brightly, tossing the registration out of the open window. “Isn’t it a beautiful day?” She licked her lips invitingly, playfully giving her new lover a sweet reminder of what she’d done with them the night before.

“It’s the best day of my life,” said Bert warmly, taking the bottle and having another gulp. “I think I just fell in love with you.”

“You think you’ve fallen in love with me?!” said Romy with mock outrage, leaning over to give Bert a kiss on the cheek. “don’t think you ‘think’ anything, buster! And neither do I.”

“You’re right,” said Bert, taking his eyes from the road to kiss her back. “I say we just call ourselves a done deal, you and I.”

Romy squealed with laughter as Bert nearly swerved off the road. She took a slug of whiskey as he pulled a hasty course correction.

“I agree,” she said, wiping her lips. “So what do you wanna do today?”

“What do you wanna do?”

“Let’s find another one of those deer,” giggled Romy. “You know, the kind in the plaid shirts.”

“Perfect. I mean, it’s not like we’re keeping the truck, right?”

“Right!”

The new couple traveled happily along, occasionally passing the bottle back and forth. Even Megadeth’s rambunctious, snarling music seemed oddly soothing as they weaved down the backwoods road.

“Hey, look!” said Romy excitedly, pointing. “There’s our deer!”

Bert slowed the truck down, squinting. There was a woman in a red jogging suit running along the shoulder.

“I can’t run over a woman!” protested Bert. “That just seems kinda… wrong, you know?”

Romy stuck her head out of the window, taking a longer look.

“That’s not a woman. That’s a barracuda in a woman suit!” she said sourly. “That’s Tiffany Collins.”

“Who’s Tiffany Collins?”

“She used to slam my head in my locker door,” said Romy darkly, as Bert slowed the truck down even more. “And sometimes she’d pull my panties up to give me a wedgie. It got so bad by middle school that I stopped wearing panties most of the time.”

“That’s awful!” gasped Bert. “Here, let me help you with those bad memories. Put on your seat belt and hold onto the ‘oh shit’ bar, okay?”

Romy did as she was directed, after carefully setting the bottle on the floorboard between her calves. Bert waited until she was secured before he laid his foot into the gas pedal.

WHEEEEEE!!!” howled Romy gleefully. “Now this is FUN!”

Tiffany turned to face the truck at the last possible second, her mouth open like a fish’s and her blue eyes wide with horror…

SPLAT!!!

Romy held on as Bert slowly regained control of the vehicle. Coming to a stop, he put it into reverse and backed up.

Great job, baby!” gushed Romy. “We didn’t even spill our booze.”

The truck came to a stop just in front of what was left of Tiffany Collins. Its occupants opened the door and climbed out, holding hands as they went to examine their handiwork.

“What a mess!” cooed Romy. “It’s a good thing she was already wearing red.”

“Yeah, no kiddin’,” grinned Bert. “And look, we didn’t even crack the radiator. I hate it when that happens.”

Romy just smiled contentedly down at the scattered remains of her fallen tormentor.

“Wait!” said Bert. “Now we have to observe the Ritual.”

What ritual?”

Bert felt himself blushing. “It… it’s one of those silly things that teenage boys come up with, but it turned into a superstition. Me and my best bud Eric came up with it. See, there’s this ceremony you have to observe whenever you run someone over. If you don’t, then the next time you drink you’ll get sick. You know, because you didn’t appease the great god Ralph. So if you fail to observe the ritual, you’ll end up praying at his porcelain altar.”

“Ew!” said Romy, making a face. “don’t wanna end up getting sick! I hate that!”

“I’ve never done this with another person before,” gulped Bert. “ ’Cept Eric, of course.”

“Where’s Eric now?”

“Serving life in prison.”

“For what?”

“Running people over.”

“Aw, that’s terrible!” said Romy, taking Bert’s hand. “Do you ever get to see him?”

“Every Saturday, at visiting time,” said Bert, sighing. “You don’t often find a friend like that. He told me to run before he was caught. He said they already had him, but there was no point in me getting busted.”

“What a great guy,” said Romy. “You’ll have to take me to see him. So… how, exactly, does this ritual go?”

“You both point down at the mess, see,” said Bert, pointing at the splatter that had once been Tiffany Collins, “and then you say this, in unison: ooooooh… ahhhhh… WOO-HOO!!!”

“That’s it?” asked Romy. “That is silly! But I don’t wanna get sick, so I’m in.”

Taking a deep breath, she pointed down at the mangled jogger. “On three, okay?”

Bert nodded, feeling like he was going through a rite of passage. The Ritual was a very, very personal part of his past, but he knew that Romy would never truly become his soulmate until he shared it with her.

It was a nice feeling.

“One, two, three!”

“Ooooooh…”

“Ahhh…”

“WOO-HOO!!!”

THREE

“AT LEAST YOU knew that poor woman’s name!” huffed Sheriff Fleury, as Deputy Rodriguez dug a bottle of water from the cooler. She returned to her post and took a long drink, still looking quite stoic.

“The truck was found two days later,” said Bob, “completely torched. I’m going to go out on a limb and say that was Romary’s doing?”

“Yeah,” said Bert, yawning. “I always just dumped ’em in the swamp.”

“And you admit to being Eric Walters’ accomplice?”

“Oh, sure,” he said, shrugging. “Anything to help my capital case!”

“Ask him about the killings at the Fincher farm!” interjected Sheriff Fleury. “We still need to piece that one together. The crime scene was a fuckin’ train wreck!”

“Bert,” said Bill calmly, “might you tell us about…”

“I heard him, Bill,” interrupted Bert. “Romy called me one afternoon, while I was doing my shopping for the week…”

***

Bert walked through the front door of the old farmhouse, looking guardedly about. It had taken him a few minutes to find the place from Romy’s directions, so he hoped that nothing had happened to her in the meantime. He grew steadily more nervous as he walked inside.

He relaxed as he stepped out of the foyer and into the kitchen. Romy was sitting on the countertop, beaming at him. “Hey, baby!” she chirped.

There were two men duct-taped to chairs, one young and spindly, and the other old and prodigiously overweight. “How’d you tie ’em down?” asked Bert curiously.

This dude was passed out drunk on the front lawn,” said Romy, pointing to the younger man. “So I just dragged him inside.”

She flexed her tiny biceps like a bodybuilder, causing both of them to laugh.

“The old man was already sitting in that chair,” she continued. “He tried to get up, so I hit him over the head with the fireplace tongs before I taped him up. It’s a good thing they had a whole case of duct tape in the garage. They got everything out there! Tools, camping stuff, fishing gear… you name it.”

Bert pulled Romy from the countertop and spun her playfully around. She squealed with laughter, wrapping her legs around his waist as he covered her face with kisses.

“Nice work!” he said at last, setting her gently upon her feet. “I’m proud of you. What do we do with ’em?”

“I already thought of that,” said Romy. “Here, look!”

The kitchen was open to the living room, and Romy walked over to the gun case. Its glass door was already broken, presumably by her.

She pulled out two shotguns. “I already loaded ’em,” she said. “They’re both semi-automatic, so they’re pretty dummy proof. Do you know how to use one?”

“No,” said Bert.

“How’d you grow up in North Carolina without learning to use a shotgun?”

“We were never allowed to have guns in the house, at least not after Dad shot Grandma.”

“Was it an accident?”

“No.”

“Oh,” said Romy. “Is… is that why you didn’t think it was right to hurt a woman?”

“What?! No!” laughed Bert. “Grandma was a nasty old cow. Nobody cared that Dad shot her. Except, you know, the sheriff. But yeah, Dad taught me that it’s not nice to hurt a woman unless she’s an awful person, like panty-yanking Tiffany, or my bitchy ol’ grandmother.”

“That’s good. I’m glad you weren’t sad when she died,” said Romy. “Your grandmother, I mean. I’m pretty sure nobody gave two shits about Tiffany.”

Bert nodded in agreement as his lover handed him a shotgun. “Here,” she said, “I just turned the safety off for you. Now it’s hot, so keep your finger off the trigger until you’re ready to shoot.”

Bert took the gun gingerly, pointing it toward the floor. “I’m not sure I like these things,” he said uncertainly. “They’re just so… quick, you know?”

“So’s running someone over,” said Romy brightly, sighting her gun. “But they don’t have to be. Watch!”

BLAM!!!

Romy’s shot hit the younger man square in the kneecap. He came to at that, screaming at the top of his lungs.

“Oh, quit whining!” ordered Romy sternly. “You still have one-and-a-half legs left, you big baby! Okay, you try it. Hit his other knee.”

“PLEASE!!!” cried the old man, snapping out of his pseudo-catatonic state as he looked on in horror. “I’ll give you anything, ANYTHING!!!”

Bert strode forward, and matter-of-factly smashed the old man in the forehead with the butt of his shotgun.

BLAM!!!

Romy screamed, ducking as the dusty, tacky chandelier overhead crashed to the floor. “I TOLD you that thing was hot!!!” she screeched.

“Sorry,” murmured Bert sheepishly, lowering the weapon.

“I might forgive you,” said Romy, “if you give me some extra special attention later.”

“If I do, will you wear that cute black lacy⁠—”

“NOT in front of Drunkie McGurk here!” interjected Romy. “That’s our business! But yes, of course I will. I love the way you look at me when I get all sexy for you! So… shall we carry on?”

Bert sighted carefully, pointing the shotgun at the younger man’s surviving kneecap. He was grateful that the old man was momentarily silent; he always hated it when people begged for their lives, and so did Romy. Life is short, and when it’s over, that’s it. Both he and she were offended that people would so often debase themselves seeking a mere few minutes more of panicking, wretched life.

BLAM!!!

Bert lowered the gun, aghast.

“Ooh,” said Romy, biting her lip. “That … that wasn’t his knee, Bert.”

AAAAAAAUUUUGGHH!!! SHIT!!! AH CAIN’T FUCK NO MORE!!!”

“Maybe we should give this guy a free pass,” said Bert regretfully, raising his gun again.

“Yeah.”

Bert sighted more carefully this time…

BLAM!!!

“Well,” said Romy, waving away the acrid gun-smoke as she wiped the spattered blood from her pretty face, “at least you hit his head just fine. What should we do with Jabba the Hutt over there?”

“Let me see what I can find,” said Bert, opening the silverware drawer. “Can you gag him for me, baby? He’s gonna come to soon enough, and I can’t take any more begging.”

“Oh, sure.”

Bert pulled forth a large butcher knife as Romy stuck a strip of duct tape over the old man’s mouth. “How’s this?” he asked.

“Now that’s some pig-sticker!”

“Right?”

Bert walked over to his shaking victim and stabbed him in the belly.

Mmph!!! Mmmm!!!”

“Did you even hit anything?” frowned Romy. “He’s not even bleeding, he’s so big. Try his chest.”

“Good call,” said Bert, stabbing him again.

The two lovers stood for a moment, eyeing their victim.

“I’m not sure this is gonna work,” said Bert dubiously, as the old man squirmed and jiggled. “There’s just too… much of him, you know?”

“Maybe give him a scarlet necktie?” suggested Romy helpfully, running her finger across her throat.

“Oh, yeah.”

Bert walked around the old man’s chair for a moment, shaking his head.

“I can’t tell if he even has a neck!” he said in exasperation, throwing down the knife. “Screw this. I’ll be right back.”

Romy waited patiently as Bert left and returned in a few minutes.

Now we’re talkin’!” he hooted, triumphantly raising a large chainsaw.

“What?! No!” protested Romy.

“Why not?”

“The exhaust burns my eyes, and they hurt for days! I hate that.”

“I’m sorry, baby,” said Bert contritely, lowering the chainsaw. “What do you suggest?”

Romy thought for a moment.

“I got it!” she said excitedly. “Pull the stove away from the wall for me, would you? I’ll be right back.”

Bert pulled the gas stove away from the wall, beginning to suspect that he already knew what Romy had in mind.

She returned a few minutes later, carrying a bucket of tools.

“Okay, here we go,” she said, stopping for a moment to tie her bob into a bouncy ponytail. “This will just take a minute.”

“What are you doing?” asked Bert curiously.

“This is the flex connector,” said Romy, pointing to a metallic yellow line running to the stove. “I’m just gonna shut the main valve—here—and cut it.”

She pulled a pair of tin snips from her bucket and cut through the line.

“Now, see this?” she asked, pointing to an aluminum device that reminded Bert of the Starship Enterprise. “That’s the regulator. It throttles down the gas pressure, because the stove doesn’t need all that much gas. So we’ll just spin it off.”

“How do you know all this?”

“My dad worked for the gas company. At least, he did before he…”

Romy’s face fell for a moment.

“Before what?” asked Bert softly.

“I was ten. I was playing with matches…”

“I’m so sorry,” said Bert, kneeling down and gently lifting her face by the chin. He gave her a long, reassuring kiss. “But you’re still here, and I can’t even begin to explain how absolutely crazy I am about you. I can’t wait for tonight! I love it when you…”

“Not in front of Jabba, goofy!” laughed Romy, interrupting Bert by briefly crushing her pretty lips against his. “That’s private! But thank you for making me feel better.”

Bert flushed, elated by Romy’s affection.

“So,” she said, pulling a couple of wrenches from her bucket, “we’ll just remove the regulator here. You wanna grab me that oil lantern from the mantle?”

MMMMPH!!! MMM!!!” protested the old man, jiggling in his chair.

“Sure. Where do you want it?”

“Take it down to the end of that long hallway, off the living room. We want lots of gas to build up before the house catches fire.”

“Won’t that blow the building up?”

MMMMMPH!!!”

“Contrary to popular belief, a gas fire can’t actually blow up a building. Most of these systems have less than two pounds of pressure, and there are backflow devices on the feeds. But it can burn a building down really, really fast. Okay, there goes the regulator. You wanna go light that lantern?”

“Got matches?” asked Bert.

“You kiddin’?” laughed Romy, fishing in the pocket of her shorts. “Here.”

“Thanks.”

“Grab some booze, too! There’s a liquor cabinet in the living room.”

“Got it!”

After he’d lit the lantern, Bert opened the liquor cabinet. “Check this out!” he said excitedly. “Johnny Walker Blue Label! Fancy, fancy, fancy … This stuff goes down like iced tea.”

“Nice!” said Romy, still kneeling behind the stove. “Can you set some lawn chairs up? At the very edge of the yard, over by the trees. I’ll be right out. I’ll wait ’til you’re gone before I open the valve.”

“On it!” chirped Bert, heading for the door with his prize bottle of Scotch.

The old man fought mightily to free himself, but he ended up falling over sideways in his chair, making a loud crashing sound as he did. “MMMPH!!!” he shouted through the duct tape.

“See what you did, you big silly?” scolded Romy, rising a little. “I had you sitting all nice and comfortable. Now you can just stay like that, since you wanna be so cranky!”

Bert was opening up the folding lawn chairs as Romy came running out of the house, slamming the door behind her.

She threw herself backwards into her chair as Bert took a leisurely seat in his. He uncorked the bottle, and offered it to Romy.

“Not yet,” she objected. “Kisses first!”

Bert bent over as Romy reached for him. He held his breath as she kissed him deeply, passionately, drinking in the manly scent of his sweat.

“Okay,” she said at last, pulling away. “I’ll take that drink now.”

She took several deep gulps from the bottle. “Wow!!!” she said, wiping her pretty lips. “That is good! Here, have some.”

FOOMP!!!

As the old farmhouse went up in flames, Romy sat bolt upright in her lawn chair. She stared at the burning building, her eager doe eyes eerily reflecting the raging fire.

She looked so beautiful, so… alive.

For her, thought Bert, he would be willing to set fire after fire. For her he would set the entire world ablaze, just to make her happy.

“I love you, Romy,” whispered Bert.

Although she would have absolutely believed—and returned—his heartfelt words, he also knew that she’d not heard them…

There was no hearing anything over her epic blaze!

FOUR

“THEIR NAMES WERE Delbert Fincher and Delbert Fincher Junior,” said Bill. “It was lucky that Martha Fincher was visiting her sister at the time.”

“Oh, Romy wouldn’t have hit the place if she’d been home,” said Bert serenely. “Messing with an old lady just seems kind of… well, mean. Romy’s not like that.”

“NOT LIKE THAT?!” shouted Sheriff Fleury, red-faced, pounding his fist on the table. “We couldn’t even put that fire out, you little shit! Just had to shut off the gas and let it burn.”

“Sheriff, please,” said Bob, raising a hand. “When the state police tried pulling you over, Bert, they said they saw two people in the truck. When they finally caught up with you, you were alone. Would you like to tell us what happened?”

“When Eric took the fall for me,” said Bert, leaning forward, “I promised him I’d pay it forward, and I did. I only fled long enough to get around a couple of bends, and then I let Romy out so she could hide in the woods. I love her, Bob. I’d do anything for her. If you didn’t already have her nailed based on the evidence, I’d never have told you anything. As it is, it feels good to talk about the good times.”

“GOOD TIMES?!” roared Sheriff Fleury, rising. He shoved Bill and Bob roughly aside, so he could lean over and look Bert in the eyes.

“Good times, you say?” he whispered dangerously. “Tell me, you little psycho… Tell me how you do it. Tell me how you sleep at night?”

“It’s easy,” said Bert. “You just lie down and close your eyes. Why?”

“Doesn’t it bother you? Remembering what you did?”

“Should it?”

Why do you do it?”

“Why do people do anything?” asked Bert reasonably. “Is there really any point to analyzing everything? Love is accepting a person’s dark side as well as their good qualities. Then you realize that their dark side is really fun, and after that it all just kinda runs together.”

Sheriff Fleury rose slowly, unable to break his gaze away from Bert’s calm, placid eyes. Morality, he realized with horror, is utterly impotent in the face of raw apathy.

True monsters aren’t vicious.

True monsters are footloose and carefree, and that’s what makes them so very, very frightening. It’s not that they’re malignant…

They’re just indifferent, and that’s more terrifying than malice could ever be.

“I got news for you, asshole!” snarled Sheriff Fleury. “We lied about finger-printing your little girlfriend’s home! Oh, Rodriguez here reported her, all right, for some weird goings-on. But when we showed up, her place was burned to the ground, and she’d disappeared. What do you think of tha⁠—?”

BLAM!!!

Bert turned his head as his face was splattered with blood. Sheriff Fleury remained standing for a moment, but only for a moment. It is rather difficult to keep one’s feet without one’s head, after all. Slowly, his body fell to the floor.

Bill and Bob jumped up, reaching for their concealed sidearms. Deputy Rodriguez blasted Bob square in the middle of the chest, sending him flying across the room. He was dead before he hit the floor.

Bill managed to get his pistol out before the deputy shot him, but he had no opportunity to return fire. Rodriguez blasted him in the shoulder, sending him sprawling and his gun flying across the room.

She retrieved the pistol and tucked it into her belt. Pulling a set of keys from her pocket, she freed Bert’s hands, and then knelt to unlock his leg shackles.

“Thank you,” said Bert, rising. “Why… Why did you do that?”

Deputy Rodriguez laid her shotgun on the table and reached for her hair.

She pulled out the tight bun and shook out her jet-black bob. Then she took off her dark glasses…

Romy,” breathed Bert, meeting her affectionate gaze with relief.

“I’ve never dyed my hair before,” said Romy. “Do you like it?”

“It suits you,” smiled Bert, putting his arms around her and pulling her close. “How long did you have to sunbathe for?”

“Spray tan,” grinned Romy. “I just hope it doesn’t turn orange as it fades. Is this a good look for me?”

“Well, you do have a bubble butt,” said Bert, kissing her on the forehead. “Kind of a ‘Jennifer Lopez’ caboose, you know?”

Jerk!” murmured Romy, pressing her lips against her lover’s.

Time itself came to a stop, and it seemed that the universe had suddenly come back into alignment. Sometimes two people are just meant for each other, and the world is out of balance whenever they’re forced apart.

“Wait,” said Bert, pulling away. “Where’d he go?”

“What?”

“Bill. Where’d he go? He’s not here.”

“Whoops,” said Romy ruefully.

Bert ran to the door, looking outside. “I can see the blood trail,” he said, squinting. “Must be Bob has the truck keys. Get them, would you?”

Romy fished in Bob’s pants pocket and retrieved the truck keys. “Let’s go!” she said, chasing Bert at a dead sprint towards the truck.

Thankfully the truck had running boards, because otherwise she would have had trouble climbing in. She could barely see over the steering wheel, and she had to move the seat forward, but she managed to reach the gas pedal.

“I could’ve driven, you know,” said Bert.

“I got this!” said Romy stubbornly, throwing the truck into gear.

The truck careened down the gravel road, kicking up a cloud off chaff as it tore off in pursuit of the man who called himself Bill.

“I knew he wouldn’t make it far,” said Romy smugly. “Look!”

“He’ll throw himself into the swamp before you get him,” said Bert, nervously clutching the dash.

“He’s probably in shock,” said Romy. “Just following the road on instinct. Anyway, it’s worth a try, and we can always shoot him later. Hold on!”

Romy floored the gas, surprised at how well the truck handled the rough terrain.

She’d been right about the shock. Bill seemed oblivious to the approaching truck.

SPLAT!!!

Both the driver and passenger-side airbags exploded in an instant, making it impossible for Romy to see. She just stomped the brake, hoping for the best.

The truck spun around several times, but thankfully it didn’t roll over. It came to a stop facing the opposite direction from which they’d come.

As the airbags deflated, the lovers had trouble seeing through the windshield.

Bert reached soberly over and turned on the windshield wipers.

As the wiper fluid slowly washed the blood from the windshield, Romy and Bert surveyed their handiwork.

“The front end’s toast,” observed Bert. “We’ll have to walk back and take the sheriff’s truck. Good thing Bill didn’t make it far.”

Romy sat quietly for a moment.

“Do you wanna get a drink?” she asked abruptly.

“Do I? I’ve been in jail for weeks!”

“I thought so,” said Romy, opening the truck door. “Well, I guess we’d better get to it, then. Don’t wanna end up getting sick, you know?”

“What happened to Deputy Rodriguez?” asked Bert curiously, climbing out of the truck.

“Well, I couldn’t very well steal her identity with her still alive, could I?” asked Romy, walking around the truck and taking Bert’s hand. “Somebody would’ve noticed. Besides, I needed somewhere to stay after I burned down my own place.”

“How’d you do her job?”

“It wasn’t that hard,” said Romy. “I just said ‘yes, sir’ whenever the sheriff told me to do something, and then I did it. Pretty mindless, honestly.”

“You’re so clever!”

“So … the Ritual, then?”

“Yeah,” said Bert. “Exactly how are we gonna do the ritual? I don’t even know where to point.”

“Me neither,” agreed Romy. “I mean, there’s a lot of him on the road. But there’s also a lot of him in the mud, and quite a bit dripping from the trees. There’s a fair amount of him stuck in the grill, too.”

“Well, let’s just find the biggest pile, then.”

The lovers looked around for a few minutes, and then agreed upon the best spot to perform the ritual.

But before they did, they held hands and looked into each other’s eyes, just thinking, just enjoying the moment.

And in that moment, Bert suddenly discovered the answer to the erstwhile sheriff’s question.

Why do you do it?

Because pushing other people out of this life bought him room to breathe, room to live. Space in which to enjoy this world, to enjoy her. It was a simple answer, but a profound one. He was surprised that he hadn’t thought of it earlier.

“Bert?” whispered Romy.

“Yeah?”

“You… you’ll have to drink alone. I’m pregnant.”

Bert stood in stunned silence for a moment.

“Bert?” prodded Romy, looking insecure.

“That’s wonderful!” gushed Bert. “You’re gonna be the best mom ever!”

“Aw, really?”

“Yes!”

“I love you so much, Bert,” said Romy, leaning up to kiss him. “Can I still do the Ritual if I’m not drinking?”

“Of course. And I love you even more.”

“Okay, on three then. One, two, three!”

“Ooooooh…”

“Ahhh…”

“WOO-HOO!!!”

Bert took Romy’s hand, and the two started the trek back to the abandoned post office.

“So where do we go?” he asked. “Now that we’ve avoided the death penalty?”

“Somewhere remote,” said Romy. “Somewhere where hardly anyone lives, and the technology is fifty years behind the times. Somewhere where people mind their own business, because messing around with other people’s business will get you shot.”

The lovers paused, looking at each other for a moment…

Then the light bulb turned on.

West Virginia!” they said, in perfect unison.

They laughed as they shared a quick kiss and began walking hand in hand towards the setting sun.

“Hey,” said Romy abruptly. “Should we burn down the building, so we can hide any evidence that you were there? You know, buy us some time?”

“Baby, that building is made of cinderblock,” objected Bert dubiously, “with a concrete floor. I’m not sure it’ll burn.”

“I’ll go ‘cowgirl’ on you while we watch it burn,” offered Romy, shaking her bust invitingly. “Right on the lawn. Whatcha think about that?”

Bert caught his breath, feeling a sudden tingle in his nether region. “Okay, you got me there,” he conceded, “but are you sure it’ll burn?”

“Everything is flammable,” said Romy sagely. “Persistence is the key.”

The End

MEET DELIBERALIZE!!!

Welcome, ladies and gentlemen, to my humble lil’ blog!

Crazy V has an extra special treat for y’all today! We will chatting with Dean and Nathan of the crushingly heavy band DELIBERALIZE!

So, without any further ado …

So let’s start at the beginning. How did y’all get to together! I’ve been listening since ‘Unhallowed Halls,’ which was a while ago.

Dean: Nathan is my son and he grew up listening to death metal. I’ve been playing drums for about thirty-three years so I was hoping Nathan would take an interest in it when he got older. He did and quickly learned guitar, bass, and vocals.

Holy …! What I adore the most about Nathan is how clear his lyrics are even with his vocal chords turned all the way up. That’s talent! You don’t often see that in death metal, including my lifelong faves My Dying Bride and Carcass. The vocals may sound great but the lyrics are often muddy, you know? Kudos to him! Who writes the lyrics?

Dean: I write all the lyrics.

I quite like them. I’m listening to ‘Unseditious’ at the moment, which is fantastic. We’ll get back to the music in a minute, but we may as well come out of the gate with the obvious: It’s clear (given both the band name and the lyrics) that Deliberalize – much like old-school Black Sabbath and Megadeth – has a message. What would that be? And do please speak your mind; this ain’t the mainstream media here. I’m a musical journalist, not an ideologue or narrative peddler!

Dean: We believe there’s a deep moral and cultural decay happening in the world right now. Our music reflects our view that a lot of the decline is driven by corrupt leadership, ideological manipulation, and narratives that undermine truth, faith, and taking responsibility for your own actions. There’s been an erosion of traditional values. Somehow the rejection of truth has become normalized and there has been a cultural shift away from faith and biological reality, such as more than two genders existing. At the end of the day, our songs are not about hate. They’re about confrontation. Death metal has always been a genre that exposes what it sees as evil, corruption, and decay. We are just applying that same intensity to the modern political and cultural world as we see it today.

Death metal has ALWAYS flipped the establishment the bird! It’s funny, I did a deep dive into history for my new novel series. I held my nose and read both ‘Mein Kampf’ and ‘The Communist Manifesto.’ What leapt out at me is this: What they have in common is that they put God on a back burner and ask their adherents to follow the whims of capricious state leaders. I LOVE the cover of one of your albums: ‘It is when a people forget God, that tyrants will forge their chains!’ One will either serve a loving and just God or self-serving and corrupt men. I don’t think I see a third option and it kinda looks like you guys don’t either. Tell me, did this message evolve or was it planned going into your first album?

Dean: It was intentional from the beginning. We started Deliberalize with the goal of channeling our frustrations about what we saw as government corruption and cultural decline into something creative and aggressive. But at the same time, we didn’t want to be just another cliched death metal band writing purely shock-based horror themes about the exciting journey of a maggot eating a corpse. We wanted our music to reflect real world issues that matter to us rather than fictional gore narratives.

I LOVE it! Using music to express anger and discontent is civilized; it’s a form of dialogue. Chucking bricks at police and ICE agents is barbaric, and in my opinion doing such things is removing oneself from civilized society and becoming a savage. Dialogue is civilized. Chucking bricks is some shit that a caveman would do. Tell me, have you guys ever gotten any pushback against your music? (Note: I won’t be at all surprised if you say yes, since I write from a similar perspective to yours and I’ve taken some heat.) So, any pushback …? Trolling?

Nathan: I run the social media for Deliberalize. Surprisingly, no. We’ve only seen positive feedback on YouTube and Instagram. People saying they love the nineties feel of our music. Some have commented that they agree with and enjoy the conservative lyrics. No one has tried to ‘cancel’ us.

That’s good to hear! I think coming out of the gate with who and what you are heads trouble off at the pass. At a glance, people who love Bad Bunny and think Robert de Niro is a genius will look at your marketing and walk away rather than listening, getting pissed off, and leaving nasty comments. So, that having been established … back to he MUSIC!!! Dean, who were your drumming influences? Death metal drummers often sound like machine guns. I listen and I’m like, oof! That sounds like my better half emptying his AR-15 magazine as fast as he can! (He loves doing that, btw.) Your style is much more measured and nuanced. So which drummers did you listen to while you were learning?

Dean: When I first picked up drumsticks, it was Dave Lombardo and Lars Ulrich. Deicide’s Steve Asheim’s double bass and blast beats blew me away and opened my eyes to a whole new technical and speed-based style. Mike Smith of Suffocation and Gene Hoglan. But my biggest influence of all time is Sean Reinert of Cynic and Death. He was so good it was almost non-human.

I know Cynic and Death! Lars has slipped as of late, but it’s not his fault; he has admitted that his shoulders are completely shot. But when I saw the ‘Load’ and ‘Reload’ tours, he was rippin’ through his ‘wall o’ drums’ like nobody’s BUSINESS! Nice choices. So, Nathan, who were your vocal influences?

Nathan: Chuck Schuldiner is my biggest influence. His style was unique, no one else was doing vocals like that at the time. Others include early 90s Chris Barnes, Frank Mullen, and Mohammed Suicmez from Necrophagist, and Glen Benton.

NICE! You do a fine job, young man. So expressive and articulate! And, yes, Necrophagist I know as well! Sadly, gentlemen? I can’t do death metal vocals ‘cuz they hurt my throat; I can only admire, since I’m your usual choir-trained alto/soprano. And I never mastered the full-body fluidity required to artfully play the drums. Generally, I just count out the beats, turn in my chair like Micheal Keaton’s Batman in his stiff rubber mask, and I sound like I’m typing with drumsticks … which, I suppose, one would expect from a writer. But I DO know guitars and bass! Who plays those in Deliberalize?

Nathan: I write and record the majority of the guitar and bass. The solos are a combination of both of us as we trade off similar to the way of Death and Slayer. He does the structuring and we both record bass and guitar depending on the song.

LOVE IT! The precision of the rhythm guitar reminds me a lot of Dimebag Darrel (may he rest in peace.) Interestingly, the lead guitar fascinates me as well because it has Dimebag’s precision but delivered with an expressiveness that one would expect more from the likes of Steve Vai or Eric Johnson. So, Nathan – me being a tech geek here – let’s talk equipment! What’s your preferred gear? I’m an Ibanez guitar gal with an affinity for Fender amps. But it always interests me which instruments and amps players prefer because they choose them according to their playing style. So …?

Nathan: Ibanez guitar, strictly. I love the feeling of Ibanez guitars, I’ve played Fenders and Gibson, and Jackson, etc. But Ibanez guitars feel right. I play an Ibanez Xiphos, the most comfortable guitar I’ve ever played. For amps, I mostly enjoy the dual rectifier and the ENGL powerball and the Marshall JCM 800 are my favorite amps. For cabinets, ideally, I go for strictly ENGL because I like the way they sound. Maybe some Mesa/Boogie cabinets. I record vocals on a Shure Sm7b.

I love the feeling as well; the slender necks suit my small hands. K … done geeking out now! Dean and Nathan, I’d like to ask y’all final question before we go. I always end with this question, and honestly? I always get similar answers. But I think it’s an important question AND an important answer! Gentlemen, what advice would you give to a young/aspiring musician?

Dean and Nathan: Practice relentlessly, tighten your sound, and treat your music like it matters, because it does. Write what you feel and genuinely believe. Stand on it. Don’t back down from haters. Most importantly, don’t be afraid to tell the truth whether people agree with you or not. Conviction is powerful. Music has always been a voice for expression, so don’t be afraid to use it.

THANK you, gentlemen, for gracing my humble blog this evening! Your music is amazing and what makes it even more amazing is that you have a powerful, heartfelt message. Here’s looking forward to more from DELIBERALIZE!

Dean and Nathan: Thank you, V, for giving us this opportunity. We are working on a new album called Wrath of Euphrates that will be releasing sometime later this year. Your readers can find us on YouTube, Instagram, and Spotify.

EVEN COOLER, YOU CAN ALSO GET MERCH!

https://deliberalize.bandcamp.com/merch

Thanks again, gentlemen, and best of luck to you!



Welcome to Shea Ernshaw’s ‘Long Live the Pumpkin Queen’!

I was walking through a department store a couple weeks back, pushing my cart with the new blinds I’d just had cut for the bedroom. I was leaving the electronics section, where I’d just checked to see if there were any cool Nintendo games that I’d somehow missed.

Anyway, the book section is just outside of the electronics section. I don’t generally look at department-store bookshelves, since they’re always stocked with the same handful of cookie-cutter authors who should probably have stopped writing years ago.

But, that day, a single book caught my eye: Long Live the Pumpkin Queen, by Shea Ernshaw. https://www.amazon.com/Long-Live-Pumpkin-Queen-Nightmare/dp/1368069606/ref=sr_1_1?hvqmt=p&mcid=6bce978c039838dfbd3974fa2fc74375

Being a die-hard fan of ANYTHING connected to the classic film The Nightmare Before Christmas, I stopped and flipped through it. Honestly? I assumed that it was a gimmick, probably something that would only appeal to a kid. Besides, I haven’t the foggiest idea who Shea Ernshaw is; the cover says that she’s a ‘#1 New York Times bestselling author.’ But, then, so’s Tom Clancy and he’s terrible.

I was immediately stricken by the lush, dream-like quality of the writing:

Jack leans forward, eyes damp at the edges, and presses his grave-cold mouth to mine—and my seams feel like they’re going to fray and burst, like they can’t contain this swollen, chest-widening feeling rupturing through me. A feeling so strange and unknown and peculiar that it makes me dizzy. Makes my head swim, my legs teeter.

Jack and I are married.

He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I’m certain I’m certain they should bury us both here, at the center of the graveyard. Married, and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids.

The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart.

I am now Sally Skellington.

The Pumpkin Queen.

And I’m certain I will never again be as happy as I am right now.

I closed my eyes for a second, hearing in my mind’s ear the soft moaning of wind through the dead trees as the fallen leaves rustled along the ground. I could hear the werewolf’s mournful howl in the distance, answered by the playful barking of Zero the ghost dog …

Well, that settled it! Into my cart went Long Live the Pumpkin Queen, right next to the blinds.

The book is just as well plotted as it is lushly written. The tension is almost unbearable as the Sandman—escaped from Dream Town—makes his inexorable way through the holiday lands, putting everyone into a deep, dreamless sleep. It falls to Jack Skellington’s new bride to keep the holidays from going forever extinct …

I’ll definitely be reading more by Shea Ernshaw, if for no other reason than her hypnotic use of prose. She’s amazingly talented, and I thoroughly enjoyed her tale—doubly so since it was set in a such a familiar, nostalgic setting. I particularly enjoyed the portrayal of Dr. Finkelstein, fleshing him out as a true icon of evil.

I found only one flaw in the book, which wouldn’t have bothered me except for one thing: By virtue of its subject matter, this book will inevitably appeal to young readers. For a time, a vampire brother fell in love with Mr. Hyde, and a witch sister with the mayor.

There is another, similar reference, which is two too many. Look, y’all, I’ve enjoyed—and even promoted—books that have sexual deviancy as a plot element. But I’m an adult! There is NEVER an excuse to put such references in a book for young readers!

Was that Ms. Ernshaw’s doing? Was she trying to be subtly ‘woke’? Or was it done at Disney’s bidding? After all, John Nolte—one of my favorite journalists—always refers to the company as ‘The Disney child grooming syndicate.’ Whosoever idea it was, inserting such elements into a book peddled to young people is inexcusable.

That having been said, it certainly didn’t ruin the book for me although I wouldn’t give it to a seven-year-old.

All in all, Long Live the Pumpkin Queen was a dream-like, gripping tale reminiscent of the likes of Ray Bradbury or Daphne du Maurier. Five stars!!!

DR. WERTHLESS: The Life and Legacy of Fredric Wertham, M.D.

I don’t usually review books from big names and/or publishers. I prefer to help out the struggling author, the unsung genius trying to find his or her feet in the world of publishing.

But, sometimes—just sometimes—a big-name book really grabs me, and I feel the need to share it.

Dr. Werthless by writer Harold Schechter and artist Eric Powell is just such a tome. https://www.amazon.com/Dr-Werthless-Studied-Murder-Industry/dp/1506744362/ref=sr_1_1?hvqmt=p&mcid=c9a3d9c8d6d73deda9dd804b89eb394d

Dr. Werthless is biographical, non-fiction graphic novel, rendered in a similar style to Schechter and Powell’s earlier Did You Hear What Eddie Gein Done? In fact, the infamous serial killer/grave robber Ed Gein appears in the narrative, as he was interviewed by the title character: the notorious psychiatrist Fredric Wertham.

Dr. Wertham is best known for Seduction of the Innocent, a book that I read as a teenager. It’s no exaggeration to say that Seduction of the Innocent severely crippled and nearly destroyed the booming comic-book industry; comics wouldn’t fully rebound until their second ‘Golden Age’ in the nineteen-nineties. How long did the comics industry flounder in the shadow of Wertham’s hatred for it, you ask…?

Seduction of the Innocent was first published in nineteen fifty-four. But, I’ll get more into that later.

Schechter and Powell do a fine job of telling Wertham’s life story, detailing both his incredible strengths and his deplorable flaws. While I knew—as does every student of comic-book history—about Fredric’s mad crusade against sequential art, there was also a lot about him that I didn’t know.

For starters, Wertham became renowned for his ability to at least interview—if not effectively treat—serial killers. He spoke to them as people, without judgment or fear, and got them talking in ways that other therapists could not. His work with the likes of Robert Irwin, Albert Fish, and Ed Gein shed a great deal of light on the mind of the serial killer.

While he was known for his affability and compassion with murderers, Fredric Wertham was nevertheless poison to his peers. Stubbornly opinionated and often neurotic, he was viewed as brilliant but unstable. Despite his shortcomings, Wertham took it upon himself to start a psychiatric clinic for underprivileged youth in Harlem. Since many of his clients proudly refused to be treated for free, Wertham began charging twenty-five cents per session, earning him the nickname ‘Dr. Quarter.’

The founding of such a clinic—particularly in the nineteen-forties—took iron will and force of personality. For this, Wertham deserves historical acclaim …

Unfortunately, it was his time at the free clinic that led to the manic obsession for which Fredric Wertham will be forever known: his unreasoning, blistering hatred of comic books.

The early fifties was known as the ‘Golden Age’ of comics. Detective Comics (DC) had its vaunted superhero universe. EC Publishing produced some of the finest horror and ‘true crime’ comics ever seen, many of which are reprinted to this day. (The incredibly popular “Tales from the Crypt” television show is based on the books by EC.) Dell Publishing had the rights to Disney characters such as Donald Duck and Uncle Scrooge, as well as many other ‘funny animals.’ Business was booming, and culture-defining tales were being spun on a daily basis.

It’s unclear as to exactly when Wertham’s obsession with comics began, but it appears that it came from his time running his free clinic. He began to link comic reading to anti-social behavior, using an almost laughable formula: Anti-social youths read comic books, therefore comic books cause anti-social behavior. It’s the same flawed reasoning that money-grubbing televangelists such as Jimmy Swaggart and Pat Robertson would later use in regards to heavy metal music, horror films, and role-playing games. (For more on this topic, check out this brilliant interview with my better half: https://www.youtube.com/watch?v=mhxUdyfMdyE )

Wertham’s assertions would probably never have flown today because there was no control group! He never created an isolated group of test subjects to prove his ‘cause and effect’ theory; his ideas were purely anecdotal. Indeed, Wertham’s base assumption—that children are ‘blank states’ and all negative behavior comes from outside influences—was never an idea that he bothered to test. Wertham simply did not believe in the innate depravity of the human heart, and—rather than testing his skepticism—he went on a mad crusade attacking said ‘outside forces.’

Seduction of the Innocent was never extensively peer-reviewed. It was not influential because psychiatrists took it seriously; rather, it was influential because hysterical parents did. Instead of testing his ideas in a clinical setting, Wertham ‘tested’ them in the court of public opinion.

Facing massive pressure from parents, the comics industry soon found itself operating under an onerous censorship regime known as ‘The Comics Code Authority.’ Gone now were most horror comics, and the few that survived were pretty toothless, much like the PG-13 horror films of the nineties before the rise of After Dark Productions and A24 Studios.

Only Dell refused to bow to the CCA, but that was because Dell’s books were fairly tame anyway. Rather than submitting their books for code approval, Dell instead opted to insert its own ‘Pledge to Parents’ inside every cover.

It wasn’t until the eighties that the industry began to push back. DC Comics launched its iconic, adults-only line of comics with such titles as “The Swamp Thing,” “Hellblazer,” and Neil Gaiman’s “The Sandman.” The rules began to relax a little, allowing for darker characters such as Wolverine and the Punisher. Horror and dark fantasy comics slowly crept back with such titles as “Eerie” and “Heavy Metal,” skirting around the code by marketing themselves as ‘magazines’ rather than ‘comic books.’

It wouldn’t be until the nineties—with the founding of Image Comics—that Wertham’s fascist legacy finally got flipped one big, fat bird: Image refused to submit its books for code approval. Honestly, classic books like “Spawn” and the “The Maxx” wouldn’t have been approved anyway, but it was the raw, visceral nature of their storytelling that made them legendary.

Marvel Comics was the last publisher to drop the code in the early two thousands, rendering it officially extinct. Most books today will have some kind of label stating such things ‘Rated T for Teen’ or ‘for mature readers only.’ Books with explicit art usually come in plastic bags, which is common sense.

Still, a once-proud element of America’s unique cultural heritage wallowed in the darkness of censorship for four decades. How many epic tales were never told? Or, if they were told, got watered down so badly as to lose their effectiveness?

Schechter and Powell did a fantastic job of rendering Wertham’s story—both the good and the bad—into a riveting, beautifully-illustrated narrative. Their summary of Wertham’s life and work is spot on: If there is a tragic element to his life, it is that this limitation—his monkey-see-monkey-do view of human behavior—has so thoroughly overshadowed his many admirable traits. Fairly or not, in the world of comicdom, he will always remain …

Dr. Werthless.”

My Ode to Ozzy: A Literary Funeral for a Friend

How the ‘Osbourne Identity’ Was Unlocked

-In July 2010, a “phlebotomist”—whatever the fuck that is—took a sample of my blood and sent it to a lab in New Jersey.

-DNA was taken from my white blood cells, dissolved in salt solution, and then sent off to Cofactor Genomics in St. Louis, Missouri.

-At Cofactor, my DNA was “chopped up” into ten or twenty-five trillion pieces thanks to some heavy-duty shaking. After that, they spelled out all the chemical letters—in precise order—that make me the certifiable nutter I am.

-For the next sixteen days, Cofactor used a photocopier-sized machine—which cost more than three Ferraris, I’m told—to “read” my genome thirteen times over and put it on a hard drive.

-The hard drive with “me” on it was sent to Knome, Inc., in Cambridge, Massachusetts.

-Knome compared the six billion letters in my genome with every other genome on the planet—to find out why the fuck I’m still alive. Then they put all the findings on a little USB stick thing and presented it to me at home.

-While trying to understand what had just happened … my brain exploded.

– Ozzy Osbourne, on having his genome sequenced. (From Trust Me, I’m Doctor Ozzy)

John ‘Ozzy’ Osbourne is no longer with us. The lead singer of Black Sabbath and solo metal icon has, sadly, gone to the Great Mosh Pit in the Sky. I should have written this blog a while ago, but I couldn’t. I couldn’t put my thoughts together, or wrap my head around going forward in life without the musician who provided the soundtrack of my life.

A co-worker broke the news to me, and I immediately hung my head and wept. My favorite boy cousin and lifelong bestie Eric was similarly heartbroken. He went home, hid in his ‘man cave,’ got blasted (Ozzy-style, you know?), and watched Ozzy Osbourne: Live at the Budokan. Me? I hid in the den, wrapped myself in a blanket on the couch, and sniffled through Black Sabbath: The End ...

And, yes, there was ice cream involved.

It’s impossible to talk about Ozzy without talking about my early years, during which his music slowly evolved as a massive influence. The following narrative might feel a bit meandering to some, but it makes sense to me. In any case, to quote the Joker from Batman: The Dark Knight

Here … we … GO!!!

My mother was a religious psycho when I was a kid. No, I don’t mean a ‘Christian’ ; that’d be me. (A crappy one, mind you, but I try.) She was no ‘Christian,’ but she was a ‘religious psycho’ because it made her feel like she was better than everyone else. It also gave her an excuse to exercise brutal, ironclad control over her children’s every word and deed. In the end, it was all about superiority and control; religion was just the means to the end.

So, hard rock and heavy metal were off the table. My mother bought into the ‘Satan hatin’’ hysteria of the eighties, which was fueled by money-grubbing televangelists claiming to represent Jesus while they bowed at the altar of The Almighty Dollar. Jim Baker, Jimmy Swaggart, etc. … Those clowns have a court date in Hell, and, honestly? They keep coming back like toenail fungus. Now, we have Joel Osteen raking in the big bucks while he preaches heresies. And, it’s all preach and no practice to him. Love your neighbor? Use your ‘mega church’ to take in the flood refugees of Houston in their hour of need? Oh, HELL no!!! These are new carpets!

The ‘Satan hatin’’ crowd really was idiotic! Fueled by sleazy TV ‘stars’ masquerading as preachers (many of whom got caught with hookers or busted for embezzlement), parents bought into the absolute DUMBEST conspiracy theories! Your kid loves metal? Pull down his shirt collar; he’s probably wearing a Baphomet amulet. Your kid loves horror movies? He’ll be a serial killer before he graduates high school. Check his room for signs of blood and maybe a few dead bodies. Worst of all, does your kid play ‘Dungeons and Dragons’? Watch for his head starting to spin around while he bazooka-barfs pea soup. Also, check your house for signs of demonic activity. If the spots won’t come off your dishes, your household is probably possessed.

The scary thing is that parents actually bought into this shit! As a writer molded by heavy metal, horror films, and role-playing games, I take extreme offense. For an excellent rebuttal to all this nonsense, check out this podcast starring my long-suffering better half: https://www.youtube.com/watch?v=mhxUdyfMdyE

But, for better or for worse, my parents believed that garbage. They ate it up like pig slop.

Ozzy wrote at great length about how hard it was to deal with protestors and matchstick men masquerading as preachers. I didn’t take that to heart until twenty-sixteen, when my better half and I took a long road trip to Minneapolis, Minnesota to see Black Sabbath during their finale tour.

There was this whole crowd of yahoos on the sidewalk in front of the venue, screaming into bullhorns. “THIS IS THE SONG OF FOOLS!!! YOU ARE ALL HERE TO WORSHIP THE DEVIL!!! YOU WILL BE DAMNED AND BURN FOR ALL ETERNITY!!! WE WILL BUY BACK YOUR TICKET TO SAVE YOUR IMMORTAL SOUL!!!”

My first thought was you haven’t figured out that nineteen eighty-five left without you?

My second thought came from a much angrier place: if those idiots were standing outside one of the Planned Parenthoods, gay bars, strip clubs, or Masonic lodges that we passed on the way to venue, I’d have asked to borrow a bullhorn so I could join them. We would have unarguably held the moral high ground! But, a concert? Raining on everyone’s parade during what might have been the high point of their lives? How many people can say they’ve seen BLACK SABBATH, and these clowns had to shit all over it?!

This scrawny dweeb with a bullhorn got in my better half’s face, which was a mistake; scrawny dweebs should never confront burly, muscled men who weigh an eighth of a ton. That’s just dumb. “YOU ARE GOING TO HELL!!!” he shouted.

My better half didn’t yell at him, and that was bad. When he yells, he’s just blowing off steam. When he speaks in a calm, measured tone he means exactly what he says. “If you don’t get that horn out of my face,” he said with a menacing half-smile, “I’ll shove it so far up your ass that it comes out of your nose.”

Scrawny Dweeb got the hint and backed off. I breathed a sigh of relief, grateful that he didn’t get into my face. It’s one thing to poke the bear; it’s quite another to poke the bear’s mate. My better half would have dragged him out into the street, curb-stomped him into pothole filler, and up-ended his bullhorn over his carcass as a makeshift traffic cone.

It’s one thing to read someone else’s account of being hassled by nutjobs. It’s quite another to have nutjobs coming at you! In real time. In your face. Foaming at mouth and screaming out psychotic ideas that they’re too crazy to ever be talked out of. The experience was unnerving, and I’ll never forget it. I’ll talk about the concert later, because I’ll also never forget THAT!!!

Yeah, this was the garbage that my parents fell for. So, yep! No metal for me.

But, there was my crazy uncle …

My mother gave birth to me when she was sixteen, so when I was old enough to start remembering things (around four) she was twenty. Her baby brother is six years younger than she is, so he would have been fourteen. Letting him babysit me was a ‘measure of last resort,’ but it occasionally happened.

And, my uncle would always bring over a backpack with records in it. I remember the first time I ever heard Ozzy’s ‘Crazy Train.’ I was dancing all around the living room, gleefully head-banging like a pint-sized maniac! “Careful, V!” laughed my uncle. “You’ll make the record skip!”

My uncle was my lifeline. He introduced me to music that reflected the darkness that I felt even at such a tender age. My childhood was defined by brutal verbal—and occasional physical—abuse. I always felt like I was strangling from the ironclad control exercised over my every word, my every move. I couldn’t breathe, and the dark music that my uncle brought over was oxygen. For just a few hours, I felt free. I could breathe again. People were singing thoughts that mirrored my own, and suddenly those thoughts became a lot less scary. Ozzy—and others like him—made it okay to harbor dark ideas about the suffering being inflicted upon me.

I’ve said it before and I’ll say it again: Metal is catharsis. By turning fear and pain into art, fear and pain are robbed of their power over you. Horror films have the exact same effect. Life moved on, and soon I wasn’t four anymore. I was seven…

I loved listening to my hometown rock station, FM99, on my headphones after my mother and stepfather went to bed. As much as I enjoyed their music, it bugged me that they rarely played metal. Oh, they had all the ‘classic rock’ and ‘glam rock’ covered—and I loved both genres—but playing the likes of Black Sabbath, Ozzy Osbourne, or Metallica? You were lucky to get one song a day by those bands. Metal wouldn’t become ‘mainstreamed’ until Metallica released their self-titled album in nineteen ninety-one.

So, I had to get my hands on cassettes. There was no other option.

The only record store with bike-riding distance to me was this tiny shop that sat in what was otherwise a sprawling, empty lot between Sewell’s Point Road and I-64. The window was completely covered in fading, dusty posters of pop, soul, and R&B stars. It was widely rumored that the shop was just a cover for less-than-legal activities, and it was on the bad side of the Five Points intersection.

But, it was a RECORD store!!!

I talked a neighborhood boy into making the initial journey with me, since I was kind of scared of the neighborhood. That wasn’t hard; I was always a pretty lil’ gal (no brag, just fact) and getting a boy to tag along was effortless. He was like, whoa! I get to hang out with V?!

The bike ride was pretty scary, but, times were different then. You didn’t have to afraid in a bad neighborhood until you were a teenager. Gang-bangers didn’t mess with small children. Now? They’ll murder a three-year-old but it wasn’t like that back then. So, we made it to the record store safely. (Notice that I’m not giving the name of the record store? Just in case the owner wasn’t involved in less-than-legal activities, I don’t wanna slander him …)

(That having been said, I’m pretty sure he was.)

So, we walked inside. The owner was watching a flickering black-and-white TV behind the counter. He was a, um, ‘large gentleman of color,’ and he looked at my escort and I like we both had three heads. “Whatchoo lil’ crackas’ DOIN’ in here?!” he demanded.

“Just looking for some tapes, Sir,” I replied politely. (I’ve been called a ‘cracker’ more times than I can count. That’s what it was like to grow up in culturally-divided Norfolk, Virginia. Honestly? It never really offended me. Yes, I’m white. Which—in colloquial terms—makes me a ‘cracker.’ I don’t get bent out of shape over racial slurs. I don’t think it’s any worse to use a racial slur than it is to call someone a ‘big, fat stupid-head.’ An insult is an insult, no more and no less. It’s dumb to elevate one kind of insult over another.)

But, I digress …

A cursory look through the dust-covered records and cassettes made one thing immediately obvious: This record store had a ‘no white artists allowed’ policy. “Sir,” I asked the portly owner, who still looked shocked by our presence, “do you have any Black Sabbath albums?”

“I don’t sell no ‘white people music’!” he proclaimed.

I hung my head, defeated …

And, then his demeanor softened. Despite whatever sketchy business he may or may not have been involved in, he obviously had a heart. “But,” he added, “I do got dis catalogue!”

I perked up as he pulled a phone-book sized catalogue out from under the counter. “You tell me whatchoo want,” he explained, “and gimme fi’ dolla. Come back next week, and I’ll have yo’ tape and you pay the other fi’ dolla den.”

And, that’s how I got my hands on a cassette copy of Black Sabbath’s Paranoid

I did a fair amount of business with that portly black gentleman over the next couple of years. The routine was always the same: bat my eyelashes at a boy to get him to go with me, tremble in fear on the bike ride there and back again, tell the fat man what I wanted and give him ‘fi’ dolla,’ and then repeat the ritual the next week to pick up my cassette.

I kept my cassettes hidden in my closet. If I didn’t, they’d get confiscated and I’d get grounded for engaging in ‘Devil worship.’

It’s funny, when Guns n’ Roses came out with Appetite for Destruction, I went in and ordered a copy. Upon being given the band name the fat man hastily blurted out ‘I don’t sell guns!” Which, of course, immediately told me everything I needed to know. Of course he did! I’ll wager that he had a dozen handguns under his counter (sans, of course, a dozen serial numbers).

But, you know what? I don’t give a shit. He was kind to me and we did a lot of (legal) business. What lawn-mowing money of mine didn’t go to him went for comic books, and thus I was content.

When I was twelve or so, my parents bought me a mountain bike for Christmas that went a lot faster than my dirt bike. I was also getting bolder about venturing further afield, so one day I made the journey to Traxx Records in Ward’s Corner.

Traxx was the TAJ MAHAL of record stores!!! Think Empire Records from the movie by the same name. Suddenly, the angels started singing from the heavens. No more paying ‘fi’ dolla’ in installments; they had everything in stock!

Ward’s Corner is in the Jewish section of Norfolk. The Jews have a synagogue there, and they all live huddled in this one neighborhood so they can walk to the synagogue on nice days without breaking Moses’ law about walking too far on Saturday. I felt much safer because—unless I’m badly mistaken—you don’t often hear about people being robbed by Orthodox Jews.

So, my bike trips to Traxx Records continued until I got my driver’s license at the age of seventeen. And. no, thank God, I never got mugged by a rabbi.

So, what treasures from Black Sabbath and Ozzy Osbourne did I discover during those years? What amazing music did I acquire whilst trembling past gang-bangers and waving cheerfully at Jews on hot summer days?

Lessee …

After Paranoid, I’m reasonably certain that the next album I bought was Black Sabbath’s self-titled debut. Talk about getting blown away, now! The opening track gave me the absolute shivers; it reminded me of the old Universal Studios horror films that I so loved as a kid. What is this/ that stands before me/ figure in black/ which points at me/ turn ‘round quick/ and start to run/ Find out I’m the chosen one/ OH, NO!!! (Fittingly, Black Sabbath takes their name from a horror film starring Boris Karloff of Universal Studios fame. On a side note, I have a pet sugar glider named Boris. Yep, after Boris Karloff.)

Another song that blew me away was ‘N.I.B.’, so named after the shape of drummer Bill Ward’s head which looked like a fountain-pen nib. The rabid ‘Satan haters’ claimed that the name was an acronym for ‘Nativity in Black,’ which would later become the title of a Black Sabbath tribute album. I loved the song because I love any song that tells a story! The lyrics come from a seductive lover wooing a young woman: Some people say my love cannot be true/ please believe me, my love/ and I’ll show you/ I will give you those things you thought unreal/ the sun, the moon, the stars all bear my seal…

But, I love the twist ending. After all the sweet talk and self-adulation, the young lady finds that her seducer is actually the Devil: Now I have you with me/ under my power/ my love grows stronger now/ with every hour/ look into my eyes, you’ll see who I am/ my name is Lucifer, please take my hand …

Cue the BASS riff!!!

That song became particularly poignant in my twenties. Who hasn’t fallen for some smooth-talker that finally tipped his hand and went from being an angel to becoming the Devil?! ‘N.I.B.’ is a timeless tune.

Another album I bought after Black Sabbath was Sabbath Bloody Sabbath. (An album/song title that U2—the worst band ever to have set foot on a stage in my opinion—would later rip off.) The title cut, in my opinion, is Ozzy’s best vocal performance ever. Sabbath bloody Sabbath/ what you gonna do?/ living just for dying/ dying just for you. Recorded in a creepy castle (as described in Ozzy’s autobiography I am Ozzy), the album is a fitting reflection of the drug-addled, dark circumstances under which it was recorded.

I also bought Ozzy’s Bark at the Moon. Honestly? I didn’t like it and I still don’t. But, Ozzy was still reeling from the sudden death of his guitarist Randy Rhoads, and I think he struggled to work with his new guitarist Jake E. Lee. The album was born of a disjointed working relationship, and it shows. Except, of course, for the title cut which is pure GENIUS!!!

I loved that Jake E. Lee used a movable chord for the main riff, much like Zakk Wylde would later do with the iconic balled ‘Mama, I’m Coming Home.’ The lyrics—once again—were reminiscent of my beloved black-and-white horror films. Howling at shadows/ living in a lunar spell/ he finds his heaven/ spewing from the mouth of Hell/ those that the beast is looking for/ listen in awe and you’ll hear him/ BARK AT THE MOON!!! I love the werewolf howl at the end; I always have to do it when I’m singing along. AWOOOOOOO!!! Whoa, whoa, yeah, bark at the moon!

Ozzy’s next release with Jake E. Lee on guitars, however, was NOT ‘disjointed’!!! I have only ever used one word to describe The Ultimate Sin: ‘elegant.’ My favorite song on the album is ‘Killer of Giants,’ but, honestly? Like Pink Floyd’s The Wall or Iron Maiden’s Brave New World, I can never just listen to one or two songs. I MUST let the album play all the way through!

Then came No Rest for the Wicked

THAT was the first Ozzy album to feature guitarist Zakk Wylde, who is, um, yeah, kind of a demi-god in my household. Zakk went on to become the front man for Pride and Glory and Black Label Society, and he also released two brilliant acoustic albums under his own name. What’s cool, though, is that while Zakk would go on to become an incredibly nuanced musician, No Rest for the Wicked is an amazingly raw piece of work. Ozzy’s iconic voice played off of Zakk’s heavy riffing, and the world was handed a slice of heavy metal at its absolute finest.

Then came No More Tears ...

Good grief, y’all! Can you imagine a world without ‘Mama, I’m Coming Home’? The one track that always hit me hardest was ‘The Road to Nowhere.’ I’m still haunted by lingering ruin that was my twenties, and Ozzy sung quite eloquently about the topic: The wreckage of my past keeps haunting me/ it won’t leave me alone/ I still find it all a mystery/ could it be a dream?/ the road to nowhere leads to me …

So, yep, that’s the hodge-podge of albums that I bought from the fat black man and Traxx Records. But, it didn’t end there. When I was seventeen, Ozzy released Ozzmosis. I can’t even BEGIN to tell you what that record meant to me and what a profound influence it was during my late adolescent years. Me n’ my favorite boy cousin Eric used to sing along to it for hours. We weren’t izzackly ace singers, but, that’s okay. Music is about participation, not perfection; it’s about enthusiasm, not operatic training. I don’t give a shit if you sound like Bob Dylan, just go ‘head and sing! I don’t mind. I’ll sing along with you!

So, let’s switch gears here …

I’ve often said that Ozzy Osbourne’s/ Black Sabbath’s music is the soundtrack of my life. Why? What moments during my short existence could have conjured such music into the forefront of my brain?

Lessee …

‘Crazy Train’ – I remember jamming around my living room at the age of four or so, and I asked my crazy uncle ‘what did Ozzy say there? I didn’t understand.’ So, my uncle explained that the lyric was mental wounds not healing. I didn’t understand that either, so he had to explain what ‘mental wounds’ were. At which point I sat down on the carpet and mournfully replied, ‘yeah, I got those.’

I’ll never forget the look on my uncle’s face. He knew how crazy his sister was and he tried his best—particularly during my adolescent years—to shield me from her relentless abuse. ‘Let’s order a pizza, kiddo,’ he said kindly. ‘Your mom said we could.’

‘Miracle Man’ – Ozzy penned the lyrics to this one after televangelist Jimmy Swaggart got busted with a hooker. Miracle Man got busted! I found the song quite cathartic. Suddenly, one of ‘Satan haters’ who caused me so much pain got his just desserts. Jimmy Swaggart fanned the flames of the anti-metal movement, blaming Ozzy’s song ‘Suicide Solution’ for a tragic teenage suicide. Even a cursory glance at the song tells you that it’s a song about alcohol addiction and not an endorsement of suicide: wine is fine/ but whiskey’s quicker/ suicide is slow with liquor/ take a bottle, drown your sorrows/ then it floods away tomorrows/ evil thoughts and evil doings/ cold, alone, you hang in ruins/ thought that you’d escape the reaper/ you can’t escape the Master Keeper.

Jimmy Swaggart fucked up my life just like he fucked up Ozzy’s. I was quite happy to hear that ‘Miracle Man’ GOT BUSTED!!!

‘Mama, I’m Coming Home’ – Yes, this is just a pretty ballad to most people. But, it has much more meaning to me. A few times a month, my better half stumbles home from work looking like he’s been run over by a truck. He’s pushed himself to the limit and he’s finished. When that happens, my world comes to a complete stop. It doesn’t matter what I wanted to write or what I meant to do that evening; the head of my household is down for the count and now I’m ‘up.’ I know my place. Genesis says that ‘the Lord God said “it is not good for man to be alone; I will make a helper who is suitable for him.”’

I’m not the ‘mover-and-shaker’; I’m the helper. My better half always gushes with gratitude when I take care of things after he’s been busted to shit; he always tells me he looks forward to coming home. It scares me when he comes home in such a condition because he’s not the same strong, happy-go-lucky guy who left for work that morning. That’s when Ozzy’s song springs to mind: Times have changed/ and times are strange/ here I come but I ain’t the same/ Mama, I’m coming home.

My role was assigned at the beginning of Creation: ‘a helper who is suitable for him.’ His was assigned at Creation as well: ‘subdue the earth.’ If either one of use fail to do our jobs? Another line from Ozzy’s song will come true: selfish love/ yeah, we’re both alone/ the ride before the fall

That’s probably anti-feminist but I was never much of a feminist anyway. God ordered this world to work in a certain way, and men and women were both created for specific purposes. I know mine. When I peep through the kitchen curtain and see the head of my household stumbling out of his truck, I think here I come but I ain’t the same

He thinks Mama, I’m coming home.

And, that’s marriage. To understand your place in Creation leads to a happy relationship. Fighting against your place in Creation leads to being alone, embittered, and wondering where the hell all the good men went.

I’m not alone and I’m not embittered. ‘Mama, I’m Coming Home’ is also one of my favorite songs to play on guitar. When I was first learning to finger-pick that was one of the first tunes I figured out. And, I’ll never forget Ozzy’s profound lyrics until I either croak or go completely senile.

‘I Just Want You’ – There are no un-lockable doors/ there are no un-winnable wars/ there are no un-rightable wrongs or un-singable songs/ there are un-beatable odds/ there are no believable gods/ there are no un-namable names/ shall I say it again/ there are no impossible dreams/ there are no invisible seams/ each night when they day is through/ I don’t ask much, I just want you.

People have often asked me why I love that song so much when it says ‘there are no believable gods.’ To me? Even as a Christian, that lyric makes perfect sense. A deity, by definition, is unbelievable. That’s why we’re rewarded for having faith; we found the strength to believe the unbelievable. Ozzy spoke the truth: there are no believable gods.

But, this song has always held an even deeper meaning for me. When I started dating my better half it always played in my mind’s ear. Yeah, I’m told I have a near-genius IQ. What the fuck ever. If I do indeed possess all the smarts that my educators said I did, it still doesn’t mean a damn thing. Everything I know is a drop in the bucket compared to all that there is to know.

I didn’t know any more when I was dating my better half than I do now, but I did know this: I wanted that relationship to be my last. No more fooling around, no more mistakes, and no more disappointments. Each night when the day is through/ I don’t ask much, I just want you.

I got what I wanted. Life is good!

Honestly? I could go on forever. Ozzy Osbourne was a profound thinker but he always delivered his profound thoughts in a blue-collar, relatable manner. His sense of humor was amazing, as was his humility. He made a boatload of mistakes (like, you know, going on a forty-year bender) but he always readily admitted to them. When his album Ordinary Man came out, I slowly began the mourning process: I’ve been the bad guy/ been higher than the blue sky/ but the truth is I don’t wanna die an ordinary man. (That was a duet with his longtime friend Elton John, by the way.)

After Ordinary Man came Patient Number Nine. Patient Number Nine was fitting finale for our beloved Prince of Darkness. The songs were all co-written with a ‘who’s who’ of epic guitarists. Zakk Wylde, Toni Iommi, Eric Clapton, the late, great Jeff Beck … That album was INCREDIBLE!!! But, it was also haunting. You could hear Ozzy facing his own upcoming demise. I love the song ‘Mr. Darkness’: Dear Mr. Darkness/ I write you again

Who hasn’t felt so low that he feels like his only solace are his own dark thoughts? While Ordinary Man was a fairly even-tempered album, Patient Number Nine was heavy as HELL!!! Talk about throwing a hand grenade through the door on your way out.

In twenty-sixteen, I saw Black Sabbath in Minneapolis, Minnesota. It was worth the road trip and it was worth fighting past the bullhorn-wielding idiot who nearly got himself snapped in half by my husband. To hear the First Voice of heavy metal shouting ‘GOD BLESS YOU ALL’ and demanding that you clap along with him, well …

I clapped. And, clapped and clapped until my arms felt like rubber. And, then, clapped some more. That’s the magic of the legend that was Ozzy Osbourne. Seeing him live didn’t feel like a concert. It felt like a party, and he was your enthusiastic host! He made it his duty to ensure that you had a wonderful evening and you left his party with a wide grin. He once wrote about that: ‘That’s what I do. I’m an entertainer.’

Yes. Yes, he was!

Shortly before his passing, Ozzy rejoined Black Sabbath for a finale concert. Who’d have guessed that he was giving us his two-week notice? But, that was the Oz-man for you. I waited a while to write this blog because I needed to recollect my memories to give that ol’ bat-eating maestro a fitting tribute. One does not simply take the entire soundtrack of one’s life and then re-arrange it into a neat blog in one day …

I didn’t start writing until I stopped crying.

That’s what Ozzy wanted. As he wrote in Trust Me, I’m Doctor Ozzy: I honestly don’t care what music they play at my funeral—they can put on a medley of Justin Bieber, Susan Boyle, and “We Are the Diddymen” if it makes ‘em happy—but I do want to make sure it’s a celebration, not a mope-fest. Also, it’s worth remembering that a lot of people on this earth see nothing but misery their whole lives. So by any measure, most of us in the Western Hemisphere—especially rockers like me—are very lucky. That’s why I don’t want my funeral to be sad. I want it to be a time to say ‘thanks.’

I’m trying not to be sad. I’m trying to remember the wise words of Dr. Seuss: ‘Don’t cry because it’s over. Smile because it happened.’ On a final note, I will leave all you lovely readers with this: a few thoughts on death sung by the Man Himself. Don’t cry, just sing along. That’s what Ozzy wanted you to do. That was his final wish, and I for one honor it.

As the iconic playwright Jack Thorne once wrote: ‘Those we love never truly leave us. There are things that death cannot touch.’ It is impossible to write about Ozzy without mentioning his well-documented foibles, and I have. But, as Jack Thorne also wrote: ‘They were great men, with huge flaws, and you know what—those flaws almost made them greater.’

Rest in peace, Old Friend. https://www.youtube.com/watch?v=-9yYJ6ZAYns&list=RD-9yYJ6ZAYns&start_radio=1

Welcome to ‘Lessons on Seduction’!!!

The year was 2020 …

I’d just been signed on with a respected romance imprint. The first book I ever read from said publisher was one written by my good friend Estelle Pettersen, who took the gig just before I did.

We were both ‘newbies,’ you know? I’ll always have a soft spot for Estelle because of that. We were both trying to find our feet in a new world, and working together made us more confident. Estelle asked me to read her script before it was released.

Naturally, being the good ‘wing gal’ that I am, I did. This is how it opens …

Look, y’all, I ain’t gonna mince words here. There’s a certain dissonance when it comes to art. I adore horror films, but I am not in the least inclined to run out and kill someone. I like sexy stories, but they don’t make me toddle out and cheat on my better half. Honestly? That’s why I love Estelle. She’s never said ‘boo’ about my sadistic tales; she just takes them in stride. I don’t judge her any more than she does me. I don’t write tales that hit the top of the ‘erotic’ scale, and Estelle doesn’t drown the world in literary blood. I’m violent. She’s erotic. And, honestly? It’s all just ‘pretend,’ both the blood and the blowjobs.

If erotic stories have a ‘cause and effect’ impact on you – if ‘Lessons on Seductions’ will tempt you to do something immoral – then don’t read it. It’s funny, though. Estelle’s public bios paint her as a loving ‘family woman.’ I know her; she’s a devoted wife and mother. (And, yes. I have a policy of never saying anything about a fellow author that the author hasn’t already said to the reading public.)

‘Lessons on Seduction’ is a fantasy, nothing more. The author—like me—is detached from her fantasies. Much like my own brutally violent fiction, this tale is just an escape. We authors LOVE to write about things that we would never do in real life! I would never harm anyone—brutally or otherwise—and I’m reasonably certain that Estelle would never wreck her happy home with grossly inappropriate sexual behavior.

That having been said, ‘Lessons on Seduction’ a ROCKIN’ tale! The opening made be blush. Bad writing elicits no response from me whatsoever, blushing or otherwise, but that’s not ‘Lessons’ …

Sapphire, the leading lady, is a complete skunk. She has the morals of an alley cat. And that’s what makes her story SO much fun to read! Her tale is a deliciously naughty one. Remember, this is fantasy. Not real life. I found Sapphire to be a very engaging leading lady; in fact, I think it was her shameless amorality that made her such a standout from other romance heroines, including my own.

Julian, the leading man, is cut from the same cloth as Sapphire. It is no small task, molding a yahoo who generally thinks with his second head into someone truly likable. But Estelle does. Julian’s evolution of character is subtle; the shifts in his thinking are so gradual that you don’t notice them. Then, when you’ve finished reading, you look at who he is at the end of the book compared with who he was at the beginning. Only then does the contrast hit you.

The ending—the last few paragraphs—really sticks the landing. Skunks don’t run around behaving like skunks and then miraculously earn a ‘happily ever after.’ Not in real life, anyway, but this is a story. Sapphire and Julian’s happy ending reads beautifully. (And, no, that’s not a spoiler. Romance—erotic or otherwise—by definition always has a happy ending! If a love story doesn’t have a happy ending, then it’s just a love story and not a romance. See also Titanic, or maybe Romeo and Juliet.)

What I loved most about this tale is how Estelle artfully inserted profound thoughts even if they were woven throughout all the sexual hi jinks! That is truly indicative of great writing. Great writing doesn’t just tell you a story; it also makes you think. It challenges your ideas and your belief system.

‘Lessons on Seductions’ is a great book. Full stop. Yeah, read it with caution or maybe don’t read it at all if it will tempt you to do something wrong …

But, honestly? If you can handle it, it’s a damn good story. Five stars. I THOROUGHLY enjoyed it!

IF YOU DARE TO READ ‘LESSONS ON SEDUCTION,’ YOU CAN FIND IT HERE!!! https://www.amazon.com/Lessons-Seduction-Estelle-Pettersen-ebook/dp/B08BKRPF63/ref=sr_1_1

An Interview by Andrea Miles Rhoads!!!

Andrea Miles Rhoads was a both dear friend of mine and a ferociously effective mentor. Her clever marketing landed me not one but three bestsellers: ‘Haunting at the No Return Hotel,’ ‘Genesis Rising I: The Children of Apep,’ and ‘Genesis Rising II: The Angel and the Beast.’

Honestly? I miss her most as a friend and mother figure. Andrea was quick to ‘get after me’ when I messed up, and quite stern about telling me what I needed to do in order to become the author that I wanted to be. But, behind all that business-like sternness beat a heart of the purest gold. Andrea cared about me as a younger author, and she never wavered in her belief that I was tough enough to evolve into the writer that I so craved to become. Working with her was like working with one’s mother: the perfect balance of love and discipline.

Why discipline? Because Andrea possessed something that I lack: Marketing skills. I had to be molded into something that I was not, and she made doing so her mission.

Andrea’s passing was sudden and heartbreaking. Like my fellow author Gerry ‘Alan’ Souter and my poet friend Chris Taylor, not a day goes by that I don’t mourn her. But, as Dr. Seuss put it: ‘Don’t cry because it’s over. Smile because it happened.’

I’m smiling. Sadly, some days, but still smiling. Andrea would have sternly ordered me to smile, and then given me an ass-chewing if I didn’t. And, then she’d go on to tell me how awesome I was even if I didn’t believe that myself.

What follows is an unreleased interview with me that Andrea did, meant for one of her newsletters. Sadly, it was never published. But, Andrea always did tell me that my biggest marketing strength was my ability to be a ‘ham,’ at least when I could hide behind a keyboard.

So, here’s me … answering a few questions from one of the greatest women I’ve ever known. Andrea left the world a better place than it was when she came into it. I – and many authors like me – will testify to this.

So, without any further ado …

AMR: Where did you grow up and do you still live there?

Sadly, I don’t live there anymore. I do miss the ocean! I was born and raised in Norfolk, Virginia, USA.

AMR: When you were younger, what did you want to be when you grew up?

I wanted to illustrate comic books as a teenager. I made fair amount of money in graphic design, advertising art, and portraits in my younger years. I was accepted by the Joe Kubert School of Animation and Art … and then I second-guessed myself. I was like, those artists spend fifteen hours a day hunched over a drawing board! Is that really how I wanna live?! So during my later years, I gravitated toward writing. It struck me as a more direct form of self-expression.

AMR: Where do you see yourself in 10 years?

Honestly? Dead. The world is blowing itself up even as I type this, and I’m not naïve enough to believe that I’ll escape the fallout. But as Michael Ende—the author of the iconic The Neverending Story—put it: ‘That is another tale, and shall be told at another time.’ In the meantime, God blessed me with a wonderful life. When it’s over, it’s over. I love the quote from one my favorite films, The Village: ‘We are grateful for the time that we have been given.’

AMR: When did you start writing and why?

I was in my teens. I fell in love with the works of Ray Bradbury, Mark Twain, and Daphne du Maurier. But I was still mostly an artist back then, so the writer that bridged the gap between writing and art for me was J. Marc DeMatteis—a comic-book writer. J. Marc’s writing brought Sal Buscema’s art to glorious life, and that’s when I began to examine the written word. Sal Buscema I already understood; he was an artist, like me. But there was something about J. Marc DeMatteis’ storytelling that I found very intriguing, and wanted to further explore.

AMR: What is your favorite movie?  How many times have you seen it?

I have three: The Lion King, The Crow, and Natural Born Killers. Honestly? They never get old. I’ve seen all three at least a hundred times, maybe more.

AMR: What genre do you write?

ALL of ‘em!!! Literature is just one big, exciting adventure for me. There’s always some new frontier, you know?

AMR: What is your favorite book or character that you have written?

I have two favorite characters. Jillian is a werewolf, and she was featured in “Renewing Forever” and “Beginning Forever,” both published by Black Velvet Seductions. And then there’s ‘The Dark One.’ I ain’t spilling the beans quite yet, but you’ll meet him soon enough! (V’s Note: ‘The Dark One’ appears in ‘Genesis Rising II: The Angel and the Beast.’)

AMR: Do you have a new release coming out? What is the title and genre?

I have book one and book two in a series entitled Genesis Rising. The genre is dark fantasy. The titles are The Children of Apep and The Angel and the Beast. The contracts haven’t come in yet, but I think I also have two short stories on deck: a sci-fi romance entitled “Talitha,” and an erotic romance entitled “Behind the Wall of Sleep.” (V’s Note: Both of the anthologies in which those stories first appeared are out of print, but both tales have been re-published in ‘Even in Madness.’)

AMR: What are your rituals before you start writing?

Drink a lot of beer. DON’T judge! I’m working on that … (V’s Note: I’m trying to recover from alcoholism now …)

AMR: Who is or are your favorite authors? Favorite Book?

Mark Twain’s Huckleberry Finn, Ray Bradbury’s The October Country, and Daphne du Maurier’s Rebecca. I re-read all three every year. And yes, that’s my triad of literary idols!

AMR: Fun facts about you?  Or unusual thing about you.

I like tartar sauce on my omelettes. I’m also a huge fan of musicals, despite my well-deserved reputation as a metal chick. Phantom of the Opera and Hairspray are two of my favorites!.

AMR: What words of wisdom would you give someone wanting to become a writer?

Don’t do it. Seriously. It ain’t worth it. But if you MUST do it, well … go ‘head and PM me. I may have some advice for you! Being an author is both a blessing and a curse. It’s best avoided if possible, but yeah, if it’s your curse—and you can’t escape it—I’m here for you!

AMR: If you had 2 hours to talk to whoever you wish alive or dead, who would it be and why?  And what would you talk about?

Jesus. Humans cannot truly create; we can only re-arrange the elements of that which has already been created. I’d like to sit down with the true Creator—BEFORE I kick the bucket—and ask Him what that process looks like.

AMR: Anything additional you wish to add?

DON’T write because you wanna be rich and famous! It ain’t happening. Trust me, I would know. If you wanna be rich and famous, go screw some Hollywood producer and hope that he puts you into a movie. Good luck with that! Not the screwing part, of course; that’s easy. The ‘being put into a movie’ is the hard part, and may require repeated screwing.

Write because you want to, and for no other reason. Write because you have stories to tell. Write because you hope that your words will inspire a young person. Write because you can’t imagine what your life would like if you weren’t a writer. Whatever your reason … just write! Writing is pure. Writing is clean, and comes from an altruistic place in the human heart.

If you love stories—if you love the written word—you must write! The world is desperate to hear what you have to say, whether they realize it or not. The social-media haters might say otherwise, but hey …

F**K ‘em!!!

And that’s it. If I were to keel over right now, I think those would make fitting last words for my tombstone.

I mean, there’s even an F-bomb in there …

May God rest the soul of Andrea Miles Rhoads. Sleep well, my friend. I’ll be seeing you soon enough. – V

Meet Dirty Space Groove!!!

LADIES AAAAAAND GENTLEMEN!!!

Boy howdy, do I EVER have a different sort of band for you today! You know how we all have our own quirky record collections? How most of us have a lot of our favorite genre and then we have a little something of everything else?

Imagine a band that somehow managed to put ‘everything else’ onto a single record …

That band would be DIRTY SPACE GROOVE!!! My new friend Dave Neri was kind enough to have a chat with me, representing his band and explaining some of the ‘stories behind the songs.’

So, without any further ado …!

K, here we go … Dave, can you tell us about Dirty Space Groove and how you got together?

Okay, about three years ago, MTK3 the vocalist posted for a side project band on Mondays. I knew of him from his prior band Kocosante, they were very popular and he’s is a great front man, I was in between projects at the time, so we met up with former drummer Marc from another local band Toasted Marshmallow Zombies, clicked immediately, and began writing songs that night

MTK3?

Mike Thomas Kennedy the Third. This is his stage name

Ah! For our readers, what is your local area? I like to know where my favorite bands are so I can show up, get hammered, and usually land myself in trouble!

We are in south Florida

Lucky … I’m freezing my patootie off at the moment! I’d like to chat about this MTK3, if we may. I’m listening to the single ‘Nancy’ as we’re talking. VERY unique singer! The first thing that comes to mind is ‘edgy nerd rock.’ And I DO hope he takes that as a compliment! See also Michael Stipe of R.E.M. and, of course, Geddy Lee of Rush. I’d be curious as to what drove him toward his unique singing style when rock in general seems to have gravitated toward darker, snarly vocals. Can you share a little about that?

Well, when we got together we were going to write heavier material, but I write more of a dark pop kinda rock style with melodies, so I brought this. MTK3 changed his normal style and really brought that unique voice you hear now. Most people say he sounds like Ozzy, or we sound like Faith No More meets the Red Hot Chili Peppers. But, he really learned a new way to sing, and it’s been really good to be able to stand apart from what is going on and focus on new sounds and vocal melodies

I also hear echoes of Rob Halford. ‘Nancy’ is a pretty heavy song, and the note at the beginning of the video talks about mental illness. Is that a running theme in Dirty Space Groove’s music?

No , we all have family members that fall into all of the categories of mental illness discussed in the opening segment of the video. I worked in memory/ Alzheimer’s care for a while and it really broke my heart, but our music jumps to different genres from we want to party to until the world ends or the climate/ pollution issues just being straight up silly. (V’s note: Yeah, ‘climate change’ is just fuckin’ silly. It’s called ‘weather,’ dipshit!) So, there’s really no path we follow when writing; whatever comes out comes out. We like to play around with the whole ‘alien’ thing; it’s fun, and we’ve all had encounters for our whole lives. When you hear our EP on iTunes you will see how different each song is.

Alzheimer’s really is heartbreaking. Yes, ‘diverse’ DEFINITELY describes Dirty Space Groove! A lot of bands would chase me down and beat me with the mic stand for saying this, but I’m hearing a definite eighties pop influence. Echoes of Wham!, A-Ha, and David Bowie, you know? And, also excellent use of pianos and keyboards. Was it deliberate, adding those elements to the music or did it just kind of evolve?

With My Sweet Space Dream, we did want the eighties elements, the Miami sound, KC and the Sunshine Bands horns, electronic drums reminiscent of the drums on Miami vice, and a bit of the Latin flair. You have a good ear. The synths are played by Carlos we played together in a band prior. I always play with synths, keyboards rather than another guitarist to open up our musical pallet and more soundscapes.

When our good friend Cheri Belfiore-Kane first sent me your music, that was the one thing that really blew me away. Most bands tend to revolve their music around one or two elements, whether it be vocals, lead guitar, bass, etc. With Dirty Space Groove, no one element jumps out … which somehow makes them ALL jump out—perfect balance. You don’t often hear that; I honestly think that’s what made Guns N’ Roses such a once-in-a-lifetime phenomenon. So, how do y’all write? Is your process structured or do the songs come from jam sessions? Do one or two of you write and the band fleshes it out, or is everyone involved from the get-go? DO share! I’m always fascinated by the writing process.

It’s different with every song. We all bring elements to the songs; someone will have a riff or a complete song and bring it in, or we take some elements from jam sessions that we play every night as a warm-up before rehearsal. But, everyone brings their style to the songs and we all write and play multiple instruments so we have many songs

Wow … I really appreciate the bass and drum players. They almost sound like different musicians with every song. It’s very tempting, I think, to settle on a ‘pet’ set of riffs and tempos. Do y’all do your own sound mixing, or is that subbed out to a studio?

Nancy and My Sweet Space Dream was played by Marc, our first drummer. The rest of the EP was a drummer named Alfredo; he has since left the band and we are working with a new drummer: Jeremy Staska. https://www.discogs.com/artist/261969-Jeremy-Staska from Studio 13; he also co-produced the EP with us and played some Latin instruments on it. Jeremy also mixed the EP and mastering was done by https://coladamix.com/ . We brought our good friend Oski Gonzalez https://www.facebook.com/oski.gonzalez.10 in to play congas on a few tunes, so we have an amazing team behind us.

Indeed you do! Tell me, who made that GORGEOUS video for My Sweet Space Dream? It SO reminds me of one of my favorite films: Heavy Metal!

That was made by Odette, the bassist David’s wife. It is very electric and eye-catching; she did an amazing job. Heavy Metal is one of my favs, too, I seen it in the theater when it came out. The song is about someone that is obsessed with Lady GaGa (Stephene) and he can only see her in his dreams.

Lucky! My mother wouldn’t let me see Heavy Metal when it came out. And, wow! Dreams are a running theme in my writing; I often think we don’t attach enough importance to them. Speaking of theaters, I’m told Dirty Space Groove has a major event coming up?

Yes, we are playing two nights at Deafstock, the first of its kind event to help all walks of life enjoy music and celebrate life.

https://deafstock.org

deafstock.org

Nice! I once knew a deaf fellow who loved going to metal shows. He said he could feel the beat even if he couldn’t hear anything, and he loved the energy. And, that does kind of sound like the first of its kind. How did Deafstock come to be?

This is taken from the page Story of Deafstock Music & Art Festival About Deafstock, Inc.: ‘David Ritchey, a passionate advocate for inclusivity in music and art, founded the Deafstock Music & Art Festival to bridge the gap between the Deaf and hearing communities. Inspired by the idea of Woodstock and frustrated by the lack of accessibility at traditional events, David envisioned a festival where everyone could enjoy music and art together for all walks of life. One evening at a local music festival, David felt frustrated by the lack of accessibility for Deaf individuals. This idea inspired him to create the Deafstock Music & Art Festival, where Deaf and hearing people could enjoy music and art equally. He envisioned a three-day festival with visual art installations, live performances with sign language interpreters, and tactile experiences. David assembled a dedicated all-volunteer team and faced numerous challenges, including funding and skepticism. They launched a successful crowd funding campaign and secured a spacious, accessible park for the event. Partnering with local Deaf and hearing artists, they also incorporated innovative technologies like vibrating dance floors and visual light shows. Deafstock features visual art installations, live music performances with sign language interpreters, and tactile experiences that let Deaf attendees feel the music through vibrations. The festival celebrates the talents of Deaf artists and musicians, providing them a platform to showcase their work. With the inaugural event set for April 2025, Deafstock aims to create a vibrant, inclusive environment. David and his dedicated team have worked tirelessly to bring this vision to life, transforming a spacious park into a celebration of music and art for all. Join us as we break down barriers and foster unity through the power of creativity.’ I seen his post on Facebook about five months ago, and we said we have to be a part of this event. We help out any organization that is for the betterment of humans and brings awareness to any worthwhile cause. We were the first band to apply to play.

Truly a noble cause! Rockers are and have always been the most charitable people I know. Always looking out for others! So, what’s new on the horizon for Dirty Space Groove? What does the far future hold?

Well, we are working with Irongate records, we are putting together a tour, and going back to record another six songs. We’ll have new videos and we’re looking forward to connecting with new fans around the world

WOW! Full speed ahead and damn the torpedoes! I for one—to quote Senator Palpatine—will be watching your career with great interest! So, before we wrap up, I have one final question for you. I always ask this one because I think it’s the most important question: What advice would you give a young/aspiring musician?

Learn about the business part as much as the music part. Be yourself and don’t follow trends. Write, write, and write music. Get knowledge on publishing and all aspects of the biz. Collaborate with other artists, and don’t be a dick!

‘Don’t be a dick!’ LOVE it! And, I absolutely agree about learning the business end. I struggled with that as an author but I had some great mentors, as I’m sure you did, too. Thank you, Dave, so much for your time today! Here’s wishing both you and Dirty Space Groove ALL the best going forward!

Thank you, Virginia.

You are most welcome. Cheers!

CONNECT WITH DIRTY SPACE GROOVE ON FACEBOOK: https://www.facebook.com/DirtySpaceGroove

CHECK OUT DIRTY SPACE GROOVE’S VIDEOS! https://www.youtube.com/@dirtyspacegroove

Welcome to ‘Lilah’s Limit’!!!

“You were right, Mommy. He’s an angel. God did touch him with his finger! Look at the beautiful scars …” – Line from Suzanne Smith’s Lilah’s Limit

Was there ever any doubt that Suzanne Smith is the Queen of Dark Romance?

Well, in case you missed the memo … yeah, she kinda is. https://virginiawallace.com/2021/03/03/a-chat-with-suzanne-smith/

This is the epitome of dark romance, a gothic masterpiece reminiscent of Mary Shelley and Anne Rice with a dash of Daphne du Maurier thrown in.

Taking place in New Orleans in eighteen seventy-one, Lilah’s Limit is set in the world of New Orleans’ brothel scene. It’s unnerving to think that—in the United States, of all places—there would be human trafficking organizations operating in broad daylight. But, yes, that was actually the case.

What makes Lilah’s Limit fascinating, though, is not the evil setting of the tale. What makes it truly shine in the amazing characters blossoming within said setting—the good, the bad, and the morally ambiguous.

And, if I had to describe Suzanne Smith’s characters –all of them—with simple phrases, it would be these: ‘morally ambiguous’ and also ‘scarred.’  It is very, very difficult to separate her characters from the wickedness that molded them. Some rise above their pasts, and some wallow in them. One of the most vile characters I’ve ever read is the calculating, diabolical Madame Cheney—a sociopath who traffics in the flesh of women less fortunate than herself. Her introduction is positively chilling: (Renault) looked at her incredulously. It was obvious she had no qualms about her immoral role as a flesh peddler. She talked about her girls as if they were unfeeling, mindless horses she was trying to sell rather than sentient human beings. While her dehumanizing and solicitous manner irritated him it also made him a little envious. How he wished he could be like her and shove his conscience aside. Take pleasure in his sinful behavior without feeling an ounce of guilt.

Renault, the leading man, is fascinating character. It was no small task, turning a common whoremonger into a romance hero. He’s the perfect counterbalance to the incredibly damaged Lilah, a woman of birth and breeding forced into a life of prostitution.

The book also raises this question: is murder always a crime? Should the law always remain immutable, unbreakable … or are some people just so evil that the law only serves to aid and abet their heinous deeds? The French Revolutionaries once said that ‘the more wrong that has been done, the more blood it takes to set it right.’

Is that true? It was unlawful for the Revolutionaries to behead Marie Antoinette, but given her sins against her people, History doesn’t seem to judge the Revolutionaries all that harshly. Perhaps sometimes—just sometimes—Civil Law is an impediment to the exercise of the simple Law of Good and Evil.

I will say that this book has a happy ending. I kinda feel like I have to say that, because everything I’ve written thus far is pretty dark. But, mind you, I won’t tell you how the story arrives at said happy ending. That’s the fun part, so I’ll just say that it does.

That having been said, I must also add that this book isn’t for everyone; Suzanne’s books generally aren’t. I’d rather be honest about what’s in a book than have the wrong reader find it, and then pan it. Suzanne is too talented to suffer such embarrassment. So I will point out that this story brutally portrays the realities of human trafficking, from the cold-blooded selling of virginity to outright pedophilia, although this is all written as tastefully as possible given the subject matter.

But, nevertheless, it’s the setting that makes the dark hero and heroine truly memorable. Our scars often define who we are, but sometimes we find the strength to rise above them. That is the overarching point of this tale: that oftentimes incredibly flawed people will surprise you. Not always, but often.

This truly is a five-star read, and I give it my hearty endorsement! https://www.amazon.com/Lilahs-Limit-Suzanne-Smith/dp/B0D1JKGNZM

Enjoy! – V

Welcome to ‘Bounce … Into the Unknown’!!!

I have long been a fan of S.K. White’s lush, vivid scifi and romance! (To read more about her, click here: https://virginiawallace.com/2021/12/08/all-gone-by-s-k-white-a-review-and-author-interview/ )

I had the honor of being able to read Bounce … Into the Unknown before it was released, and wow … just fuckin’ WOW, y’all! Check it out!

BLURB

What if you found yourself in a different reality… same face, but different you? Whitney Ann Rhodes bounces into the alternate realities of Whit and Annie. Can she navigate Whit’s complicated and volatile life or survive Annie’s dystopian world living under the rule of a global authoritarian leader and his military regime? Will she resist or comply? Afterward, can Whitney return to her world and face what lies ahead?

MY REVIEW

There are very few authors who do science fiction as well as S.K. White …

I’ve been a fan ever since the epic All Gone, and Bounce does NOT disappoint! It’s interesting that the world-building and technical jargon almost seem incidental. The real meat of the story—the thought-provoking part—is the emotional entanglements and conflicts that plague Whit/Whitney’s constant shifts between alternate realities.

It really does beg the question: What makes a person? Is it nature, nurture, or both? Whitney is a nice young woman from a good family. She treats people with gentleness and respect. Her doppelganger Whit, however, is the product of an alcoholic home and constant sexual abuse. While Whitney is gentle and kind, Whit is more or less a sociopath.

The setting begins on a more or less normal note, but as Whitney’s alternate lives begin to come unraveled, so does the world around her as she ‘bounces’ between societies upended by civil unrest and totalitarian governments.

Bounce is a masterfully told tale that is one part sci-fi, one part melodrama … and all heart. Five stars!

So, yep, that ’bout says it all! Click here to buy: https://www.amazon.com/Bounce-Trilogy-Book-I-ebook/dp/B0CX3VB4FQ

Cheers! – V